you are the cut that makes me hide my face!!!
Misplaced Lens Cap

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@thenwearedecided
you are the cut that makes me hide my face!!!
dyt the way pharisees are portrayed in jcs are more because of the way alw/tim rice wrote them or because of the director and how they interpret jcs?? or a combination of both
i think mostly the second one. going entirely off the lyrics of this jesus must die (not including twad because most productions don't) your baseline pharisees are utilitarian leaders of an occupied nation who are willing to kill one man to save many. their appearances in later songs are the same - they just want jesus dead - and unlike judas (whose goals align at first with the pharisees, the only difference being that he knows jesus personally and wants him to stay alive) and pilate they don't really get any humanising scenes which alw and rice seemed to realise because now then we are decided exists.
even without twad, productions could very easily portray the pharisees as like. panicked middle management doing what they think is best but they don't because then you lose an easy villain. so you get a load of productions where pharisees are absolutely delighted at the idea of killing this guy. and productions like to adapt or reinterpret characters for different settings except they're not adapting the pharisees, they're adapting the stand-in bad guys who have taken the pharisees place, and you end up with nyack 1998. or 2012at. or just generically evil people in suits, completely ignoring who they are and how they're written as well as being just. distasteful. and sure its a free world you can do what you like with the characters but when its always "lets make them more evil" you do start to wonder.
tl:dr - they're easiest group to make villains + there's now a precedent for them to be vaguely generic bad guys + probably unconscious antisemitism + as always people forget that none of the characters know what story their currently in.
goofiest sax solo ever
Do you know this Musical Song? #397
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this
going to start posting this to any theatres putting on a production of jcs
trial before pilate - vienna 2006
yeah
val10 doing its best to piss me off with these song endings istg
in honour of some of my favourite last supper interpretations:
choose your last supper drink and/or distribution method
massive fuck off goblet
beer (also doubles as the bread)
cups that i thought were candles until someone drank from one
communion wine
cheap tiny plastic cups (think of all the money you saved for the poor)
cup that has maybe 3 teaspoons of wine in it thanks to jesus' bad pouring
?? bowls???
one single tiny cup for all 13 of you
examples:
Been thinking about this for a little bit, lemme gather some data
What do you prefer in a "Heaven on Their Mind" performance?
Judas addresses Jesus directly (e.g. 2000 film)
Judas on his own while Jesus is doing something (e.g. 72 film)
both, both is good
terrible news after sticking to the 1975 spanish translation for 3 songs valencia 2010 suddenly starts doing its own thing part way through this jesus must die, so we're back to relying on my listening skills unless i can find the lyrics somewhere
encountered opposite ends of the judas outfit spectrum today
anyone here like shakespeare
funniest way of ending everythings alright ever. thank you vienna06
judas and jesus could do "do not presume too much upon my love - i may do that i shall be sorry for / you have done that you should be sorry for" and brutus and cassius could do "i don't care why you do it / to think i admired you, well now i despise you"
judas and jesus could do "do not presume too much upon my love - i may do that i shall be sorry for / you have done that you should be sorry for" and brutus and cassius could do "i don't care why you do it / to think i admired you, well now i despise you"
Andrzej Śledź patheticmaxxing as Judas