These are familiar titles on the shelf. Dark Arts through the Ages. A History of Cursed Objects and How to Recognize Them. A History of the Wars of the Jewels. Some Account of the Fore-Part of the Life of Salazar Slytherin and His Involvement in the Founding of Hogwarts. A History of the Magical Peoples of Europe. A Case for the Abolition of the Statute of Secrecy and the Subjugation of the Non-Magical Peoples of Europe. The Pure-Blood Directory. The Fundamental Tenets of Magical Law in England. Mythologiques Magicales (all the volumes, naturally).
And yet, and yet. There is something not quite right about this bookshelf. Too unnatural. Too obvious. Something unnatural. Shimmering. Move a little to the left and there it is, the slight shimmer. So very slight, nobody pays any attention to it. This house is old, this house is full of dark magic - a little shimmer on a bookshelf hardly attracts any attention.
So it goes unnoticed for years.
And as the years tick on, he keeps adding to this shelf, smuggling books in under his robes. He can’t help it, he bathes himself after reading each one, whispering Scourgify as he watches the skin on his hands peel off. Still he keeps coming back, taking them down and reading them, feeling like scum and mud and filth afterwards. He ought to burn them, burn them all, but he is drawn.
(Muggle sorcery, he tells himself.)
Some he reads immediately, staying up late at night and reading by the light of his wand so that his mother will not catch him - so that he can pretend; if no one sees me it is not real. Some he reads again and again, letting the words settle until he can quote word for word, page for page because those are the words which matter.
It’s quite the collection he has. Esoteric titles his mother would almost certainly disapprove of. Muggle titles.
(It’s not as though she has the right to care anymore, not when she’s been cold as the tombstones in their family burial ground. All she cares about is the death-cold mask and that, at least, is an art he has perfected.
He still whispers Scourgify and watches the way the skin on his hands turns red and raw.)
The glamours are as cold as the mask he wears every minute of his day. So he strips them away at night, when the cold chill finally settles on the grim and silent old house (like a tomb for the living) and his mind begins to wander and he wonders if he has finally turned into the cold, pure stone statue they all seem to want him to be. He strips away each glamour and takes them down from his shelf one by one, opens them and breathes. Each page crackles with warmth, with life, with the thought lives of hundreds of people stretching over hundreds of years.
He reads them again and again. The Stranger. Waiting for Godot. The Plague. Eyeless in Gaza. Crime and Punishment. Howl and Other Poems. The Waste Land.
He reads them again and again to remind himself that he is warm flesh and blood. That he is more than just a mask, or a carefully chiseled statute. He is not merely their Galatea. He is a liar. He is a traitor. He is filth. He is unnatural. He is his own person.
The glamours go back up. The cold mask settles itself on his skin, makes it creep and crawl. And once again he is their Galatea, a perfect work of art, rotten and maggoty underneath.
(for johnegbertthefeminist who wanted to hear more about Regulus Black. Image Source.)