Swan Lake collection by Hamda Al Fahim

Product Placement
I'd rather be in outer space 🛸

Love Begins

tannertan36
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Cosmic Funnies
Monterey Bay Aquarium

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roma★
ojovivo

Jar Jar Binks Fan Club
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ
official daine visual archive
Mike Driver
NASA
RMH
Color Me Curious
Keni
seen from Türkiye
seen from Türkiye

seen from Poland

seen from United States
seen from United States

seen from United States
seen from Sweden
seen from Türkiye
seen from Brazil
seen from United States
seen from Bangladesh

seen from Brazil

seen from United States
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@the-secret-cupcake
Swan Lake collection by Hamda Al Fahim
Waiting by an open door
This new Beauty and the Beast song kills me
Happy international women’s day from the best, most underrated disney ladies! And that’s the gospel truth!
design available as prints, shirts, etc in my shops here and here <3
→ Anna Kendrick Has A Casual Singing Problem (✖)
Stephen Merchant and Anna Kendrick goofing on set of “Table 19″
@stephenmerchant: Not many actors tall and tough enough to go up against me in a fight scene – but found one on set of “Table 19″
I hope you all are doing alright and finding healthy ways to cope with stress and troubles!
Miles Teller on Mean Tweets - Oscars edition [x]
Q: There’s been some criticism that [Beauty and the Beast] is like a women in an abusive relationship, ‘I can save him.’ What do you say to that type of concern that it suggests to girls to stick to that abusive boyfriend if you can fix him?
Just a little change.
Whiplash (2013) dir. Damien Chazelle
hanamaelee I think we found our new Bella for @pitchperfectmovie 3. Thanks @georgiaaquarium for introducing us to Diego and Jupiter!! 😍
The many faces of Winona Ryder
“Maybe I should’ve gone with best wishes 😬🤔😏”
Whiplash (2014) dir. Damien Chazelle
Opening Shot | Whiplash Duration: 54 seconds
‘The way movies begin, it’s so crucial to me. It’s that moment where you really have the audience totally spellbound… It’s the most critical moment…. I wanted this shot here to be lit and timed in such a way that we immediately sense a certain undercurrent of dread.’ - Damien Chazelle