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@theinfernalbook
The new ship meme just dropped!
Dru to Kit
Jem and Tessa to Alec
Memo to Consul Alec Lightwood
Re: Wild Fae Relations
After several days of tension, we’re relieved to report that the threats to Christopher Herondale and Wilhelmina Carstairs appear to have been resolved. We have liaised with Gwyn ap Nudd, of the Hunt, and he assures us that the unsworn faerie known as Mother Hawthorn has been relocated to a remote location and her place there will be maintained by the Hunt going forward.
Unfortunately, the safety of Christopher Herondale is still in question in the long term. Please see attached pages of personal correspondence for more informal thoughts and questions at your leisure.
Undersigned,
James Carstairs
Tessa Herondale-Carstairs
Dear Alec,
I made Jem do the formal part of the report because it makes my eyes cross. I felt bad for asking him, but he waved me off—apparently none of us would believe how much paperwork the Silent Brothers file. I was surprised because “paperwork” and “City of Bones” don’t really go together in my mind, but hey.
Anyway, the report is accurate. Julian Blackthorn, clever boy that he is, reached out to Gwyn, who agreed to deal with Mother Hawthorn. (Julian also didn’t tell anyone he did this, of course, because he also loves a dramatic reveal, which I’m sure we all remember well.) After being so terrified, it was certainly wonderful when the whole Wild Hunt swept in and seized Mother Hawthorn and brought Mina back to us.
Mina, by the way, is happy and healthy and not the least bit shaken, unlike her parents. She was nothing but delighted by the Wild Hunt and has been excitedly and repeatedly telling us that she met a lot of horses and the horses are her friends. Kit, of course, is at least as shaken as we are, possibly more. He’s barely let her out of his sight since she got back. He’s even been sleeping on the floor of her room. (We did move a daybed in there after the first couple of nights.) He has taken this quite hard. He hasn’t wished to talk about it much, but it’s obviously weighting heavily upon him, and there is a familiar troubled look behind his eyes that has remained since the incident. He is, we fear, beginning to understand what his heritage might really mean, as hard as we have tried to insulate him from it.
Despite Gwyn’s helpfulness, neither we nor Julian really know what exactly has happened between the Hunt and Mother Hawthorn, and we’re disinclined to ask. We know Faerie can be brutal, and most brutal to its own, and it has its own sense of justice and discipline, which often seems very…inhuman. That said, we do trust Gwyn, not least because we trust Diana Wrayburn. If he says that Mother Hawthorn won’t be bothering Kit again, we believe him.
We still don’t quite know what it was Mother Hawthorn said to Kit in that time in which they were alone — when we could see them, and Mina, but not hear them. Kit says it was only what we would have expected, but when he came back to us, his eyes were haunted. I wish I could demand to know what it was she said, or threatened, or revealed, but I know I cannot. He will tell us when he is ready.
That said, we don’t know if Mother Hawthorn has allies who might also know Kit’s secret. However she might have tried to wheedle Kit, we know her aim is hostile; we met her in Buenos Aires, before we even knew of Kit’s existence, and she was very clear. The words have stuck in my head: There is still a First Heir in the world. When the First Heir rises, in all the awful glory bought by the blood of Seelie and Unseelie and Nephilim, I hope destruction comes to the Shadowhunters as well as Faerie. I hope the whole world is lost.
I cannot look at Kit — stretched out on the daybed in Mina’s room, his hand fastened around one of the slats of her crib, even while he’s sleeping — and think awful glory. He’s like any Shadowhunter boy, an unordinary sort of ordinary. He likes movies and spaghetti nights and he bites his nails. He’s just a person, not a destiny.
As for now — very few people know of Kit’s heritage. Emma and Julian, of course, and you and Magnus, Jace and Clary, . . . even Julian’s brothers and sisters don’t know, or know only a vague shadow of the truth. But who else might Mother Hawthorn have told? Not the Seelie Court, surely; we are both sure that the Queen would have already taken steps to get hold of Kit if she knew. Kieran knows, of course, but we have no idea who in his Court he might have told (Emma says Mark and Cristina know some, but not all, of the situation). Obviously Kieran is an ally, and his Court loyal to him. But it’s too easy to imagine an enterprising courtier—or some wild fey—might learn the story and seek to take advantage of that knowledge.
