A Family portrait during the Spanish Flu, 1918 ♡
Cosimo Galluzzi

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A Family portrait during the Spanish Flu, 1918 ♡
Marilyn Monroe photographed by George Barris, June 1962.
Another value study ~ As someone who loves painting with color, it’s actually so freeing to just work in greyscale sometimes 🤍🩶
💗.•**💗.•** ʜᴀᴘᴘʏ 100ᴛʜ ʙɪʀᴛʜᴅᴀʏ ɪɴ ʜᴇᴀᴠᴇɴ **•.💗 **•.💗
𝐉𝐞𝐬𝐬𝐞 𝐃𝐨𝐧𝐚𝐥𝐝 𝐊𝐧𝐨𝐭𝐭𝐬 (𝟐𝟏 𝐉𝐔𝐋 𝟏𝟗𝟐𝟒 – ∞)
𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・
(Photos from my personal collection.)
Ann Margret
Marilyn Monroe photographed outside Fox Studios in New York on July 8, 1960.
❤️ Gomer Pyle wants to bless your heart. ❤️
𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・
My first day on the set I’m here with Don, your daddy, and I didn’t know spit about him. I had done some television, but I was a theatre baby. They said, ‘Come in and hit your mark,’ and your father saw the consternation. And I went, ‘Hit what mark? Is somebody marked with an X, and I hit them?’ And your daddy came over to me and said, ‘There will be a mark on the floor.’ I said, ‘What kind of mark?’ He said, ‘It’ll be a big X you can see.’ I said, ‘Do I look down?’ He said, ‘Not if you’re smart. You just go for that. You’ll see it, peripherally.’ Of course, that made me nervous as hell. I could tell he was being very kind. And he said under his breath so everybody wouldn’t hear him, ‘We now have a dummy working here with us.’ And he looked at me in that funny-brilliant way, that only he could do. You know, that befuddled look? I just stared, and they were filming. Of course, the directors said, ‘Cut!’ And your father said, ‘I think you’re going to be trouble on this picture.’ Because every time he looked at me, I would laugh. He was so serious about comedy.
The scene where I’m saying goodbye to Limpet—well, that’s a fish, okay?
[They were filming in the studio tank. There was a red ball in the water. The director, Arthur Lubin, told her, ‘Talk to the red ball, because we’ll take the red ball out of the sea and we’ll draw in Limpet the fish.’]
Well, my problem was Don was in a little rowboat over to my right. So he would talk to me—it was his voice. I couldn’t get used to talking to the red ball. My tendency was to turn right and talk to Don all the time. We were on break, and he said, ‘Somebody get a brace for her neck.’ Your father was very quiet on the set. He’d do those asides to me, which I wanted to kill him for! But basically, he was very sincere and earnest about the work. He didn’t have to prove anything. When he was on, he was funny. Don was like nobody else; he was unique and original.
You know, it’s amazing how The Incredible Mr Limpet has lasted all these years. It’s like a cult movie. I remember when it had just been on television. I was getting off the plane in El Paso, and there were some teenagers. They started screaming, ‘There’s Mrs Limpet!’ I said, ‘Kids, you’re all in the will.’ The fact they could recognise me after all those years—I said, ‘I’m gonna adopt you all.’
-Carole Cook in an interview with Don’s daughter, Karen Knotts, as featured in her memoir, Tied Up in Knotts: My Dad and Me (2021)
𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 𓆩♡𓆪 · ・
In Loving Memory of Carole Cook
(14 JAN 1924 – 11 JAN 2023)
The Andy Griffith Show’s much-beloved ‘‘Christmas Story’‘ (S1, E11) aired 19 December 1960. This was the one and only holiday-themed programme during the entire series’ eight-year run. 🎄
I hope your Christmas was a good one……on to the New Year, we’re starting all over again by looking forward to Christmas.
Elizabeth Montgomery.
👼🎅🤶🦌🍪⛪🌟🔥🎄🎁
Jim Nabors the King of Christmas. 🎀 🎁
GIVE ME A MOVIE CAMERA
· 12 June 2021 ·
Jim Nabors rehearsing ‘’Panis Angelicus,’’ Latin for the ‘bread of the angels’ in the Roman Catholic Mission Church of St Jude in Sylacauga, Alabama. Courtesy of TV Radio Mirror. © Macfadden-Bartell Corporation, September 1966. From personal collection.
☾☆★¸¸.•*¨*••.¸¸☾☆★¸¸.•*¨*••.¸¸☾☆¸.•*¨*★☆¸.•*¨*¨*••.¸¸☾☆¸.
A devout Roman Catholic until the day he died, Jim Nabors had always been God-fearing but, ‘Jim had drifted away from his faith at some point in his adolescence,’ so reported TV Radio Mirror, September 1966. He stopped attending church services and wandered about aimlessly through his teen years without any religious affiliation. Guilt-stricken for having turned his back on his parents’ sacrifices, he wanted so desperately to find God, but could not find Him within the walls of Protestant Christianity, of which he obtained no immediate spiritual satisfaction. His parents, who believed in the importance of weekly church attendance but did not believe in imposing a particular faith upon their children so long as they maintained a sense of God in their lives, readily blessed him to carve his own path, to let him find God through his independent and trying spiritual journey, apart from Methodism. ‘Yet, a grim depression gripped him… His heart was empty, too, with an emptiness that needed more than human love and fulfilment.’
His eldest sister, Freddie, was the first in her family to convert to Roman Catholicism when she married into an Italian-American family. His sister’s conversion only mildly influenced his decision—his sister, who was a member of Sylacauga’s then-only Catholic church, encouraged him to sing in the choir for a Christmas pageant during one cathartic holiday. ‘I’m not Catholic,’ he hesitated, but the local Catholic priest eased his worries by welcoming him with open arms. That priest was the son of a Syrian Jewish father and a Lebanese Christian mother, also a former Methodist, Father Mac Paul Abraham. Nabors cited, ‘He changed my life.’
Upon his return to Sylacauga one winter evening, Nabors quietly approached Father Abraham with a special request to convert him. The Father strongly advised he take instruction in Roman Catholic studies. Through sheer dogged determination to welcome God back into his life, he completed weeks of instruction during breaks from filming The Andy Griffith Show, attending Bible study, and taking up night courses in scripture and Latin, too. Some would say he studied to such a degree of obsession that it’s a wonder he didn’t quit acting to become a priest. In the mid-’60s, during a show hiatus from Gomer Pyle, Nabors wanted to be closer to God, and closer still. He found Him again in a Catholic Church in California. ‘For from another direction life suddenly took on meaning,’ he relayed. ‘I’d taken to slipping into the back of St Paul’s Roman Catholic Church in Hollywood, just to listen to the Mass.’ Ultimately, it was the prolific Los Angeles Reverend, Paulist Father Ellwood ‘Bud’ Keiser who converted him. Now spiritually uplifted and purified, he felt one step closer to God, and more loved and accepted than he ever felt before. ‘I repented and if my heart was truly contrite, He showered me with mercy and love and forgiveness. God set me free.’
𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 · ・ 𓆩♡𓆪 𓆩♡𓆪 · ・
An autumnal elf to celebrate the fact that it’s scarf and sweater weather again!
THE MUNSTERS (1964 - 1966) — 1.2 · My Fair Munster
I love painting ice ~ this one is inspired by pictures of frozen methane bubbles ❄️
Ted Cassidy as Lurch
The Addams Family - Season 1 Episode 13 (1964) Lurch Learns to Dance