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if i look back, i am lost
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Kinda cool actually.
My Thoughts On The New UFC 196 Main Event: UFC 196 was already a solid card. RDA dropping out sucked but is this gonna be a better fight overall? I think Conor takes it for sure but we’re looking at a fight that has the “what if?” factor going for it. Think about it... On one hand, we have the most likely scenario: Conor eats Diaz alive on the feet. Conor has laser accurate strikes and Diaz has a notoriously open strike defense and takes a shit load of punishment in almost every fight. In the most likely case, this is a high level exhibition match for Conor. On the other hand: If this goes to the ground, Conor will absolutely be tested and Diaz is a master at throwing a submission on outta nowhere. Conor isn’t stupid enough to just let it hit the ground but Diaz is going to be in Conors head without a doubt and could make Conor make a mistake. I’m taking Conor 100% but I’m legitimately excited about the “What if?” upset possibility. What do you think?
Congrats to Leo on the win. Shame on him for not doing a "Fuck you" speech though. "So this is what did it? This one. Why? Because I method acted my nuts off? Because I wrestled a fake bear? Fuck all of you. What happened when I was out-acting Nicholson, Baldwin and your precious Matt Damon in The Departed? Or when I made Inception watchable aside from it being pretty? Or when I DIED IN A FROZEN GODDAMN OCEAN IN TITANIC!? HUH!? *takes deep breathe* We won't talk about Shutter Island but we'll talk about The Wolf of Wall Street, oh yes we fucking will. Maybe you guys missed that scene I did...which one was it...oh yeah, the FUCKING BRILLIANT Quaalude scene?? Yeah, that scene that none of you piss flaps could have pulled off...I'm looking right at you Ben Affleck...where were you on that one, you sanctimonious cocksuckers? You know what...(chuckles to himself)...I own mansions, fuck models on islands you've never heard of, make more money than some of you will ever dream of and you can all suck my dick. *drops mic*"
I’m not gonna hurt ya. You didn’t let me finish my sentence. I said, I’m not gonna hurt ya. I’m just going to bash your brains in
Me, trying to talk @thelaurynpetrie down after too much whiskey and cocaine.
This. All day long.
Take My Comedy Class! Gain Nothing! Lose Money Today!
"I can teach you the ins & outs of stand up comedy and the comedy business TODAY for only (insert any amount of money here)!" - A Lying, Thieving, Snake Oil Salesman
If you are a stand up comic or an aspiring stand up comic, you have probably seen one of these things pop up in some way. Maybe it was someone that suggested you pick up “The Stand Up Comedy Bible" from Judy Carter. Or maybe you were one of the unfortunate people to get sucked into the Kyle Cease & Louis Anderson catastrophe known as “Stand Up Boot Camp". Perhaps you have a local that is suggesting you take their “Comedy Workshop" or “Stand-Up 101 Class" or some other bullshit name. Here’s the thing: If you ever see one of these bullshit, wallet fattening scams then please walk away. You are being fucked right in the bank account.
Here is why you are getting the wet end of a scam shoved directly down your novice throat: You are being sold something that you can get for free in 2 different ways. The first way is by experience. This is the old fashioned way. Go to open mics, develop an act, be around headliners, hang out in green rooms…you get the point. Be a part of the business by surrounding yourself with it. You’ll learn a LOT by just doing that with an open mind. You learn booking practices, pay rates, different types of rooms, marketing strategies, do’s & don’t’s when it comes to your image, what types of promotion that work and what types that don’t (ahem…facebook) just to name a few. You can learn all of that just by being in stand up and actually dedicating yourself to it. You’ll see what works in a market and what doesn’t. You’ll develop your own act and learn what works for you as an artist. It’s insane what is actually out there for the taking as long as you want to learn. It’s all stuff that you can learn on your own, or have it spoon fed to you by a dirt merchant that wants to line their pocket by selling you free shit.