The reality, we have realized, is that secrets like Kit’s come out eventually, and cannot be indefinitely contained. Just among Shadowhunters, keeping it within a small circle of trusted friends still means easily a dozen people.
Which leads us to our first actual request: would Magnus be able to come to Cirenworth sometime soon, to shore up its wards against the incursions of those who might wish to harm Kit? We’re forced to recognize that they are only a temporary solution, but for now they’re the best we can do.
Meanwhile, we feel strongly (and we’re sure you’ll agree) that we need to try to stay ahead of this threat. We’ve asked Kieran to have his spies keep an ear out for any rumors circulating about the First Heir in Faerie. Would you be willing to do the same, through the Alliance? We know that the timing of this is terrible for you—we surely would have chosen less of a precarious political moment for the Clave to have this trouble, if we could have. Know that we support you and will always stand by you. We may have withdrawn from active Shadowhunter life, but we will always be there if you need us.
You’re so young to have taken all of this on your shoulders. Does it not always seem that responsibility comes to us Shadowhunters too early in the morning of our lives? I look at my dear Kit, and I know. We all know what’s coming, like knowing sunset is coming on a day you don’t want to end. The long sunny day of Kit’s childhood is nearly over. I shudder to think what he will have to face when night comes.
With all our love,
Jem and Tessa
Emma to Bruce
Dear Bruce,
Bruce, Bruce, Bruce. Will I keep writing to you when all these renovations are done? When things have returned to some form of normalcy? Or is normalcy over—is the crack in the Nephilim world one that can’t be healed but will only widen over time, with more and more changes, until finally there is too much change to bear? In which case I guess I will keep writing to you, Bruce, as a kind of silent witness to the strangeness of these times.
Sorry, sorry. I am feeling a little poetic tonight because Jem and Tessa and Kit and Mina arrived today and…well, that’s just kind of how Jem and Tessa talk. Being, you know. Way old. And because it feels like all this business with the cursed house is in its final chapters and I don’t have any idea how things are going to be after that.
In any event we didn’t do anything about the curse today, we just ended up visiting with the Carstairs-Herondales, who should definitely pick a shorter name we can use for them. Team Victorian Era? Team Time When Everything Was Very Romantic But It Took Forever To Get Anywhere? Hm. I guess I’ll ask them for ideas, since mine are, uh, bad.
There was some complication right when they arrived. We had picked out a couple of bedrooms for them to use and asked the brownies to make them up with sheets and towels and all that. And then we checked them before the guests arrived and I’m glad we did because the faeries had made up all the rooms for…birds? Like, for huge, person-sized birds. Big nests of sticks, six feet across, and branches to perch on. And big balls of birdseed hanging from the ceiling. So we had to ask them to redo the rooms and the brownies looked so disappointed. (But we didn’t say the guests were birds! I have no idea why they thought that!) The worst part is they did a really nice job, like, if we were being visited by giant birds they would have been very comfortable. They still seemed puzzled when everyone did show up that Mina wasn’t a big egg. Faeries, man.
Speaking of Mina, who is not a big egg but rather a small toddler, she is extremely cute. She is walking now, or toddling, I guess, and she says “mama” and “dada” and also “kish” which apparently is what she calls Kit. And she has a little wooden toy stele that she is constantly trying to scribble on everyone with. Apparently Kit has been learning runes and Mina wants to learn them too.
We should have just gone straight into curse-breaking but to be honest we were just having a very nice time hanging out. Tessa and Jem are very easy to spend time with, which is nice given how high-strung most of our other friends are. I suppose once you’ve gone through all the stuff that has happened to them, it takes a lot to upset you. Just the way Jem talks about the curse makes me feel more reassured that we’ll be able to fix it, even though we don’t really know what we’re doing or what’s gone wrong so far.
They seem really impressed by the house, also, which makes Julian look all proud of himself in a highly adorable way. Tessa said the last time either of them were here was after Tatiana was arrested and sent to be an Iron Sister, and they were searching it for demon stuff. (Most of which, she admitted, they clearly didn’t find. It seems obvious from the way she talks that they didn’t understand how dangerous Tatiana really was until it was too late—I really want to ask her about that but it seemed a dark topic while we were all having a good time.) Jem said by that time it was already in pretty bad shape, but Tessa said she saw the house once “in its prime” at a ball, and then she blushed a little. Whatever happened during that ball must have been pretty impressive if she’s blushing about it 130 years later!
