Gamzatti Conspiracy

A rockin' booty poppin' non stoppin' party of a dance blog.

[thegamzatticonspiracy]

fifth position

[thegamzatticonspiracy]

#tbt

[rivesveronique]

Martha Graham Dancers in Danse Languide

Sunami, Soichi 

April 1927

[northernballet]

Northern Ballet Leading Soloist Dreda Blow in rehearsals for 1984.

Photo justvisual

[theballetblog]

Rachel Ware

[ballerinaoftheopera-deactivated]

Carlo Martino, Ako Kondo and artists of Australian ballet in Frederick Ashton’s The Dream

[pointeshoesecrets]

The most fantastic performance I’ve ever had the opportunity to see.

[papaija]

“Robbins eerily captures the charged but ambivalent dynamic not just of rehearsal room intimacy, but of any relationship that relies on carefully ignoring the elephant of mutual attraction in the room.” Sarah Lamb and Federico Bonelli in Afternoon of a Faun - photo: Dave Morgan

[pirouetteforlife]

Kathryn Boren from Boston Ballet. Photo by Rosalie O'Connor

[whynotlarene]

[lordbyron44]

Ballerina Ludmila Pagliero rehearsal of Notre Dame de Paris. - Photo by © Anne Denieau

[ouchpouchsaywhat]

Jelena Grjasnowa & Anudari Nyamsuren, StaatsBallett Berlin

[kingdomoftheballerino]

Forget the dress this is the ultimate optical mind bender

[kameliendame]

Dorothée Gilbert backstage during Ballet Star Gala in Taipei, 2015

ph. James Bort

[yoiness]

Sarah Lamb and Federico Bonelli – © Dave Morgan

“Afternoon of a Faun”, choreography by Jerome Robbins, The Royal Ballet

[13allerina]

Tanzakademie Zürich ©Bettina Stöss

[browngirlsdoballet]

‘Let’s hear it for the boys’!! Congratulations to @gabehyman for becoming a new member of Ailey II!!! #phenomenal #power #beauty #alvinailey #artnyc #brownboy #dance #blackboysdancetoo

[books0977]

Alice Renavand in William Forsythe’s “In the Middle, Somewhat Elevated,” at the Paris Opera Ballet, 2012. Photograph by Anne Deniau, Opéra de Paris.

“In the Middle” perfectly captures the intimate, prickly, ambiguous relationships of dancers who grow up together but must never forget that their friends are also their rivals. When performed by other companies, this wary surveillance, the bravado that masks fear, is often enacted as a vaguely sulky aggressiveness. But when Alice Renavand and Aurélia Bellet eyed each other warily, it was immediately clear what was at stake: center stage.

[houstonballet]

Murmuration returns to the Wortham stage September 18 - 28, 2014 as part of “From Houston to the World”.  

[thedailyballet]

Mireille Hassenboehler and Simon Ball.

[streloff]

[altcomics]

Wassily Kandinsky

[thegamzatticonspiracy]

i could never not love this