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Misplaced Lens Cap

oozey mess
2025 on Tumblr: Trends That Defined the Year

ellievsbear

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Cosimo Galluzzi

blake kathryn

izzy's playlists!

roma★
Monterey Bay Aquarium
Cosmic Funnies
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE

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@thebitterwitch
Rare Photos of Black Rosie the Riveters
During World War II, 600,000 African-American women entered the wartime workforce. Previously, black women’s work in the United States was largely limited to domestic service and agricultural work, and wartime industries meant new and better-paying opportunities – if they made it through the hiring process, that is. White women were the targets of the U.S. government’s propaganda efforts, as embodied in the lasting and lauded image of Rosie the Riveter.Though largely ignored in America’s popular history of World War II, black women’s important contributions in World War II factories, which weren’t always so welcoming, are stunningly captured in these comparably rare snapshots of black Rosie the Riveters.
Zdzislaw Beksinski
The Terrifying Works of Zdzisław Beksiński
Nam June Paik and Shigeko Kubota, Merce by Merce by Paik Part Two: Merce and Marcel, 1978
Maria Lassnig
‘Untitled #479’
1975 | Cindy Sherman
Among Sherman’s earliest works, Untitled #479 (1975) gives evidence of the creative mode that would become her signature. It also reveals a telling affinity with Warhol’s Photobooth Self-Portraits (ca.1963). Sherman has identified this composite of 23 wallet-size pictures—made for a class assignment when she was still a student at Buffalo State College—as her “first serious work.”
Untitled #70 (1980) - Cindy Sherman
Untitled Film Still No.48 (1979) – Cindy Sherman
Martin Kippenberger (German, 1953-1997), Untitled, 1996. Oil on canvas, 120 x 120 cm.
Martin Kippenberger, Apartment, 1981
Martin Kippenberger, Apartment, 1981
John Baldessari Green Kiss/Red Embrace (Disjunctive) 1988
Faster, Pussycat! Kill! Kill! (1965) dir. Russ Meyer
Throwback to when I made this for a high school project and my teacher was upset at me using Beyoncé to celebrate the King.