The second way you can get this information for free is very simple. All you have to do is ask. Yes, I just said that all you have to do is ask if you have a question. Rarely, if ever, is an established comic going to tell you to fuck off if you have a legitimate question. Most headliners actually enjoy it when a new, budding comic really wants to learn and they’re almost always more than happy to share their knowledge with you. Not only do comics like to talk, they like to be flattered. You asking them for advice and soaking in their knowledge gives them an ego hard-on and makes them feel good. Take advantage of a comics ego and pick their brain. Sit in that green room and ask them if you have a question. Bounce jokes with them, ask them about business practices…whatever is on your mind. As long as you approach them and make sure you aren’t disturbing them, you’d be amazed at what knowledge you can absorb from headliners based off their experience. See how that came around full circle from the first way you can get this information? That’s because comedy is a family. And all families have assholes. Those assholes in comedy are “instructors" that prey on new kids by stealing their money. It’s sad and disgusting.
There is a bonus round here, though, so pay attention. If you happen to see a FREE workshop/class/seminar that is taught by a headliner then absolutely take it. You have nothing to lose with a free course. They are doing it the right way. They should never, ever profit off your dreams. If they have knowledge they want to share, it should be because they WANT to share it as opposed to filling their bank account with your money. Also remember: What works for one comic will not work for all comics, so anything you use based off the teachings is a trial & error situation. Stay away from anyone that is gonna teach you something and throw you on a well established stage in a week, they are setting you up for failure. And do NOT, under any circumstances, sign anything. Any knowledge given to you should be knowledge that is not a secret. Kids, you’re being fucked by comics that want to profit off your dreams and you need to realize it. Free workshops/classes/seminars aside, keep your ass out of a classroom. The only class room for an aspiring comedian is a stage, comedy venue or a green room. The only supplies you need are an open mind, a voice, microphone, speakers and an audience. Not a textbook or overpriced comedy class. And all of that is free to you.
Now that you have completed this lesson: That’ll be $149.99 please.
- Jonas Barnes
By the way, a comic that is well respected and extremely talented has gone ahead and published a FREE online comedy course for you to take if you so choose. And it's fantastic. Check it out: http://johnroycomic.tumblr.com/post/54132250195/my-complete-entirely-free-on-line-comedy-class
Lindy West & Free Speech In Comedy
A lot of you out in the world that follow stand up comedy may have seen a TV show called Totally Biased that showcased a debate between well known stand up comic, Jim Norton, and feminist blogger, Lindy West, who writes for the online publication Jezebel. And if you followed this situation, you'd be aware that the crowd was divided on the debate and nothing was really settled. They both made their points and no minds were necessarily changed. Shortly thereafter, Lindy West was bombarded with YouTube comments calling her a fat, humorless cunt that should be raped and/or killed (or colorful variations of that statement). You would know this because she made a video where she read them with a straight, emotionless face to show that she had been exhausted by the vitriol that was hurled at her for stating an opinion on an issue.
Now, Roseanne Barr has come out with her opinion piece on the situation, writing an article telling us why it's okay to tell rape jokes. Roseanne was both praised and labeled as an insane rambler for this article. Her feminism was even challenged by some for this article. The godmother of feminist comedy was accused of no longer being a feminist because of an opinion piece that was giving a new perspective on the situation. In her article, she challenged Lindy West to a debate. Then twitter exploded and shit splattered everywhere. Instead of agreeing to a debate, Lindy turned it into a war of words and even called for Roseanne to be fired from her job writing for Bust Magazine. Everyone from celebrity comics such as Roseanne and Jim Norton to local comics from all areas were drug into this free speech shit storm. Cyber gore was splattered all over and it was hard to see through the shit so you could see the heart of the issue.
Contrary to popular belief, Lindy West has never said that you CAN'T do rape jokes (or any other jokes). She simply stated that we, as comics , should think before we speak and maybe exercise some empathy when dealing with a subject. Also, she feels that the victim should never be the punchline. I agree with all that, actually. It makes sense as a human being, let alone a comic. That isn't censorship or advocating it as much as it's common sense. Think before you speak is something I think we can all agree on. But then there was everything else she made a point about that I take issue with. First thing was her attitude on her televised debate with Jim Norton. It was shitty at best...disrespectful, pompous & holier than thou at worst. Her first answer to a question in the debate was "Well first off, that question is stupid" instead of a simple yes or no. Then she proceeded to tell Jim Norton and the host "You have the right to say whatever you want, and I have the right to call you a dick for it" which equates simply to "I have the right to insult you for your opinion". Remember how I said earlier that she was reading YouTube comments about her on a video she posted? The one where she was being insulted for stating an opinion? Welcome to the internet, Lindy. You told them all that was okay to do. You dropped blood into a troll shark tank by saying that on national TV.