Of course there’s still that overall shroud of heavy memory that kind of hangs over the place, and no amount of new paint and replaced windows can help that. That’d be the curse, of course. Still, it felt cheerier this evening than it ever has before. For the first time I felt a little like it was our house and friends had come to visit and it was surprisingly nice and ordinary. As long as I don’t think about what’s going on with the Clave.
Also a concern: Kit. He was hanging out with us most of the day, but he was really quiet, for him, and a couple of times he excused himself to go take a walk in the garden. Julian said he thinks Kit broke up with his girlfriend and maybe he’s sad about that, but I don’t know. He was really jumpy whenever any of the builders were around, and kept a close eye on them anytime they were nearby. Round Tom introduced himself and Kit nodded, but he didn’t say his name or much of anything else. I mean, you can hardly blame him. His relationship to faeries, and Faerie itself, is complicated. According to Tessa, Cirenworth is very tightly warded against faerie incursions, and even the town and the roads nearby are protected. Magnus and Catarina made sure of it. So this would be one of the first times he’s been around faeries since the big battle outside Alicante; even though these faeries are safe, it must be weird for him.
But you know Kit. He has this aura about him like he doesn’t want to answer any questions about how he’s doing. Today he’s been out front, watching the faeries in the garden — it could be he’s worried about them, or maybe he wants to join them? I don’t know. Maybe Julian or I can get him to open up a little while he’s here. Or maybe I’ll get a moment to ask Jem or Tessa if they know what’s up.
Anyway, that’s all from me for now, Bruce. Tomorrow we break a curse! I hope!
Emma
Julian to Magnus
Dear Magnus,
Mark this date down! For once I am writing to you with answers instead of questions. I know you probably felt a sinking sensation when you saw the letter is from me, and considered going into the Witness Protection Program (Warlock Protection Program?) but I’m actually only writing to give you the latest updates. And the great news is, we know a lot more than the last time I talked to you.
First: the ghost in Blackthorn Hall is Rupert Blackthorn, Tatiana’s husband. He’s stuck in the house because of the curse. As near as we can tell, his spirit was floating around Blackthorn Hall anyway, because he died here (according to Tessa and Jem, in quite violent circumstances). But then the curse was fading after Tatiana’s father’s death, since it was tied to him, and Tatiana started to have to do regular maintenance over the following years to keep it working. We have no idea if Tatiana even knew Rupert’s ghost was here in the first place, or knew that the curse was keeping him here—but it clearly did, and has been all this time. He’s observed a lot over the years, I suspect.
The curse works, it seems, by being embedded in objects that are placed on ley lines that interact at Blackthorn Hall. (This was very clever of Benedict, since the objects themselves were not at the house and thus the curse wouldn’t be detected by Shadowhunters searching here. He didn’t make provisions for faery contractors, lucky for us.) Also, because Tatiana had to keep the curse up, she periodically replaced the objects with new things she’d taken herself. And she took things belonging to Herondales, Carstairs, Lightwoods…the people she hated and their kids. Maybe she thought her hatred would make the curse stronger, maybe she just liked stealing from those people and using their possessions for her own purposes. Hard to say, but it doesn’t really matter. Find the (remaining) objects, lift the curse, free Rupert, and get back to refurbishing the house so we can live here curse-free.
ADDENDUM: It is the next morning, and I have a bit of good news. Rupert knows where one of the objects is! Or at least he has a place he wants us to go. Communication with Rupert still includes a lot of interpretation. In this case we came down to breakfast today to find a very antique envelope we had never seen before in the middle of the kitchen floor. Whatever correspondence was in it is long gone, and the writing was smudged, but we could make out the address, which is on Curzon Street in central London. Some quick fire-messages and we learned that Tessa’s son James lived in a house on Curzon Street a hundred-plus years ago. It still belongs to the Herondales, in fact, but years ago, pre-Jace, probably pre-Jace’s-dad, it was given to the National Trust. So it’s open to the public as a historic building but I guess Jace still technically owns it. So off we go, some tourists who just want to visit a historic home, hoping we find something. Tessa said as far as she knows it hasn’t been inhabited by Shadowhunters for a long time, and if there was some antique thing put there by Tatiana, it could easily have been sold or put in storage or who knows what. Rupert wouldn’t know that. There’s also the question of how much of the house is open to the public and how we might search the parts that aren’t. Emma suggests we get Kit on the phone and have him tell them that as a Herondale he gives us permission, but I’m not sure that’s how it works.
