Cinnabar. Exotic mineralogy, or, Coloured figures of foreign minerals : as a supplement to British mineralogy, volume 1. 1811. James Sowerby.
Alisa U Zemlji Chuda

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Misplaced Lens Cap
RMH

祝日 / Permanent Vacation

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.
Sweet Seals For You, Always

Product Placement

PR's Tumblrdome
Keni

Kaledo Art
NASA

pixel skylines

roma★
trying on a metaphor
will byers stan first human second

seen from Türkiye
seen from United Kingdom

seen from Malaysia

seen from Malaysia

seen from United States

seen from Belgium
seen from Netherlands
seen from Germany

seen from Spain
seen from United Kingdom
seen from United States
seen from Malaysia
seen from France

seen from Malaysia
seen from France
seen from United States

seen from Malaysia

seen from Malaysia

seen from United States

seen from Spain
@thethingsyoulost
Cinnabar. Exotic mineralogy, or, Coloured figures of foreign minerals : as a supplement to British mineralogy, volume 1. 1811. James Sowerby.
Marcel Duchamp, Museo de Nacional de Catalunya. c. 1960 -by Oriol Maspons [+] [+]
from LA
table sounds
Ritratto Di Gentildonna, 16th century, by Bartolomeo Veneto (1502-1555)
An amateur artist decorates a flapper’s rain slicker, 1920s (From This Fabulous Century—1920-1930, scanned by weirdvintage)
Enormous. Biggle berry book. 1911.
Artwork by Luis Camnitzer
CDG 1998
Julianna Swaney
juliannaswaney.com
Deedee Cheriel’s new mixed-media paintings, offering explorations of connectedness and spirituality, are part of a current show at KP Projects in Los Angeles. See more on HiFructose.com.
Franz Kline - Lavender Rust (1957)
@peter_lobozzo is out in the wilds of the Pacific Northwest with @betterrugged. This image is by Peter. https://ift.tt/2PaJbAS
The Letter, Mary Cassatt
https://www.wikiart.org/en/mary-cassatt/the-letter-1891
Bernard Tschumi, Advertisements for Architecture, 1976-77
In the 1960s, a small oppositional element in architecture forged its own counterculture by turning its energies away from building toward writing. Born of a desire to foreground the intellectual dimension of architecture by associating it with developments in conceptual art,linguistics, and philosophy, this turn toward writing soon engaged architecture with broader questions of pop culture, mass media, advertising, and emerging technologies.
During this period, avant-garde theorist and architect Bernard Tschumi created “Advertisements for Architecture”, a series of postcard-sized juxtapositions of words and images, based on the idea that most of us experience architecture through photographs, drawings and words in books, in other words, through our imagination and not through the experience of real space.
Moscow Subway in 1980 (via)
“Outline of average ‘Santa Rosa’ Quince.” New creations. Luther Burbank. 1893-1901.