Earlier this week I attended a very awesome concert given by Joan Jett and the Blackhearts as well as Heart. The 50-(or dare I say almost 60-) something vixens put on a great performance, playing all their hits from throughout their career. But as I sat in my seat at CenturyLink Center in Omaha in 2016, I could not help but think that this all really started back in Port Arthur, Texas back in the 1950s. The reason any female rock star, white, black, Latino and everything in between after the early 1970s exists is because of one amazing woman: Janis Lyn Joplin, aka Pearl. Though her three-year career is not much more than a brief brilliant flash in the whole history of rock and roll, she left an impression and inspired two generations of female rockers. Ladies in the likes of Joan Jett, Ann and Nancy Wilson, Stevie Nicks, Bonnie Bramlett, Pat Benatar, Sheryl Crow and Pink, as well as her contemporaries Cher, Grace Slick, Cass Elliott, Tina Turner, Marianne Faithfull and Dusty Springfield, all must tip their cap to the shy, artistic misfit from a stinky oil town in southeast Texas. Janis was different for her time. In late 1950s Texas, she was not afraid to speak out against rampant racism, or to wear loafers and trousers to school instead of dresses. Janis’ female classmates wanted to be cheerleaders and beauty queens, then in her words, get married right out of high school and have a brood of children. In contrast, Janis preferred to paint, sing and read books by Ginsburg and Ferlingetti. Janis wanted to be different and she wanted to be real. By 1963, after a stint at the University of Texas at Austin, she found herself in San Francisco, immersed in the music, culture and society she felt most at home with. After a near-fatal speed overdose, she reluctantly returned to Port Arthur and tried to live the straight and narrow life, eschewing drugs and alcohol and forgoing her beatnik hairdo for a beehive. She even brought home a fiance named Peter so her parents would be happy. But things were not meant to be - the engagement with Peter fell apart and Janis felt the strong lure of California yet again. By 1967 she was a star, performing on TV and at the Monterey Pop Festival and was the undisputed rock queen of the counter culture movement. Her untimely demise at age 27 (there’s that darn number again!) from a heroine overdose in 1970 left the lingering question of “what if?” What is tragic even more than her death is that Janis never got to see the great female rockers who carried on her legacy. Little did she know a shy 18-year-old aspiring singer-songwriter from Phoenix named Stephanie Nicks whose band once opened a concert for her would become the rock queen of the late 1970s, or that two sisters from Seattle, Air Force brats who had grown up loving music and joined an all-male band called Heart would also become stars, or that a 16-year-old Philadelphia native, Joan Larkin, with dreams and aspirations of starting an all-girl rock group, would follow in her footsteps. Janis would have been cheering them on the whole time, empowering her fellow dreamers who dared to be different and rebel. Even the MOR pop chanteuses of today, such as Adele, Taylor Swift, Kelly Clarkson and Meghan Trainor are grateful for that lady little with a loud, powerful and wailing voice that knocked down so many walls so long ago so women could finally have a voice in the rock world, not just the guys and their guitars. All hail Lady Pearl.