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@theupsidenews
Adelaide Fringe has announced internationally recognised magician, producer and long-time Fringe artist Matt Tarrant as the new Chair of the Adelaide Fringe Foundation. Tarrant is taking over the role of Chair from David Pearson who stepped down after five years.
South Australian artist Ida Sophia will present a new installation and performance work exploring silence, punishment and power inside relationships beginning this month until September.
With many laughs and many moments to pause and reflect, ART is funny, clever and moving. The performances are flawless. Catch it while you can.
Adelaide Fringe Review: The Burlesque Hoe Down
This is THE party of the Fringe! Bootscootin’ baddies, thigh slappin’ numbers and the hottest cast that’ll put the wild in your west and the yee in your haw. Featuring tassel-twirling, whip cracking, fire spinning and an inflatable cow, The Burlesque Hoe Down was an absolute riot and the best way to spend a weekday afternoon. There is a risk in doing a sexy show in a matinee timeslot (at the…
And while I am confident his parents are not disappointed in him, I can also safely say every member of the audience walk out of his show with a place in their heart for this extremely likeable comic who is destined for a long and impressive career.
Adelaide Fringe Review: Tash York is Drop Red Gorgeous - Gluttony, 2026
We were absolutely tickled pink to have the opportunity to review Tash York’s brand spanking new show, Tash York is Drop Red Gorgeous, which celebrates the anniversary of her first decade in cabaret. We were excited because we adore Tash and her work, but also because we covered her Adelaide Fringe debut show These Things Take Wine back in 2016 with this very cute interview and this…
Adelaide Fringe Review: 21st Theatresports Clash of the Titans - Tandanya, 2026
One of Adelaide’s longest running Fringe shows, 21st Theatresports Clash of the Titans is an improv institution and a must-see at Festival time. Improv is always fun, with its unpredictable moments, immersive format and involvement of the audience who essentially direct the content and the energy while the performers steer the chaos. But Clash of the Titans is a particular type of improv show…
Is Casual Receptionist of the Quarter a play? Is it sketch comedy? Is is cabaret? Is it commentary on capitalism, the patriarchy, class structure, and an argument for paying artists a living wage? Yes, it is all of these things. And it's bloody brilliant.
Adelaide Fringe Review: B.D.S.M. - Fool's Paradise, 2026
A respectful, candid, sexy and stunningly choreographed exploration of some different consensual relationships in the tantalising world of kink, B.D.S.M. did exactly as it says on the tin. The venue at Fool’s Paradise was packed with BDSM enthusiasts, curious thrill-seekers and, in the case of the people sitting in front of me, people who definitely didn’t know what BDSM means but found out…
There was not a thing I would change about this bittersweet production. The Soaking of Vera Shrimp from Patch of Blue is decidedly a 5-star show, and a favourite of the Fringe season.
What do you get when you mix bubbles, light-up hula hoops, a giant balloon, and lots of laughs, with an extremely talented and charming performer, and then add a wholesome message of hope and courage? You get the ideal kids' Fringe show!
Anyone who appreciates clever comedy and exceptional delivery will enjoy this show, but in particular, it's a must-see for those rebellious teachers in the faculty who need a good belly laugh.
Marrying sketch comedy with absurdism and physical theatre, this super-slick and thoroughly enjoyable show is a masterclass in creating a profound theatrical piece for a 'fringe' context.
Adelaide Fringe Review: Lindsey Kraft + A Piano Present: We've Been Here Before, Holden Street Theatres, 2026
The stage is simple: a door frame, a piano, a clothes rack and scattered boxes. Lindsey Kraft sits at the piano and begins with her opening track, ‘Live a Little’. The audience is drawn into a story that feels like a close friend bringing us into their confidence. Kraft’s storytelling is intimate. Her use of the stage and physical movement feels natural, and her interactions with the audience…
So gather your girls, gays and theys, boots, hats and chaps, and ride at dawn becuase the sun sets on Florian Wild’s Midnight Rodeo this Sunday night. Until then, they’re taking this town.
Delightfully funny and extremely clever, Live Manga proves that you don’t need words to communicate with an audience — just wonderfully wacky characters, expressive physical comedy, and perfectly timed sound effects.
Please see My Grandpa Doesn’t Follow Me On Instagram. Yoz will help you laugh, cry, and understand that the individual struggles we all go through are not only better told through art, but might not be as individual as you once thought. Yoz deserves our attention, and I will make sure to see everything they have to offer from here on out.