Cackling at Orpheus writing in his little notebook during Chant, so focused, making his song. Wtf is he writing for 18 hours straight while Eurydice dies in a blizzard. La la la
The Bowery Presents
todays bird
Cosimo Galluzzi

Jimmy Eat World
Sade Olutola

Product Placement

Love Begins

roma★
hello vonnie

❣ Chile in a Photography ❣
untitled

Kiana Khansmith
𓃗

ellievsbear
The Bright Sessions
Cookie Run:Kingdom Official!
One Nice Bug Per Day
d e v o n

blake kathryn
PUT YOUR BEARD IN MY MOUTH

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@thesabotagedandovershadowed
Cackling at Orpheus writing in his little notebook during Chant, so focused, making his song. Wtf is he writing for 18 hours straight while Eurydice dies in a blizzard. La la la
With all this discussion about the Hadestown pro shot I wanted to share my potentially controversial opinion, which is that Reeve Carney is actually a great Orpheus. I know that a lot of people don’t like his voice, or feel that his voice feels jarring or out of place next to his costars on the Hadestown OBC album and in the pro shot, but that’s actually why I think he’s so impactful as Orpheus.
For starters, the entire Original Broadway cast of Hadestown is incredibly talented, and they all have very distinct voices that add so much personality and depth to their characters, but you can tell with the entirety of the main cast that they all still have that Broadway sound. While their voices are unique, they still feel very musical theatre. But Reeve Carney’s voice doesn’t feel like something I would expect to hear in a Broadway musical, it’s sits more in that folk-rock timbre. And while I don’t think it would work for other roles on Broadway (see his run in Great Gatsby — that I was admittedly not a fan of) I think it actually works really well for Orpheus. Orpheus is the son of a muse. His voice has been blessed by the Gods themselves, and in a cast of incredibly talented people, Orpheus should stand out vocally. The colour and timbre of Reeve Carney’s voice is very distinct from the rest of his cast, and provides such a stark contrast to the rest of the world around them, which sits at this intersection between your typical Broadway sound and jazz.
While I love many of the other (Orpheuses? Orphei? Whats the plural of Orpheus?) I feel that when Orpheus is singing with that typical Broadway or BFA sound, as beautiful as it might sound, that contrast that makes Orpheus stand out so much from the rest of the world around him is lost. Vocally and technically it’s a beautiful performance, yes, but I personally feel like the impact of Orpheus is lost when he sounds like the rest of his cast. Again, not a dig on anyone who’s played Orpheus, they’re all very talented. This is just my opinion.
I’m not saying that you have to love Reeve Carney’s voice. After all, art is subjective, everyone has different tastes, and Reeve Carney’s voice does have a very unique sound to it that might not sit well with everyone, especially musical theatre fans who are more familiar to a certain kind of sound. But there’s a difference between not caring for someone’s voice and actively putting them down every time you get the chance to. Reeve Carney’s portrayal as Orpheus had a huge impact on the show, whether you like it or not.
Anyways, I want more unique voices on Broadway and the Hadestown proshot was amazing to see in theatres.
I saw the Hadestown proshot yesterday and I love the way every single Orpheus almost knows what’s going to happen and he’s just as powerless to stop it each time but I specifically love Reeve’s version where he just freezes up at the end
No howling grief, no shaking and sobbing or trying to reach down after her. He just freezes because the story’s over. Orpheus is no longer apart of the story anymore. He is now just a stage actor like the rest of them. He doesn’t even get a single line in the the finale because he can’t sing without his Eurydice
You can really tell that every actor in the Hadestown proshot was having so much fun reprising their roles, except for Amber Gray who I believe was genuinely posessed by the soul of a 20th century alcoholic in a failing marriage and appeared to be barely holding back tears for the entire 2.5 hour musical.
was at a bar and a 50+ year old drunk white woman complimented me and my friend's outfits, told us there was a campsite up in northern maryland where a lot of gay bears go to have sex in the woods. we asked her how she knew about this and she very aggressively said "because i'm a FAG HAG!!! but i'm not allowed to say that anymore I GUESS!!!"
A highlight in the history of uninvited cats on stage has to be the premiere of Rossini's Barbiere di Siviglia:
... during the finale, a cat arrived, and mingled with the performers. [Figaro] chased it from one side, it returned from the other side to throw itself at the legs of [Bartolo]. ... the audience imitated its meows and encouraged it to continue its improvised role.
Alexis Jacob Azevedo: G. Rossini, sa vie et ses oeuvres (1864)
the penis gazer
Swimming makes you a different kind of tired, right? And Shane knows this, has grown up in and around lakes, he built his Cottage right next to a lake. Ilya does not. Yes he's an athlete but when he comes to the Cottage it's the first time he spends a longer amount of time in the water, swimming around, doing handstands, all of it.
