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Maty Sal. Superior Magazine
Photography by Kazuma Takigawa.
Archibald J. Motley Jr.
Black Belt, 1934
Sistren - Gabby & Zu
Hangin @ Sugar Beach (Toronto)
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1. Black women make up 6 percent of San Francisco’s population, yet made up 45.5 percent of all women arrested there in 2013.
San Francisco is known as perhaps the most liberal and inclusive city in all of America, but that reputation means little for the black women its police department places in handcuffs. According to the Center for Juvenile and Criminal Justice, black women have been arrested at higher rates than other races of women in the city for the last 23 years at least. In every major arrest category, including possession, prostitution, weapons, drug felonies and marijuana, black women far outpace other races of women. Perhaps the most notable arrest disparity cited in the report is that arrest rates of black women in San Francisco are four times higher than the rest of California.
2. In New York City and Boston schools districts, black girls are suspended and expelled at much higher rates than white girls.
During the 2011-2012 school year, 90 percent of all girls suspended were black, according to a recent report titled, “Black Girls Matter: Pushed Out, Overpoliced and Underprotected.” Not one white girl was suspended that year. Boston was no better. Sixty-three percent of the girls subjected to expulsion were black during the same time frame, but no white girls were suspended.
3. Black women were locked up in state and federal prisons at more than twice the rate of white women.
Overall, black women make up 30 percent of the prison population, despite being 14 percent of the U.S. population, according to the American Civil Liberties Union. There are a wide range of reasons why these disparities exists. A Huffington Post article cites a lack of economic resources, familial support, and systematic oppression as driving actors.
4. Black mothers in New Jersey are more likely than their white counterparts to be deemed “unfit parents.”
New Jersey Public Radio learned through its own investigation that the children of black mothers are four times more likely to be placed in foster care than the children of white mothers. Black children make up just 14 percent of the state population but account for 41 percent of those entering foster care. The report found that even if the mothers are at similar economic levels, the black mothers were still viewed as more unfit that white moms, so this is not a class issue.
5. Dark-skinned black women receive stiffer prison sentences in North Carolina than light-skinned black women for comparable crimes.
In a study titled “The Impact of Light Skin on Prison Time for Black Female Offenders,” researchers found that black women who were perceived to be lighter skinned received sentences that were 12 percent lower than darker skinned women.
6. States that drug test pregnant women disproportionately jail black women.
At least 17 states consider drug use during pregnancy to be child abuse,according to Guttmacher Institute. Pregnant black women are no more likely to use drugs than white women during pregnancy, but they are reported to child welfare services for drug use at rates higher than white pregnant moms,according to a 2015 report by the Drug Policy Alliance.
7. More than half of all of women stopped by the NYPD are black.
In 2013, the most recent year from which arrest data is available, black women made up 53.4 percent of all arrests in New York City. Latina women were second at 27.5 percent and white women made up only 13.4 percent.
8. Black girls make up 14 percent of the U.S. population but make up more than 33 percent of girls detained or committed at juvenile justice system.
Willingham, whose research focuses on the incarceration of black women, says we see a higher rate of black girls behind bars than white girls because they aren’t getting the same support at the juvenile level. A recent report that analyzed how the sexual abuse girls experience can lead to incarceration points out that black girls make up a third of female juveniles detained or committed. Most girls in the juvenile justice system have experienced some form of sexual assault at some point during their lives. However, Willingham says black girls are less likely than white girls to get the rehabilitative support needed to decrease their chances of recidivism.
Read the full article
Outfit
African Art Events Global Round-Up - August 6th, 2015.
A hand-picked listing of African and Afro-Diasporan art events happening around the world, updated weekly.
“Elsewhere” at Art21 Lagos.
Featuring eight artists from parts of Africa, with others based in the diaspora or hailing from other parts of the world, ‘Elsewhere’ is a contemporary multi-medium exhibition that looks at how notions of fantasy, through history, memory and the creation of new images, can be interconnected in a global environment. The artists in this exhibition define alternative ways of depicting otherness, not rooted in spatial boundaries but by instability, fluidity and cross-cultural assimilation.