So the situation is still far from fixed, but we’ve made a bit of progress, at least. And Emma likes to point out that things could be way worse. Rupert could be a vengeful poltergeist constantly destroying things or trying to drive us out, but instead he seems to recognize that the way to get what he wants is to help us. I don’t think we can depend on him to find some piece of hundred-year-old trash that will point us to all the objects, but we have a place to go next, and we still have Tatiana’s diary and Ty’s Ghost Sensor. And I feel much better having a concrete goal.
And you may be thinking, well, okay, so what do you want from me? And the answer is, nothing at all!
Thanks again, and our love to Alec and everyone there.
Julian
man can do it all
Dru To Kit
Julian to Helen and Aline
Dear Helen and Aline,
So Emma and I took the train from Paddington Station pretty early in the morning (I suppose we could have gone to the Institute and seen if they’d let us use their Portal, but it seemed like trouble and besides, it’s not our first train trip in England.)
We got off the train at Exeter, a sprawling town with a big Gothic cathedral. Tessa was waiting to pick us up in a racing-green Mini Cooper with Mina strapped into a kid’s seat in the back, wearing goggles. She reminded me of Tavvy when he was littler. Emma got in the back and played peek-a-boo with Mina, and I chatted with Tessa while we rolled through gorgeous green countryside. I hate it when people say “It looked like it does in the movies,” but it kind of did. I kept wanting to get out and paint the scenery.
We drove through a big gate, and then up a long road lined with oak and poplar trees. I thought we were in a national park of some kind — there were trails, and lots of greenery and flowers. Tessa told me the purple ones were bluebells (you’d think they’d be blue), and the yellow ones were celandine. We passed a big glass house and then we came out in front of what I swear I thought was a castle.
I think I knew Cirenworth was fancy, but I don’t think I realized how fancy. It’s this huge pile of gold-colored stone with little turrets, and windows full of leaded glass. There’s a big circular driveway in front, and we parked there in front of steps that looked like they could be outside a museum. Jem and Kit were waiting for us at the top and Mina started squealing with delight the moment she saw them. It was pretty cute.
We got a tour of the house — it turns out they only use about half of it, and the other half is closed off because it’s too much to take care of. I asked if they’d had to renovate the place and Jem said no, it had never fallen into disrepair like Blackthorn Hall. Tessa said she’d had to redecorate because it had been pretty dark “and a little moldy” when they moved in, but she said she’d redecorated before — apparently she fixed up the whole Institute a long time ago. I asked her about renovations, but she pointed out that back when she’d done the Institute, indoor plumbing had been a new thing.
Kit said they had put the internet into Cirenworth (do you “put the internet into” things? Emma says you “wire things for the internet.” I think neither is probably right) for him, because he uses it for school. I think he’s happy here. He pointed out things in all the different rooms that he liked — and there were a lot of different rooms. A big library with gold rugs, a games room with a pool table (only they call it something else), an inground swimming-pool, a bunch of offices, a music-room, a sewing-room, I mean, they probably have a room just for licking stamps and putting them on envelopes.
I realized this was the most I’d really seen of Kit since he left to go live with Tessa and Jem. I fell back to talk to him while Tessa was showing Emma the portrait gallery of Carstairs Past. He’s so much taller, almost my height now, and his voice sounds deeper. And I realized he looks older just like Ty looks older; I’d been almost thinking of him as the same age he was when I first saw him. But no, he’s growing up. Is grown up, maybe. Almost.
He said he wanted to show me something in the garden, so I followed him out through a French door. It was an overgrown spot — there were strawberry bushes, though no strawberries (not the season) and there was a cracked sundial in the middle. Kit said, without looking at me, that if it made me uncomfortable to be around him, or I didn’t want to see him, he could claim he had a headache and go to bed.
