algorithm123, 2016.
ink on paper; cover letterpress printed and hand sewn.

if i look back, i am lost
Claire Keane

⁂

★
Stranger Things
official daine visual archive
sheepfilms

ellievsbear
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d e v o n
Peter Solarz
wallacepolsom
taylor price
I'd rather be in outer space 🛸

Kaledo Art

Discoholic 🪩
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies
🩵 avery cochrane 🩵
cherry valley forever

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@themeghanforbes
algorithm123, 2016.
ink on paper; cover letterpress printed and hand sewn.
work ahead in hope, 2016.
(in anticipation of what’s to come)
ink on paper; lettpress printed from the rob roy kelly wood type collection at the university of texas at austin.
Welcome to the Scalar site for Meghan Forbes's class on the European avant-garde in print, taught at the University of Texas at Austin.
created in collaboration with my students & our slavic librarian, Ian Goodale at the University of Texas at Austin.
i am 32 years old, but this fall marked the first in my long academic career in which i fully moved round to the other side of the desk. no longer a student; students now in my care. i officially received my PhD on a friday and began teaching at ut austin the following wednesday. i have had to hustle. i’m usually pretty healthy, but this semester, i’ve been sick a lot, & tired. but consideration for those students it was my job to teach demanded i keep up and keep going, that i fake it ‘till i make it.
this year’s presidential election campaign and outcome are, of course, unprecedented, and so it has been a challenging mash-up: first time faculty member & a new world order. i’ve done my best. with more experience (as a teacher or in an autocracy), i’m sure i could have done better. i modeled in front of the classroom a faith in words articulated out of careful study and thought, and hoped if nothing else, they’d learn from me to be kind and compassionate and critical. i don’t know, maybe a couple did. but then those ones didn’t need me for that; i learned a lot from those (girls) too.
back in september, when we were all so mercifully unaware (in denial?) of what was to be, my students came together to draft this manifesto (collaged out of those written by avant-gardists in europe in the interwar period). they set the type by hand, and pulled the prints on an old vandercook. each student proudly signed the finished project. by the end of the semester, some of those same students were no longer able to work together, but just a few months ago they made this document, collectively.
freedom, education, consciousness: what they all wanted and, i imagine, want still. it’s what we all deserve, no doubt.
manifesto, 2016.
written and printed by students at the university of texas at austin.
ink on paper.
“aimed at the future,” ‘zine, 2016. part 1.
created by students at the university of texas at austin.
multimedia, xeroxed with letterpress printed carton covers; staple bound.
“aimed at the future,” ‘zine. 2016. part 2.
created by students at the university of texas at austin.
multimedia, xeroxed with letterpress printed carton covers; staple bound.
Because Prague was the only time you were happy, really happy, And you keep going back to it like a sickness of the heart
Blake Wallin | No Sign On The Island (via bottlecappress)
algorithm 3 (blue), 2016.
music by ian mclellan davis.
book cloth, pen, and paper; concertina bound.
algorithm 2 (red), 2016.
music by ian mclellan davis.
book cloth, pen, and paper; concertina bound.
algorithm 1 (yellow), 2016.
music by ian mclellan davis.
book cloth, pen, & paper; concertina bound.
paris, july 2015.
anne.
berlin, july 2015.
mustafa.
berlin, july 2015.
olympic stadium and teufelsberg, berlin, may 2015.
hannah.
teufelsberg, berlin, may 2015.
krakow with wojtek & paulina.
krakow, march 2015.
krokuswiese.
humbolthain, berlin, march 2015.