Frederic Edwin Church (American, 1826–1900), "Niagara" (detail), 1857
Jules of Nature
almost home
he wasn't even looking at me and he found me
No title available
Today's Document

blake kathryn
wallacepolsom

if i look back, i am lost
tumblr dot com
DEAR READER
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year
Three Goblin Art

★

❣ Chile in a Photography ❣
KIROKAZE
taylor price

ellievsbear
untitled
Sweet Seals For You, Always
seen from United States
seen from South Africa
seen from United States
seen from United Arab Emirates
seen from South Africa

seen from Italy
seen from South Africa
seen from Argentina

seen from United States

seen from Poland

seen from Italy
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@thedion
Frederic Edwin Church (American, 1826–1900), "Niagara" (detail), 1857
Swooooon. I love Char's floof hair and reckless aura, but this guy is cute too :D Did they just distill stuff girls like? Cool 18th century uniform, long hair, cravatt, ahhhh
He doesn't remove his mask enough, but at least it comes off from time to time. Unlike the guy who only removes it in the shower.
Attila Héjja, from “Popular Mechanics,” Dec 1987
No Sesso S/S 2020 Menswear New York Fashion Week
Lucas Simões: White Lies
Titled “White Lies”, this new series of artist Lucas Simões comprises six column-like sculptures made from concrete and paper piles. Simões is presenting his new pieces at Lora Reynolds Gallery arranged in a grid, as if they were pylons for an imaginary building during a construction process. Inspired by Brutalist architecture, these freestanding sculptures combine geometric shapes cast in concrete, stacked on top of hundreds of sheets of paper or pinched between the forms without internal supports or glue, only gravity holds the sculptures together. Paper and concrete seem to cascade toward the ground or climb skyward in a regular pattern, freezing the moment before each pillar topples. Simões’s series is about buildings, their stability and failure, and the consequences of their existence. The idiom of White Lies implies a certain harmlessness. But instead thinking about the phrase in terms of race, it encourages a reconsideration of modern architecture, the people at its helm, and its effects on the world.
All images © Lora Reynolds Gallery
Heat (1995)
Dandy rider
Luke & Mandy
Lasnobs
Atelier Versace S/S 2015
Dancer