I was thrown. I asked him why I’d mind if he was there. He kicked some dirt around with his boots, and finally said, “Because — because of him.”
I didn’t say anything at first. I was a little frightened to. Kit had seemed fine inside, laughing and joking around and picking up Mina so she could climb on his shoulders. Now he reminded me more of the way he’d been when we first met him, or even the way Mark was when he came back from the Wild Hunt . . . Fragile.
“You mean Ty?” I said.
He nodded stiffly. “You’re his brother,” he said. “I mean, I talk to Dru, and she’s his sister, but — you were always more than just his older brother. You were like his father. I know you raised him. I guess I just meant that if you were on his side — I wouldn’t blame you.”
I said, “Ty has never indicated to me there’s a side to be on.”
Kit looked up. “He — hasn’t?”
“I know you two don’t talk,” I said. “I don’t know why. Ty’s never told me why. But he’s never blamed you, or said it was because of anything you’d done. People fight,” I added. “It happens. I wish you were friends again, because when you were, it was pretty special.” Ty was so happy. But I didn’t say that. “But either way, regardless of anything happening with you and Ty, we all went through so much together. You’ll always be one of us. Family.”
He said in a hoarse voice, “That means a lot.”
We all went and had dinner after that, and a lot of stuff got talked about — including that Tessa’s son James Herondale once had a gun that worked on demons, which Kit was pretty excited about — but this letter is getting pretty long, and I mostly wanted to tell you about Kit. I guess I didn’t realize how unhappy he was about the situation with Ty. I wonder if our whole hands-off attitude is working? I mean, I know it’s their business, but what if Ty is unhappy too? Is there something we should be doing?
—Jules
Julian to Helen and Aline
Hi guys. We just got back from Cirenworth and seeing Jem, Tessa, Kit (and Mina, of course.) I learned a great deal about Kit, about a gun and an old Herondale named James. I have to sort my thoughts out, but in the meantime, here's a photo of all of us at Cirenworth. You ought to go sometime. It's a pretty cool place.
J.
Kieran to Julian
To: Julian Blackthorn, Master of Blackthorn Hall
From: The Court of Unseelie
My dear Brother,
Mark has shared with me, with your permission I gather, the contents of your last letter to him as they regard Round Tom and the manor house. I have investigated what you ask, and it unfortunately falls to me to agree with yon Thomas: Blackthorn Hall is suffering under a curse.
I am sure that from your perspective, the bad news is less the fact of the house’s curse, and more the additional charges that Round Tom has added for the repairs and updates that his team is performing. It must especially vex you that these new prices do not include the breaking of the curse, but are only meant to cover the increased risks for the workers and the extra protections they will need to take.
I have already taken steps to seek a solution, but pray let me explain the situation, perhaps somewhat more cogently than R. Tom was able.
First, please know that Tom’s unwillingness to break the curse in fact is a prime example of his virtue (or, Mark has suggested, his fear of the office I hold; I choose to think it the former). The company working on Blackthorn Hall is not at all qualified to address such a complex thing as a curse. In this situation, many of the fey (though I am loath to admit it) would claim they could solve the problem, and would charge you enormously for a task they could not, in truth, accomplish. That Tom has not done so is a credit to him.
I appreciated your suggestion that the curse and the specter haunting the house could be one and the same. Unfortunately, when I communicated with Round Tom through my sources—
(Mark has interfered to admonish me for not simply saying General Winter; my apologies. Speaking plainly in written correspondence can be remarkably difficult for one used to the politics of Faerie.)
Unfortunately, after communicating with Round Tom via General Winter, I have been assured beyond a doubt that the ghost and the curse are different articles. Round Tom’s words, I believe, were to the effect that,
“Old houses always have ghosts. We don’t mind ghosts, and they do not interfere with our work. A curse, however, does, and Blackthorn Hall is cursed.”
He also made clear that it had been his impression that you already knew—that when the house’s owner shares the same name as the house, they likely already know enough of the history to be aware of a curse. Of course, he doesn’t know anything about the history of the Blackthorn family, and he should not have made such an assumption.