So his first post lake nap hits hard. Ilya, freshly showered, just meant to sit down on the couch for a second but he wakes up four hours later. Half his curls pressed to the side of his head, the other fluffy because he fell asleep with his hair still a bit wet. He's got faint lines on his cheek from where his face was pressed into one of the pillows. No idea what time it is or how long he's been asleep. It takes him a minute to come back online.
"Shane?", he mumbles, not fully awake yet but already searching for Shane.
"Right here", comes Shane's voice and, oh, yes he is. Ilya blinks sleepily at him. It takes him another minute to realise that his feet are in Shane's lap. One of Shane's hands is on his shin, thumb softly caressing it. In his other hand he's holding a book. Ilya watches as Shane puts his bookmark into the book, putting it on the small table next to the couch so he can give Ilya his full attention.
"Good nap?", Shane asks. And he's smiling and his eyes are warm and his thumb keeps caressing Ilya's shin and Ilya just feels so warm and safe and happy because he still can't believe he actually gets to have this. With neither of them having to rush, to leave, to pretend that they didn't want to stay in the first place.
So Ilya just nods, stretching and then settling back into the cussions. "Sorry for falling asleep", he says, voice raspy from sleep, eyes already falling closed again. Because, well. He did just fully pass out on Shane. But Shane just smiles at him, squeezing his shin.
"It's okay, Ilya. We have time. Go back to sleep, I'll be here."
And Ilya falls back asleep, safe and happy and with the promise of Shane right next to him.
people foolishly dismiss desserts and treats as having no nutritional value when they actually are necessary for refilling your sanity stat. to prove my point please observe the emotional stability of the next person you meet who doesnt let themselves ever eat any form of dessert
I can’t believe we got jacked Toph for real.. my dreams have come true
I would like for us to consider the way Shane probably crashes hard after each season.
I was that student in school who went overboard every semester. I’m talking color-coded notes, binders on binders of prep for exams, overly prepared for every contingency on the final. I earned my A’s, damnit. So when that last exam was done, the grades were in, and I could relax? Baby, I was down and out for at least a few days. Don’t call me or beep me if you wanna reach me. My phone is off. My leg’s half off the bed. My bonnet done came off—it’s halfway across the room. My mom has to wake me up to drink some water. I barely speak English. Huh? What? No sé. Je ne sais pas. I can’t do the words right now.
Whether the Cup is won or not, the end of the season is Shane’s equivalent of that last final exam. The months-long adrenaline rush is over. Pencils down, hit “submit,” you’re out of time. Shane’s always aiming for the A+ but time’s up, regardless of the grade. He can rest. He needs to rest.
Every year, Shane powers through an hour of his team’s post-season celebration before his eyelids start to droop. The physical, mental, social, and emotional pressures of the year have evaporated in an instant and fuck, how long has he been this exhausted? He goes back to his hotel room, gets a quick nap in, then makes his way to his parents’ place.
That’s when his strings get cut and he just drops.
The moment he’s through the door, he hugs his dad, kisses his mom on the cheek, then heads straight for his childhood bedroom and faceplants into familiar navy blue sheets. He’s out like a light before he hits the pillow. Yuna waits 5 minutes before she comes in to gently take his shoes off, plug his phone in on the dresser, and pull the blankets up to his chin. She tousles his hair and smiles at the way he nuzzles into her hand before she pulls away.
Shane’s dead to the world until dinner. He stumbles out of his room with one sock on, one arm out of his shirt, and eyes half unfocused. Nobody says anything; it’s pointless. Shane’s lost all ability to speak coherently. Any attempts at conversation will be met with gibberish. He’s physically exhausted and mentally fried. Cannot people right now. Try again later, please and thank you.
He allows David to guide him to the table and plops into his seat, blinking owlishly as Yuna sets a plate in front of him. He has to eat with his chin propped up on one hand, to avoid faceplanting into hot food. He can and has fallen asleep in his dinner before without so much as flinching.
David unapologetically takes advantage of the situation every year by making a carb-heavy dish. It’s usually pasta. He knows Yuna will back him up and give Shane seconds. And instead of arguing or making a face, Shane will eat every bite. He’s on autopilot and simply fulfilling basic bodily functions to address hungry-tired-thirsty-sleepy-feed me-take care of me as efficiently as possible.
After he clears his plate (at least twice), Shane smacks his lips and cringes. Good God, his mouth tastes like lasagna and death. Has he brushed his teeth today? He wordlessly makes his way to the bathroom and finds everything set up for a quick routine. Brush, pee, shower, brush again because he forgot he already did. If he has a quick cry, muffled by the shower, nobody says anything. Nothing’s wrong, but the emotional release is very much needed. Retainer in, stare at reflection in mirror for a bit, and right back to bed.
