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The Flamenco Afición in the Golden Age: Understanding Audiences in the Cafés Cantantes

The afición, the dedicated, deeply knowledgeable community of devotees and expert amateurs whose collective passion and rigorous standards sustain the art form, was the driving force behind the reinvention of flamenco during the late nineteenth and early twentieth centuries. During this pivotal era, widely known as the Golden Age of Flamenco, the genre underwent a profound transformation,…

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The Modernist Invention of Tradition: Re-evaluating the 1922 Concurso de Cante Jondo

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#andalucia #cafes-cantantes #cante jondo #debates #flamenco-effect #professionalisation #vernacular agency

Flamenco and Visual Culture in Early Twentieth-Century Spain

The history of flamenco is not merely a record of sound and movement; it is a complex narrative of how the art form was shaped by the visual “media regimes” of the nineteenth and early twentieth centuries. To understand flamenco’s place in visual culture, one must recognize the radical paradox introduced by the camera: while a live performance is a singular, time-based event defined by risk and…

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A short obituary from my blog after the sad new of the death of the great anarchist and political cantaor José Domínguez Muñoz, "El Cabrero"

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The urban crucible: Seville's Feria de Abril and the star-system

The Feria de Abril began in 1847 as a practical cattle market, but it rapidly transformed into a complex social theatre where the city’s hierarchy was both reinforced and challenged. This transition from a rural exchange to an urban spectacle created a unique environment – a crucible where the modern star-system began to take shape. In this context, the star-system refers to the emergence of…

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May Day, flamenco, and the Andalusian left

In Andalusia, May Day (Fiesta del Trabajo, Día del Trabajador or simply Primero de Mayo) was a day when the labouring classes asserted both their presence and their economic demands. The origin of the day in Spain is rooted in the 1889 resolution of the Second International, which called for a global day of protest starting in 1890. While the movement in Madrid was dominated by socialist unions…

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Labour, industry, and the professionalisation of the cantaora

The transition of flamenco from domestic and communal spaces (of, for example, the juerga and the latifundio) to the commercial stage represents a significant shift in the socio-economic status of the cantaora and the cantaor. This process, in the last decades of the 19th century, was not merely a change in venue but a fundamental restructuring of musical performance as a form of specialised…

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#cafes-cantantes #cante jondo #professionalisation

The golden triangle and the geometry of exclusion

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#andalucia #triangle

Defining the "flamenco effect": institutional mediation and the Global North

The study of flamenco in the twenty-first century involves navigating a complex landscape of historical and institutional mediators. Central to this inquiry is what I call the “Flamenco Effect”. This is a term that captures evidential traces of flamenco’s agency, its ability to impact technoscapes and affective regimes. The concept serves as a foundational framework in my book for analysing how…

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#flamenco-effect

lescroniques

Flamenc en llengua de signes: la història de María Ángeles Narváez

canalsur.es L’espai Andalucía 360 visita l’estudi de Juana Amaya, que fa cinquanta anys que es dedica a ensenyar el ball flamenc. Per la seva acadèmia han passat nombroses persones de diverses nacionalitats, però hi ha una alumna a qui admira especialment per la seva «capacitat de treball i constància».És en la seva història on ens centrem. María Ángeles Narváez, coneguda artísticament com «La…

warningsine

The intellectual broker: who defines the flamenco canon?

The history of flamenco is not merely a chronicle of music and dance; it is a history of the structural dynamics of knowledge production. At the heart of this history sits the intellectual broker – the scholar, the writer, and the academic mediator who has historically claimed the authority to validate which styles constitute “authentic” art and which are dismissed as “commercial” or…

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#canon

The saeta and the star-system: professionalising the sacred voice

As we move into Semana Santa (Holy Week, from Palm Sunday to Easter Sunday) the obvious topic to discuss this week is the palo of the saeta. The saeta, an a cappella (a palo seco) lament sung during Holy Week in Spain, is often framed as the ultimate expression of spontaneous, raw religious devotion. Yet, the evolution of this genre from the nineteenth-century saeta vieja to the virtuosic saeta…