Give My Regards to Soul & Romance.

"Borderline impressive, but mostly kind of sad."

[lunchboxpoems]

HANIF ABDURRAQIB

[wovi]

*

hanif abdurraqib

[northwindow]

Terrance Hayes, from So to Speak

[havingapoemwithyou]

poems from an email exchange by Hanif Abdurraqib

[aridante]

Richard Siken, The Subjunctive

[havingapoemwithyou]

poems from an email exchange by Hanif Abdurraqib

[389]

Pepe Shimada `Secret Life Of Cats Notebook Collection

[firstfullmoon]

Chen Chen, “Quintessence: the Quotidian”

[geryone]

Cannibal, Safiya Sinclair

[aridante]

Hanif Abdurraqib, And What Good Will Your Vanity Be When The Rapture Comes

[firstfullmoon]

Anne Sexton, from “Doors, Doors, Doors,” in The Complete Poems [ID in alt text]

[thefirstmrsdewinter]

the goldfinch, donna tartt / hacks / sputnik sweetheart, haruki murakami / half-light, frank bidart / light years, james salter / the queen’s gambit

[another-day-in-my-head-deactiva]

[weltenwellen]

Anne Carson, “The Glass Essay”, Glass, Irony, and God

[maybuds]

Trying to make sense of the kind of freedom and tenderness that can only come from so much loneliness

charlotte ager / sean thomas dougherty / félix vallotton / clarice lispector / beya rebaï / may sarton / maria medem / quint buchholz

[brianeno]

[babettesfeast-deactivated202105]

I love you. I want us both to eat well.

Portrait of a Lady on Fire (2019) dir. Céline Sciamma The Florida Project (2017) dir. Sean Baker The Farewell (2019) dir. Lulu Wang Moonlight (2016) dir. Barry Jenkins Little Women (2019) dir. Greta Gerwig God’s Own Country (2017) dir. Francis Lee In the Mood for Love (2000) dir. Wong Kar-wai