David comes in around midnight to leave a glass of water on the nightstand. He takes his turn to ruffle Shane’s hair and laughs softly at the muffled nonsense he gets in return. Realistically, Shane’s training unicorns to ballroom dance in his dreams and murmuring about their godawful adherence to accepted waltz standards with half the blanket in his mouth. David chooses to take that as “love you, Dad, thank you for tolerating me in my zombie state.”
When Shane wakes up the next afternoon, he accepts a cup of coffee, then looks blearily up at Yuna and utters the first words he’s consciously strung together since arriving the morning before. Usually, Yuna and David take bets on whether it’ll actually make sense. Last year it was: “Why is…cookies and cheese?” The year before was “I have no idea where dogs lie in keyboards for boats.” He always looks at them in confusion when they don’t answer, then chugs the rest of his coffee before putting his head down and napping a bit more.
This year, with Ilya still asleep in the navy blue sheets down the hall, dead to the world and snoring like a freight train, Shane comes up with something different.
“We have…tea for Ilya?”
David blinks. That’s…surprisingly coherent. Also, tea?
“Um,” Yuna responds. “We have green tea.”
“Mmm…no,” Shane yawns, jaw clicking as his mouth opens as wide as possible. “No caffeine in off-season. He gets…mm. No.”
None of them have noticed that the snoring’s stopped. As if on cue, Ilya stumbles into the kitchen—curls flat on one side of his head, eyes barely open, and creases from the sheets imprinted on his face and chest. His sweatpants are on backwards, but it’s highly unlikely he notices.
Yuna and David have a silent conversation as Ilya plops himself into Shane’s lap, grabs his coffee, takes a sip, and makes a face like someone just insulted his mother. He whines pitifully and flops back into Shane, who buries his face in Ilya’s neck and promptly falls asleep again.
“This is too cute,” David says with his eyes. “They’re like drunk toddlers.”
Yuna nods jerkily toward the table at their cell phones. “Take a picture, take a picture!”
sometimes i think about an au where ilya chickens out of going to the cottage for whatever reason, and shane just. kinda gives up. stops pursuing him. still texts him and is there vaguely as a friend, because he cares about him and wants him to know that, but no more than that.
shane thinks he's respecting ilya's choice: we cannot do that, we cannot be more, this risk is too much and i am not willing to take it. continuing to pursue ilya at this point would feel tantamount to trying to pressure him into a relationship, and shane doesn't want to do that. so he'll back off, let ilya know he's here just generally as someone who cares for him, but, like, he gets it. he'll stop. he'll allow ilya his distance. he respects ilya's decision, even if it breaks his heart.
meanwhile ilya stops getting daily texts from shane, spends all day thinking about shane, glowers at his phone all summer long (he goes back to russia with svetlana. he stays for all of four days before he books a flight back to boston. why did he even do this? he asks himself. papa is dead. mama has been dead for so long. he doesn't want to talk to his brother. so why is he even here?) and then finally hockey season starts up again and shane Doesn't Text Him to talk shit about the san francisco game he watched last night, and ilya realizes like. wait. what the fuck? no, no, no. this feels bad. this feels bad and wrong. this is not what i want.
except. now it's ilya rozanov vs himself: final boss, "avoidant tendencies and self sabotage" edition. if he wants shane back, he's going to have to be honest about his feelings, voluntarily, for the first time in his life. in tampa he wouldn't have admitted to anything if shane hadn't more or less dragged him into talking about his feelings kicking and screaming; at this point he's got to imagine tampa shane there again, taking him by the hand and going "cut the bullshit, ilya," and then giving him those impossible-to-resist big brown eyes. it's a process.
anyways. where i'm going with this:
when boston goes to montreal, ilya shows up on shane's doorstep with a bouquet of flowers. shane is utterly bamboozled.
he's standing there in the entryway (he let ilya in, of course, but they haven't made it past the front hallway) holding this big colorful bouquet like. ????? what??? what is this?? you... don't do things like this. what is happening? what are you doing???????
and ilya has to shove his hands in his pockets so he doesn't start wringing them like. um. i don't know. i don't know what i am doing either but i just wanted to. i don't know. do you like them?
shane takes a whiff (they are quite fragrant and he does like them) and sighs wistfully and says yes, but he doesn't understand...???????
and they're both just standing there right next to the front door with this giant bouquet of flowers between them like ?????????????? until ilya clears his throat and asks if shane has plans for dinner, and the metaphorical lightbulb goes off and shane just gapes at him.
like. wait. ilya rozanov, are you... trying to woo me?
and ilya is like …….y….es??? unless you don't want me to be, in which case no, and you can throw those in the trash, and you can also simply kill me so i do not have to live with the shame of this. or if you do not want to kill me because it would make you sad i can just go throw myself into traffic or something. it's fine. um. yes.
shane stares at him for a second. and then goes on a mad dash for the nearest vase because he can't just drop the flowers, he has to put them in water and be gentle with them, but also if he doesn't get to grab ilya by the lapels of his jacket and kiss him stupid in the next minute, he might die.