Artists featured: Joseph Eze (Nigeria), Namsa Leuba (Switzerland), Vincent Michea (France), Abraham Oghobase (Nigeria), Demola Ogunajo (Nigeria), Paa Joe and Jacob Tetteh-Ashong (Ghana), Yarisal and Kublitz (Switzerland/Denmark).
Dates: 29 June - 10 September 2015. Where: Eko Hotel and Suites, Victoria Island, Lagos.
“Lynette Yiadom-Boakye: Verses After Dusk” at the Serpentine Gallery, London.
Grounded in ambiguity, Yiadom-Boakye’s paintings occupy no specific position in space and time yet still manage to raise timeless questions concerning the representation of black subjects in art history. Far from generic in their depictions. her figures, whether individuals or groups of people, not only show Yiadom-Boakye’s unique style of painting, but also invites the viewer to consider the subjects as suggestions rather than explicit narratives or specific portraits. Her current exhibition at the Serpentine Gallery is a survey of recent work presenting a comprehensive range of painterly techniques, representing the artist’s key series of works.
Dates: 2 June - 13 September 2015 Where: Serpentine Gallery.
“From Within and Without: The History of Haitian Photography” at the NSU Art Museum, Fort Lauderdale.
Consisting of almost 350 works from the late 19th century to the present, the exhibition engages and familiarizes the viewer with the history of photography in Haiti through the work of contemporary artists and photographers, offering a unique perspective on life in Haiti and how political and natural crises have been perceived by native and foreign photographers and photojournalists. From Within and Without is organized by NSU Art Museum Fort Lauderdale and is curated by Haitian-American artist Edouard Duval-Carrié.
Dates: 21 June - 4 October 2015 Where: NSU Art Museum.
“David Adjaye Selects” at Cooper Hewitt.
Ghanaian architect David Adjaye presents a series of curated textiles from West and Central Africa, all textiles from the museum’s permanent collection, in the latest installment of the Selects series. The exhibition is the 12th in the ongoing series, in which prominent designers, artists and architects are invited to mine and interpret the museum’s collection.
Dates: 19 June – 14 February 2016 Where: Cooper Hewitt
“Beauté Congo – 1926-2015 – Congo Kitoko” at Foundation Cartier Pour L’Art Contemporain, Paris.
With an emphasis on the rich cultural heritage of contemporary popular culture painting in the Democratic Republic of Congo from the 1920s onward, and also including other creative expressions such as music, photography, comics, sculpture and other mediums, this exhibition - which includes 350 works from 41 Congolese artists - seeks to highlight the country’s extraordinary cultural vitality.
Dates: 11 July - 15 November 2015 Where: Fondation Cartier pour l’art contemporain
“Home Affairs” at the NOW Gallery, London.
Furniture designer, Yinka Ilori, fashion designer Christine Mhando of Chichia London and creative consultant Arieta Mujay devise theatrical, visually compelling conceptual spaces, brought to life with curated film, archival footage and performance.
Dates: 20 August – 4 September 2015 Where: NOW Gallery.
“Chris Ofili: Night and Day” at the Aspen Art Museum, Aspen.
The first solo museum survey of British-Nigerian artist Chris Ofili’s work in the US, the exhibition encompasses five galleries over three levels of the Aspen Art Museum, showcasing his paintings, drawings, and a selection of sculptures.
Dates: 17 July - 1 November 2015 Where: Aspen Art Museum.
“Myths Recreated” at Worldart Gallery, Cape Town.
This group exhibition aims to celebrate African myths and storytelling. The myths chosen deal with universal themes such as the origin of the world and the fate of the individual after death. We selected 7 artists and briefed them to recreate 2 stories that we selected as artworks.
The artists showing works are:
Fuzzy Slippers Nolan Dennis Thandiwe Tshabalala Darren Christian Russell Abrahams Karabo Makenna (Art of Brother) Cobus Engelbrecht (Art of Brother)
Dates: 31 July - 5 August Where: Worldart Gallery.
“Black Chronicles III: Fifth Pan-African Congress” at Rivington Place, London.
Marking the 70th anniversary of the Fifth Pan-African Congress, this new exhibition features photographs by John Deakin on display for the first time.