I pressed him to lower the price anyway, as a personal favor, and explained that the circumstances of your taking ownership were quite unexpected. I am sorry to say that he could not be moved. He produced a veritable library’s worth of treaties, bylaws, and charters to support his contention that these protections for his men were guaranteed by the Courts of Faerie, and in fact, he is correct.
I am therefore in the regretful position of suggesting that you focus your efforts on discovering and lifting the curse. While it is true that Round Tom and his crew will be unable to assist you, I know you to be a well-connected member of the Nephilim, and among your friends and companions many warlocks, Silent Brothers, and so on are to be found. I have every confidence in you and Emma; surely no curse can go long unlifted once the two of you have committed yourselves to its end. I have enclosed a brochure that might be helpful, as it is intended for those who have just discovered their dwelling-place is cursed. (Mark tells me one should never utter the words “I have enclosed a brochure” in personal correspondence, but I am not sure how else to word what I am doing. Perhaps “Lo, a pamphlet” would have been more appropriate.)
Thank you also for the delicious cake that you sent. While it does not stir the wild blood of my heart as faerie food does, it was a delicious accompaniment to a pot of strong tea, and we enjoyed it here muchly. Mark has informed me that this cake was created by a mundane, Victoria Sponge. All credit to Lady Sponge, and to you for sharing her artistry with us!
Mark and Cristina send their love. To that I attach my own, and remain etc. etc. Hail Kraig.
Kieran
Julian to Mark
Jem to Emma
Dearest Emma,
Thank you for writing to keep me apprised of the situation at Blackthorn Hall, and this haunting in particular. It means a great deal to me that you’re willing to share what’s going on. I’m glad we’ve moved beyond the days when you felt you had to conceal your more wild schemes from the older generation, myself included. I hope you know that you need keep no secrets from me, no matter how outlandish those schemes are. Secrets have caused you and Julian so much heartbreak in the past, I want you to know that you can tell me anything and I will not judge you.
So you say you are helping a ghost? That could be a noble pursuit, and a compassionate one, but I must urge you to be careful. Blackthorn Hall has a history that at times involved unsavory characters and sinister magic, and if a spirit truly is haunting the manor, it may not be benevolent. The fact that Magnus sensed no ill will eases my mind a great deal, but I would still urge you to think carefully about what this ghost asks of you in seeking its freedom. It may not mean you any overt harm, but that does not mean that no harm will come to you.
As for the Devil Tavern—I do indeed know it. It has been a Downworlder haunt for many centuries, and for some time, at the early part of the last century, it was something of a refuge for people Tessa and I cared about very much. I do not want to tell you too much about them — it is painful to cast our thoughts back to that time, for it is a reminder of so much that has been lost, and of those we could not save. But I also think it may not help you — it seems to me best that you go into this search without preconceptions or expectations of what you may find.
Why do I feel this? I can only say that during my many years of being a Silent Brother, I felt a great kinship for shades: for the dead and those who haunted, and for the memories that tethered them to earth. I too was tethered by memories in those times. They were what kept me human and able to return to this life I have now, that I love so much.
So I will not tell you of names, or personalities — they may not be relevant to your search at all, but you must go forward, to find that out. And that is why I will tell you this: you saw only a little of the Devil Tavern. There are a set of rather blackened stairs behind the bar, and up those stairs there is a secret room, one that was closed off decades ago. It is possible that whatever your ghost is looking for may be in there. If you wish to gain entry to the hidden room — and a warmer reception at the Devil in general — show the bartender your family rings. Say the names: Blackthorn. Carstairs. They will matter.
I hope you will keep me apprised of what you discover, and the next steps in your adventure. I wish to know, though there is some part of me that fears what you might find in that room, and what it may say about the fates of those I loved in the past. I hope that I am wrong. I hope that this tale will have a happy ending. I know this much—this ghost is lucky to have determined souls such as yourself and Julian helping it to find rest.
Church has informed me that it is, in fact, time for dinner, and naturally I must attend to his every whim. I hope that you and Julian are having a good time settling in at Blackthorn Hall, in spite of the restive ghost and the many years of neglect the place has suffered. You are correct that it does not surprise me that a ghost is there. The past haunts that place, a story of things done and things left undone. It is possible that by bringing love and warmth into that place, you will close that chapter of neglect, and open a new one, of infinite possibility.
