Sümeyra Yüce aka Sum de la Créme (Turkish, b. 1996, Osmaniye, Turkey) - The Seeing Blind, 2026, Paintings: Mixed Media on press Canvas
Misplaced Lens Cap
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Sümeyra Yüce aka Sum de la Créme (Turkish, b. 1996, Osmaniye, Turkey) - The Seeing Blind, 2026, Paintings: Mixed Media on press Canvas
Alfonso Simonetti. 1840-1892.
Michael Kaluta "The Peacock Helix" (1980)
Judith with the Head of Holofernes, 1892 by Fernand Lematt
Engraving
Rufin Sudkovsky - "Storm near the shores of Ochakov" (1881)
Fishy business!
The Temptation of Saint Anthony (detail) by Jan Brueghel the Elder, 1600. Museum of Nacional de Escultura in Valladolid, Spain.
Shinji Ihara: The devil with an angelās face, 2015
āI never wish to be easily defined. Iād rather float over other peopleās minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person.ā
ā Franz KafkaĀ (via codyychristman)
Frederick Barnard. 1883.
«The Char-A-Banc» by Alfred Bestall, 1923.
But I do feel strangeāalmost unearthly. Iāll never get used to being alive. It's a mystery. Always startled to find I've survived.
John Steinbeck, Journal of a Novel: The East of Eden Letters
Zdzislaw beksinski
Lady Absinth (1901) - Ferdinand Keller
āWe are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all.ā
ā Joan Didion | The Year of Magical ThinkingĀ (via unmaiden)
More beautiful woods by LeĢon Spilliaert (Belgian, 1881-1946), Boomtakken (1940).
Lothric knight statue by Elliott Wells