The Fifth Pan-African Congress took place in Manchester in October 1945, five months after the Second World War had ended. Following their participation in the War, European powers were forced to liberate hundreds of millions of Africans living under colonial rule, and pass radical measures condemning imperialism, racial discrimination and capitalism, all of which informed this historic meeting.
Dates: 16 July - 12 September 2015 Where: Rivington Place.
“The Rise of Sneaker Culture” at the Brooklyn Museum, New York.
Consisting of approximately 150 pairs of sneakers, the exhibition takes a look at the evolution of the sneaker - from its beginnings as an athletic development, to its current role as status symbol.
Dates: 10 July - 4 October 2015 Where: Brooklyn Museum.
“Zanele Muholi: Isibonelo/Evidence” at the Brooklyn Museum.
Consisting of a total of 87 works, created between 2007 and 2014, Zanele Muholi: Isibonelo/Evidence is the most comprehensive museum presentation to date of Muholi’s works.
Centering on documenting the experiences of marginalized lesbian, gay, bisexual, transgender, and intersex (LGBTI) communities, both in South Africa and abroad, artist and activist Muholi combines photography, video, and installation to create a platform for agency and visibility for individuals that are a part of these groups. Most notably, and at times injecting herself in her work, Muholi places the majority of her focus on members of the black lesbian and transgender communities of South Africa. The result is often an intimate but highly important series of works that speak to experiences otherwise hidden in plain sight.
Dates: 1 May - 1 November 2015 Where: Brooklyn Museum.
Kara Walker: “African Boy Attendant Curio (Bananas)” at the Brooklyn Museum.
Kara Walker: “African Boy Attendant Curio (Bananas)” presents a new resin-cast version of one of the sculptures that accompanied A Subtlety, Walker’s 2014 project at the Domino Sugar Refinery in Williamsburg, Brooklyn.
Dates: 20 May - 18 October 2015 Where: Brooklyn Museum.
“Basquiat: The Unknown Notebooks” at the Brooklyn Museum.
The first major exhibition of the artist’s notebooks, Basquiat: The Unknown Notebooks which features 160 pages of these rarely seen documents, along with related works on paper and large-scale paintings.
Dates: 3 April - 23 August 2015 Where: Brooklyn Museum.
“Whitfield Lovell: Deep River” at the Cummer Museum, Jacksonville.
MacArthur Fellowship winner and internationally-recognized artist, Whitfield Lovell’s multi-media installation explores ideas of memory, identity, and freedom, taking inspiration from the legacy of African Americans who fled from slavery, crossing the Tennessee River to freedom during the Civil War, using sculpture, video, drawing, sound, and music to create a unique experience that takes visitors on a symbolic journey in search of independence.
Dates: 20 May - 13 September 2015 Where: Cummer Museum.
El Anatsui “Five Decades” at the Jack Shainman: The School Gallery, Kinderhook.
To mark the first anniversary of The School, a once middle and elementary school turned large art venue, and El Anatsui’s recent Golden Lion for Lifetime Achievement Award at the Venice Biennale this year, a vast timeline of the Ghanaian sculptor’s larger-than-life artwork is dynamically displayed throughout the 30,000 square-foot space in the town of Kinderhook.
Spanning Anatsui’s work beginning in the late 1970s when Anatsui began his tenure as a professor of art at the University of Nsukka, Nigeria, Five Decades is a comprehensive survey spanning the last fifty years of Anatsui’s celebrated career, from compositions in painting, wood, and clay, to the magnificent metal works for which he is renowned. More than 40 pieces of his work are on display at the gallery’s upstate space.
Dates: 17 May - 26 September 2015 Where: Jack Shainman: The School Gallery.
“Nick Cave: Here Hear” at the Cranbrook Art Museum, Bloomfield Hills.
A collection of approximately thirty sculptural Soundsuits in the main gallery arranged in a dynamic vignette, a room of seven newly commissioned artworks surrounded by a new site-specific wall-based tapestry inspired by Cave’s childhood watching the night sky, an additional gallery with a selection of his recent sculpture work and a separate area with the artist’s video work, Here Hear is a definitive exhibition of multi-disciplinary artist Nick Cave’s life’s work.