I believe in you, Emma. When I see you, I see Carstairs past; I see bravery, and the flame of Cortana. Remember that you are of the steel and temper of those who have gone before you. I hope that I will see you again soon, and that when I do I will have the strength to tell you of some of them, of a girl with fire-bright hair, and her brother, and those who came before and after them.
Love,
Jem
clary: so what did the paper in your fortune cookie say?
jace, mouth full: the what in my what
Magnus to Alec
Dear Alec,
Before anything else, I just want to mention once again that you are by far the handsomest man I have ever met, with the most beautiful blue eyes, and what I love most about you, among so, so many other features, is that you are a man of incalculable understanding, patience, and forgiveness.
Yes, this is our vacation. Yes, you and the kids are lounging on the soft white sands of St Barths, as is good and right. Yes, I have had to dash to London on urgent business involving Blackthorns. Yes, I have been receiving your many supportive texts, accompanied by your many photos in which you look angry while holding umbrella drinks.
No, I will not be back today. You must imagine me saying this with the heaviest of sighs and the most forlorn look. I need one more day. Blackthorn Hall is haunted—which I could have told anyone who had bothered to ask, I’ve never known a more obviously haunted place in my life—and none of the little Blackthorns (who I suppose are no longer quite as little as all that) have had to deal with this kind of ghostiness before.
So again, let me commend you for your forbearance in this time of trial. That is not sarcasm, just formal! I really mean it!
Love you, Alec. See you tomorrow night. The next morning at the absolute latest -
To the Greatest Man Who Has Ever Or Will Ever Live,
It will be tomorrow morning. I was meaning to depart tonight, but it is now very, very late, and I have had no small amount of wine, and these are not the conditions by which I would feel quite safe opening a Portal. It will not do me any good to return to St Barth if I show up on top of the Gustavia Lighthouse.
So since I cannot yet sleep, but must, let me quickly fill you in.
The Blackthorns are fixing up Blackthorn Hall—fancy that—and while I understand they are now properly adults, they are still young enough to use a hundred year old Ouija board they found hidden in the walls. Didn’t have a planchette? Not a problem, we will just make one out of scrap without reference to the wood or the ley-lines or any of the— Sorry. I couldn’t help it, it’s such the Shadowhunter stereotype. Leap before you look. In fact, just leap. Leap whenever and wherever.
As it turns out (spoiler alert!) the spirit of the house—at least the restless one—means no apparent harm and is just your standard everyday “ghost looking for its missing bauble to move on” situation, as you’ll see. But I was more alarmed for it being the house in Chiswick. Many generations of Lightwoods lived in it over many years, and there always seemed a dark shadow over the place. In the mid-19th it was the home of, I’m sorry to say, a very bad Lightwood, definitely one of the worst Lightwoods, and after that, well, its fall from grace was precipitous. I cannot say from what time period this ghost might date, but given its reaction to the name “Blackthorn”, I had my worries.
Anyway, by the time I got to the house, Julian and Emma had managed to cause the Ouija board to, you know, magically shatter into a dozen pieces. I magicked it back—note for future reference, easier to magically repair something that was magically broken in the first place rather than with, say, a hammer—and produced a makeshift but actually calibrated and warded planchette. And burned their planchette in a fire. Outside.
It was quick enough at that point to contact the presence in the house, who was indistinct, probably from being alone for the past hundred-odd years. Let me tell you, Alec love, I was worried then. I was worried that this ghost was someone I knew. Someone I cared about, once. It probably isn’t—most of them would have no reason to be ghosts at all, much less ghosts stuck here—but once the thought occurred to me, I couldn’t put it aside. I tried to ask but you know how ghosts are. “I do not now know you,” it said. Great. But did you know me when you were alive? Just “I do not now know you.”
Anyway the thing was peaceful enough. We finally got around to the topic of why he is a ghost—we got enough of a spoken voice to know the voice is male, at least. He spoke aloud, and firmly. I am bound here by a silver band, he said.
