The Two Sisters, 1894, Mary Cassatt
Medium: pastel
https://www.wikiart.org/en/mary-cassatt/the-two-sisters-1894
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tannertan36
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@artist-cassatt
The Two Sisters, 1894, Mary Cassatt
Medium: pastel
https://www.wikiart.org/en/mary-cassatt/the-two-sisters-1894
River Epte, Giverny, 1910, Guy Rose
Medium: oil,canvas
Saint Raymond Nonnatus (San Ramon Nonato) by The Santo Niño Santero, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 14, North Wall Medium: Water-based paint on wood panel
https://collection.barnesfoundation.org/objects/6073/
Portrait of a Young Girl (Simone), 1903, Mary Cassatt
Medium: pastel
Young Woman In Green Outdoors In The Sun, 1914, Mary Cassatt
Medium: oil,canvas
The Fitting, Mary Cassatt, 1890, Art Institute of Chicago: Prints and Drawings
John H. Wrenn Memorial Collection Size: 376 x 256 mm (image/plate); 471 x 309 mm (sheet) Medium: Color aquatint with drypoint from three plates, on buff laid paper
https://www.artic.edu/artworks/45048/
Meeting of Joachim and Anna at the Golden Gate by Hans von Kulmbach, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 03, North Wall Medium: Oil on panel
https://collection.barnesfoundation.org/objects/4725/
Still life, 1916, Konstantin Korovin
https://www.wikiart.org/en/konstantin-korovin/still-life-1916-1
Mimi as a Brunette, Mary Cassatt, 1889, Cleveland Museum of Art: Prints
In 1888, with the goal of improving her draftsmanship, Cassatt began experimenting with the rigorous technique of drypoint. The result was a group of prints whose coolness and deliberation was derived from the careful incision of delicate lines into the copperplate. The subject of this spare, elegant portrait is Cassatt's second cousin, Mary (Mimi) Johnston. She and her husband, William Milligan Sloane, a professor of classics at Princeton, frequently traveled to Europe, and spent long periods of time in Paris where Sloan did research for his exhaustive study of Napoleon. The room, a vase of flowers on a table, and even the figure's body are summarily described. All of Cassatt's attention was focused on Mimi's face, her large, dark eyes, and upswept black hair. Her gaze is unfocused, her thoughts apparently elsewhere. Medium: drypoint
https://clevelandart.org/art/1941.82
Lydia at the Tapestry Loom, 1881, Mary Cassatt
Medium: oil,canvas
A Kiss for Baby Anne (no.2), 1897, Mary Cassatt
Medium: pastel
The City Park, 1912, Kmetty Janos
Mother Combing Her Child's Hair, Mary Cassatt, ca. 1901, Brooklyn Museum: American Art
Size: 25 1/4 x 31 5/8 in. (64.1 x 80.3 cm) Medium: Pastel on gray paper
https://www.brooklynmuseum.org/opencollection/objects/59532
Madame monet reading, 1872, Pierre-Auguste Renoir
Susan on a balcony holding a dog, 1883, Mary Cassatt
Medium: oil,canvas
Auguste Rodin, Anders Zorn, 1906, Brooklyn Museum: European Art
Size: Image: 8 3/8 x 6 1/8 in. (21.2 x 15.5 cm) Sheet: 14 ¾ x 11 in. (37.5 x 28 cm) Medium: Etching on laid paper
https://www.brooklynmuseum.org/opencollection/objects/115146
Portrait of Ellen Mary Cassatt, 1898, Mary Cassatt
Medium: pastel