Dates: 20 June - 11 October 2015 Where: Cranbrook Art Museum.
“Edge of Silence” at the Goodman Gallery, Cape Town.
Edge of Silence is a group show featuring artwork by some of Goodman Gallery’s leading contemporary artists:
Broomberg & Chanarin / Carla Busuttil / Nolan Oswald Dennis / mounir fatmi / Kendell Geers / David Goldblatt / Haroon Gunn-Salie / Alfredo Jaar / William Kentridge / Kapwani Kiwanga / Liza Lou / Gerald Machona / Lorna Simpson / Hank Willis Thomas / Jeremy Wafer.
Dates: 23 July – 29 August 2015 Where: Goodman Gallery.
Emmanuel Iduma and Emeka Okereke in Residence at L’appartement 22, Rabat.
Curated by Abdellah Karroum, this experimental collaboration between writer Emmanuel Iduma and photogrpaher Emeka Okereke will see the two question the difficult relations between the borders of Rabat, Tangier and Melilla by meeting and sharing daily life and experiences of migrants. As Emeka Okereke could not secure his visa, the residency is established between Morocco and Nigeria. The photographer and the writer will be working remotely on a series of collaborative works that interrogate issues of migration and exile.
Dates: 14 July - 31 August, 2015 Where: L’appartement 22.
“Guess Who’s coming to Dinner?” at the Richard Tattinger Gallery, New York.
Guess Who’s Coming to Dinner? celebrates the growing impact of African art on the global stage and serves as a crucial platform for visibility in New York. The exhibition introduces the work of twelve African artists: Halida Boughriet, Gopal Dagnogo, Sam Hopkins, Onyeka Ibe, Amina Menia, Chika Modum, Aida Muluneh, Chike Obeagu, Amalia Ramanankirahina, Ephrem Solomon, Uche Uzorka, and Beatrice Wanjiku.
Dates: 16 July - 22 August, 2015 Where: Richard Tattinger Gallery.
“Arresting Patterns” at Artspace, New Haven.
This exhibition brings together a group of artists who seek to uncover the often-overlooked patterns of racial disparity in the United States Criminal Justice system. The urgent need to explore indicators of intentional and unintentional discrimination arises in the aftermath of the Ferguson verdict, the Baltimore riots, the killing of Eric Garner, and the killing of William K. Scott. These events have produced collective frustration around the question of whether every citizen is protected equally under the law, and have led to a call for a more transparent dialogue between citizens, law enforcement, and policy makers.
Dates: 17 July – 13 September, 2015 Where: Artspace.
“Zina Saro-Wiwa: Did You Know We Taught Them How to Dance?” at Blaffer Art Museum, University of Houston, TX.
Centered on the relationship between the people of the Niger-Delta and their surrounding environment, largely tarnished by neglect from the Nigerian government and pollution from oil companies, Nigerian-British filmmaker and artist Zina Saro-Wiwa’s first solo exhibition at the Blaffer Art Musuem includes a series of video installations, photographs, and a sound installation produced in the Niger Delta region of southeastern Nigeria from 2013 to 2015 that cultivate strategies of psychic survival and performance, underscoring the complex and expressive ways in which people live in an area historically fraught with the politics of energy, labor and land. The exhibition uses folklore, masquerade traditions, religious practices, food and Nigerian popular aesthetics to test art’s capacity to transform and to envision new concepts of environment and environmentalism.
Dates: 26 September – 19 December 2015 Where: Blaffer Art Museum.
“Syd Shelton: Rock Against Racism” at Rivington Place, London.
Between 1976 and 1981, the movement Rock Against Racism (RAR) confronted the growing racist ideologies in streets, parks and town halls all over Britain. Formed by a collective of concerned and affected musicians and political activists to fight fascism and racism through music, we revisit this pivotal time and radical period in post war British history and 20th century race relations through the first major exhibition of Syd Shelton’s photographs.
Dates: 2 October – 5 December 2015 Where: Rivington Place.
“Rotimi Fani-Kayode (1955-1989)” at the Kathleen O. Ellis Gallery, Syracuse.