Whether this silver band is a ring, a bracelet, a handcuff, the concept of “the ties that bind,” or a group of robot musicians, I have no idea. But it’s normal enough for a ghost to be bound by an object and to be looking for the thing that binds them. I honestly didn’t get a negative vibe from the guy. I’m… let’s say ninety percent sure that it’s not the aforementioned Bad Lightwood, at least. I told Julian and Emma there was no harm in their keeping an eye out for a silver band during their cleanup of the house, but not to worry themselves sick over it. This felt like wise advice at the time, although we had all had quite a bit of wine at that point.
The wine was in fact drunk continually throughout the evening, as there are some salvageable bottles from the cellar—rather amazingly, although I don’t know, maybe Shadowhunters have wine preservation runes somewhere near the back of the Gray Book. And drinking red wine while talking to a ghost just seemed, I don’t know, the right pairing? But of course now I have a splitting headache from a combination of sulfites and light necromancy. I am going to put myself to long-overdue sleep, and then tomorrow at six in the morning your time please tell le garçon I would like waiting for me a café allongé, very hot and a sidecar, very cold. I will then entertain the children for the rest of the day while you, my love, my all, take a nap and join us whenever you please.
With all my love, all my kissin’, you don’t know what you been missin’,
M.
Heronchild usual fight
James : You? What do you need?
Matthew : [angry] I need you to toss that in the trash! [points to a piece of paper]
James : [picks up the paper] "My faith in you"
EMMA TO DIARY
Dear Bruce,
Sorry it’s been a long time since I’ve written in you. Everything’s been kind of crazy since Ty sent the Ghost Sensor. Which was incredibly helpful and nice of him, and we decided that even if it didn’t work we’d still tell him it did, but that didn’t turn out to matter. It definitely works. The minute we unpacked it, it started to make weird little crackles and beeps. It didn’t seem to be reacting to anything specific, it was more like it was reacting to the environment of the house, fussing about it like a grumpy baby.
Julian decided to use it kind of like a divining rod, following where the strongest crackles and beeps seemed to be. We spent probably an hour traipsing through the house while the sensor made whistling sounds like an angry teakettle.
Eventually the sensor led us to one of the upstairs hallways. There’s no furniture in it now, and it looks a bit forlorn, with bits of tattered curtains hanging from the windows and an empty frame on the wall. It was also pretty eerie, standing in that room with the sensor going crazy but not being able to see anything. We both looked at each other, thinking,
Is there a ghost in here with us right now?
At that moment, I remembered what I’d read in Tatiana Lightwood’s diary, how she’d hidden the pages of her old diary in the wall. I went over to the wall and tapped on it. Jules picked up on what I was doing right away and started tapping on the wall as well, and we found a spot that echoed hollowly. We both stared at it for a minute, before Julian said, “Hang on.” He went downstairs and returned with a sledgehammer. He started to swing at the wall but I stopped him. “I really think you should take your jacket off while you do this. And maybe your shirt, too.”
Obligingly, he stripped down to his undershirt. That’s my guy. I may have taken a picture.
Plaster started flying everywhere. Pretty soon Julian had smashed through the wall, revealing a dark hollow space behind it.
Julian backed off while I reached inside. I cannot tell you how many spiderwebs I touched, Bruce. It was disgusting. Finally I pulled out a bunch of old clumped together pages. I can’t help but think they are Tatiana’s old diary pages, the ones she talked about destroying, but they were so water damaged that I couldn’t be sure. I was just wondering if I should tell Julian about the diary—for some reason I haven’t mentioned it to him yet—when he reached into the hole and pulled out a hard wooden board that had been engraved with letters and numbers.
“It’s a Ouija board,” he said. “Dru wanted one for Christmas last year.”
I’ve always thought of Ouija boards as being part of human superstition. Like palmistry, not something that Shadowhunters needed to take seriously. But the sensor was going crazy, beeping these dark red pulses that reminded me of Isabelle’s necklace.
“Should we try to use it?” I asked. Julian frowned. “I don’t know. When I was looking into getting one for Dru, I found out that these things can be kind of...dangerous.”
So I’m writing this right now while I’m lying in bed. Julian is already asleep, with plaster in his hair. He looks so cute. Anyway, we decided that we’d try using the ouija board tomorrow. We’re Shadowhunters, we can deal with ghosts, right?
Goodnight, Bruce. I think I’ll read a little of Tatiana’s diary to put me to sleep. Meanwhile, enjoy the eye candy.