[rylandsgrace]

The Matrix (1999) // Barbie (2023)

[annori]

Evelyn Waugh, from Brideshead Revisited (1945)

[textid]

Text ID: “Sometimes,” said Julia, “I feel the past and the future pressing so hard on either side that there’s no room for the present at all.”

[ripplefactor]

MM. June 1, 1962, 6 pm, on the set of the aptly named Something’s Got to Give. It would be her last day on the set, and her final birthday.

[principleofplenitude]

“I do not write every day, I read every day, think every day, work in the garden every day, and recognize in nature the same slow complicity. The same inevitability. The moment will arrive, always it does, it can be predicted but it cannot be demanded. I do not think of this as inspiration. I think of it as readiness.”

— Jeanette Winterson, from Art Objects (1995)

[bulgakeov]

“Fairy tales — the proper kind, those original Brothers Grimm and Hans Christian Andersen tales I recall from my Eastern European childhood, unsanitized by censorship and unsweetened by American retellings — affirm what children intuitively know to be true but are gradually taught to forget, then to dread: that the terrible and the terrific spring from the same source, and that what grants life its beauty and magic is not the absence of terror and tumult but the grace and elegance with which we navigate the gauntlet.”

— Maria Popova, “The Importance of Being Scared: Polish Nobel Laureate Wisława Szymborska on Fairy Tales and the Necessity of Fear”

[margoterobbies]

ANYA TAYLOR JOY The Tonight Show Starring Jimmy Fallon

[valkaryah-deactivated20250510]

Sarah Snook and Kieran Culkin behind the scenes of Succession Season 4, via Kate Arizmendi

[weltenwellen]

Franny Choi, from "I Guess By Now I Thought I’d Be Done With Shame"

[hungryfictions]

anne carson, plainwater: essays and poetry / raw (2016) / lara williams, supper club / nathan biehl - cover photograph for nightbitch, 2020 / noah b by michiyo yanagihara for metalmagazine.eu 2016 / stella lucia by bettina rheims for dazed magazine 2017 / kim sang in by j. dukhwa for ceci korea june 2016 / jenefer shute, life-size / guillermo lorca garcia-huidobro - the banquet, 2013-14 / alex lemon, another last day / samantha margherita - stem peels & pits collaboration with stephanie gonot, 2019 / anonymous - tantalus, 17th c. / ovid tr. henry t. riley, the story of erysichthon from metamorphoses / queen of the damned (2002) / jennifer’s body (2009) / margaret atwood, you are happy

hunger and rage

[rescuepup]

This is real? This is real. Remember this, this slant of light. Remember this. This is it.

Bonnie Burstow, Radical Feminist Therapy: Working in the Context of Violence

[liltify]

going to make this shot my whole personality

[echofades]

So, when are we going to have another go at killing the prick? BAD SISTERS (2022)

[vincekris]

Silvino Mendonça

[conspectusargosy]

Princess flower compared in UVIVF and visible light. I love the strange anther on these.

[ouilavie-deactivated20191107]

A. Abbas. Senegal. Diourbel. A student copies the Quran in Arabic in a religious school. 1988.

[stuckinapril]

[radicalgraff]

Anti-monarchist message layed out on Black mountain in Belfast for ‘king’ Charles, when he visited the city yesterday.