Come hither by Mária Szánthó (Hungarian, 1898–1984)
trying on a metaphor
todays bird

oozey mess
Claire Keane
occasionally subtle
Cosimo Galluzzi
wallacepolsom
will byers stan first human second
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Aqua Utopia|海の底で記憶を紡ぐ

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JBB: An Artblog!
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shark vs the universe
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Come hither by Mária Szánthó (Hungarian, 1898–1984)
Sitting for her Portrait (1893). John William Godward (British, 1861-1922). Oil on canvas.
Sitting for her Portrait was exhibited at the Royal Academy in London in 1893, where it was met with praise. One journalist for The Photographic News described the work as “almost a revelation,” and compared it to the work of Sir Lawrence Alma-Tadema, the giant of Victorian painting whom Godward devotedly followed: “it is as good as a picture by Tadema himself.”
Louis-Maurice Boutet de Monvel (1851–1913)
Arthur Hughes - “Ophelia” 1865
Edwin Austin Abbey
Federico Faruffini Saffo, 1865
Valkyrie
Anthony Frederick Sandys (1829 - 1904)
Reverie
Thomas Benjamin Kennington (1856 - 1916)
The Tangled Skein
Frederick Sandys (1829-1904)
Allegory of Music, c.1890 by Carl Zewy (Austrian, 1855–1929)
(Attributed to) Sidney Harold Meteyard (1868-1947), Penelope at her Loom.
Asphodel
Henry Ryland (1856-1924)
The Silver Veil
Vincenzo Irolli (1860-1945)
Marsh Mallows
Dame Laura Knight (1877-1970)
Forest Music
Jules van Biesbroeck (1873-1965)
Selbstbewusst
Ferdinand Max Bredt (1868-1921)
Contemplation
Arthur Dampier May (1872-1910)