(the corollary to this is that shane spends several days admiring his beautiful flowers, stroking the petals and sighing dreamily over them. when they finally start to wilt, he takes one of the hockey books he's read several times before and presses them.
a year later, ilya does go to the cottage. shane is in the shower, and while he's waiting, ilya idly picks up one of the books on the shelf in the living room to flip through, and finds it full of dried and carefully pressed flowers. odd, he thinks, but cute.
and then he asks shane about it, and shane goes pink all the way to his ears and says they're the flowers ilya bought him last year. he couldn't bring himself to throw them out, so... yeah. <- he says this with a casual shrug, as if he hasn't just hit ilya with an instant one-hit KO.)
by Alice White
D-5 | Arranged Marriage
The Air Nomads and the Water Tribes form a political alliance against the Fire Nation
obviously we have the montage of shane getting ready so we know yuna wasn't in his room with him before the first hookup, but i am laughing about the idea of shane stressed as FUCK trying to get his mom out of the room after she stopped by to go over a new brand deal with him.
watching the clock and SWEATING because he doesn't have rozanov's number atp obviously so he can't text "HEY MY MOM IS HERE. CANCEL IT. CANCEL IT ALL. DO NOT COME UP HERE.", but yuna can read that Something is up with shane, so she's even less likely to want to leave him, so she's actually stretching this out LONGER trying to figure out if shane is just really nervous about this new brand or something and honey, did someone say something today? do i need to kill someone?
and shane is pulling out EVERY ounce of deception he has never consciously had to use on his mom before to just get her OUT. he doesn't even have time to fuck around with his outfit because he needs her to GO. in a moment of ABSOLUTE fucking desperation he says he feels sick and retreats to the bathroom and pours some water in the toilet so it sounds like he's puking, but he WAY overshot this one because now no WAY is she leaving.
which means ilya still knocks on the door.
and it's YUNA who answers.
ilya's whole body takes a screenshot.
and shane in the bathroom atp heard the door open, so he almost hits himself in the face with the bathroom door trying to get out and do...
what, exactly?
so they're now in this WILD three way standoff, and yuna is being polite about it but is clearly 'what the FUCK are you doing here?' and shane genuinely for a moment thinks his mom is about to find out that he was not only about to have sex, but he was about to have GAY SEX.
nope.
"sorry, i forgot i asked if he wanted to come up later and watch the game"
"what game is on tonight?"
*shane aol dial-up noises*
ilya jumping in because oops guess this is a group project now, taking a WILD swing in the dark based on something that was on a tv in a bar he snuck into a couple of weeks ago: "uh, cars. car racing."
"you two are going to watch...nascar?"
ilya, has never heard the word nascar in his life: "yes. sounds very interesting. i love...nascars."
yuna ends up leaving the room so they can...watch?? nascar???....but also shane has never been less turned on in his fucking LIFE.
they actually do end up talking because now shane is paranoid his mom is going to be in the hall watching and waiting to catch him in a lie, and the more nervous he gets about it, the more lowkey ilya is worrying about it, too, so they do actually end up spending a chunk of time together.
and it actually?? ends with them talking to each other?? and finding out they actually LIKE talking to each other???
GOD yuna doing a little bit of research on nascar because she wants to support shane's interests and bond with him (even if she's??? a little thrown???? by this?? but okay?? he's trying out adulthood and getting to explore things beyond being a teenager at home. okay.)
but now shane is trapped in pretending to like nascar because his mom asked how watching it with rozanov was, and he's like, "...really fun! yeah, it was exciting. they, um, they go really fast."
now shane who doesn't give a FUCK about cars beyond Thing That Takes Me Places is stuck in summer watching fucking nascar with his mom. and david clocks that shane isn't into it, but he figures that maybe yuna? has found an interest in it after the topic came up? so shane is bonding with her over that? aw, how sweet.
yuna teasing him about danica patrick being too old for him so don't get any ideas, and shane is just How Did This Happen To Me.
poor guy just wanted to explore gay sex and now he's doing a photo op in jimmie johnson's car???
save him.
the idea of shane being SO fucking annoyed that he has to go to this shit only to get there and learn that instead of a swedish princess, he gets to hang out with very strong men who move heavy car parts around for a living who are EXTREMELY competent and good at what they do
put yourself in the shoes of daniel's daughters. your shitty dad that you hate has just committed career suicide, going from winning two pulitzer prizes to publishing interview with the vampire as a work of nonfiction. thats bad enough. but now, from your point of view, hes larping as a vampire alongside a bunch of other guys who are themselves larping as the vampires FROM THE BOOK. and now hes posting videos with one of them with incestuous revenge porn. i think id mail him a bomb.