View a retrospective of the British-Nigerian artist’s work throughout his short by highly impactful lifetime.
Dates: 18 August – 22 October 2015 Where: Kathleen O. Ellis Gallery.
“Standard Bank Young Artist Award Exhibition 2015: Kemang Wa Lehulere, History Will Break Your Heart” at The Nelson Mandela Metropolitan Art Museum, Port Elizabeth.
In History will break your heart, Kemang Wa Lehulere’s award-winning exhibition looks at the artist’s current exploration of marginalized South African artists. In it, he creates a dialogue between his own work and the work of veteran fine artists Ernest Mancoba, Gladys Mgudlandlu and writer Rolfes Robert Reginald Dhlomo, using various mediums to tell the stories of these three artists, highlighting the importance of their contribution to art and writing in South Africa.
Dates: 28 July - 2 September Where: The Nelson Mandela Metropolitan Art Museum.
“Florine Demosthene: The Capture” at Gallery MOMO, Johannesburg.
Haitian artist Florine Demosthene’s exhibit sets about to recreate society’s views and understanding of the black female body, depicting herself in various narratives and allegories.
Dates: 6 August - 4 September 2015 Where: Gallery MOMO.
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Remembering the Congolese Genocide #GenoCost
02/08/2015
The Congo Free State Genocide which over 10 million were killed at the hands of the Belgians as well as the Arabs [x x x]
And the 6 million that has died since 1996, 45,000 continue to die each month because of conflict minerals. You handle conflict minerals every time you use your mobile phone The Western World as well as many Asian countries (with China importing the largest amount of conflict minerals) is buying these conflict minerals and thereby finances a civil war that, according to human rights organisations, has been the bloodiest conflict since World War II (And it’s not just our minerals)
People here are scared of flies, more than they are afraid of the lions. Though, they fear more of men than the lions and flies – together. - Hrvoje Ivancic
Congo, a country, receiving God’s love, beauty and wealth, seducer of rich people, presidents, businessmen, traders who take away the innocence of her children, men and women, who had sacked Gold, Coltan, diamonds, crucify it, kill it, pollute all in order to receive tiny bit of God’s love, goodness and joy in their empty hearts. If they had hearts, they would have been the Congo, their brothers and sisters. - Leonka Bosniak
This is Congo by Geoff Mclean
The most resource rich county in the world. Also the poorest. Violently exploited for the last 500 years. supplying us with gold. supplying us with copper. supplying us with tungstn. supplying us with hardwoods. supplying us with silver. supplying us with titanium. supplying us with diamonds. supplying us with methane. supplying us with uranium. supplying us with rubber. supplying us with slaves. supplying us with video games. supplying us with nuclear weapons. supplying us with satellites. supplying us with computers. supplying us with pacemakers. supplying us with cell phones
They are repaid with war. they are repaid with corruption. they are repaid with death. they are repaid with disease. they are repaid with suffering. they are repaid with starvation. they are repaid with instability. they are repaid with child soldiers. they are repaid with gun dealers. they are repaid with mass rape.they are repaid with displacement . they are repaid with conflict. they are repaid with extortion. they are repaid with injustice. they are repaid with abandonment. they are repaid with deception. they are repaid with with invasion. the world’s deadliest conflict zone since World War II. over 6 million dead..$24 trillion in untapped natural resources mean. “
Stromae’s capsule collection No.2 MOSAERT
Folding lava.
Ya’ll better light Kelly Osbourne’s fucking ass on fire for that Latino comment. I’m sick of my race being the butt of people’s fucking jokes like we can’t accomplish shit but cleaning some white bitch’s toilet or mowing their damn garden. Like its a damn job , it might not be the most glamorous but some people ain’t got the privilege of choosing a career thats ‘esteemed’. Like people got to eat and if you need a job you’re gonna take anything you can get. Not all of us have rich ass daddies that will kickstart our career. Please protect Latinos
DECORATING WITH PLANTS | Time Life Books ©1978
Bande de filles (2014)
One day you’re gonna be nice to me. We may both be dead and buried, but you’re gonna be nice, at least civil.
Do the Right Thing (1989) dir. Spike Lee