Then she was asked if comedy was a generally hostile place for women. Her response was jaw-droppingly shitty. "Well comedy clubs are dark basements full of angry males…" was what came out of her mouth next. She basically lumped every male comedian and comedy fan together as an angry, scary individual. She essentially called comedy clubs rape dens full of potential angry rapists. Sorry to burst your bubble, Lindy, but comedy clubs are also well lit rooms full of mouthy, drunk women that can't be contained half the time so they get kicked out. Bad audience members are not gender specific. I've dealt with as many angry women as I have men in a comedy club. I can understand if she doesn't get to see this very much though since she is not a comedian herself. She's a writer that has done open mics. She's not a comic and I'd be willing to bet that the amount of actual comedy clubs that she's stepped foot into is pretty low. So far, she's made one valid point followed with hypocrisy, fear mongering and uneducated vilifying. But let's move on, shall we?
I cannot and will not attack Lindy as an individual. I do not know her personally so it is not my place. But I will absolutely comment on her media presence. I've read many of her articles…some I've liked, some I've loathed. I've seen her videos. I applaud her success as a writer. She's popular and has made herself a decent name online. My issue is that her writing panders and is borderline religious in its brainwashing nature. It is damn near televangelical at times. I get that Jezebel is a feminist publication and I'm fine with the feminist nature of her writing. That isn't my issue at all. My issue is that it comes off as preachy in a very pretentious way. Many of her articles are written in a snarky, asshole tone as if she is writing it from atop an ivory soapbox scoffing at those below her. That is what I hate about it. Plain and simple, her writing style is very snarky and pretentious, as well as ignorant.
And finally, I take issue with her playing the part of a victim now. She isn't a victim. She is being hit with a heavy dose of karma. She opened the door and even gave people permission to insult her over her opinion. Then she decided to sample responses from a fucking YouTube comment thread of all things. That is where logical thinking goes to die. YouTube comment threads are troll circle jerks. So seeing people call her a fat cunt that is too ugly to rape is hardly a surprise. I may not agree with them, but it sure the fuck isn't a surprise. If her only argument for being a victim is a youtube comment thread and Neanderthal people saying the easiest possible insult in this situation, I have no sympathy and call complete bullshit. She's not a victim. She is getting a dose of what she said we all had the right to do: Call her a dick for what she said. Or in this case, a fat cunt that's too ugly to be raped.
My final thought is this: Nobody is trying to push censorship, comics, so drop that argument. Thinking before you speak isn't a bad idea. Try it so you can live and die by the sword with the knowledge that you thought out your argument before you said it. Stop hating Lindy West personally for her opinion, hate her writing if you're going to hate anything. Then you're a critic, not a vitriolic cunt. Focus on things that matter in comedy like good pay, quality content and getting your name out there. Not some fabricated fear campaign over this fake rape joke epidemic. Focus on booking, support those rape dungeon comedy clubs Lindy talked about, build venues, get more paid work for yourselves & your fellow comics instead of bullshit free shows. Build a resume, focus on your writing and fill your calendar. Leave the foot-in-mouth disease to the bloggers. We're all above that, comics. Time to start acting like it.
Clean Vs. Dirty: A Comedy Debate
"You show me a comic that works clean and I'll show you a comic that's busy."
- (Insert Elitist "Clean" Comics Name Here)
I recently came across a meme with a comic on it and a quote off to the side of his picture that made me nauseous. I've attached it to the post. Basically, he stated that you shouldn't yell in your act, people with no act resort to yelling and swearing makes you a lazy hack. The entire statement on the meme makes me sick to my stomach. From the judgmental nature of it to the tunnel vision it showcases, all of it stinks of elitist nose-thumbing towards other comics. From what I've heard, the comic that made the statement is a very nice guy that is very helpful and gracious towards newer comics, so my focus is NOT on him as a person or performer. The statement, however, makes me want to puke and it brings up a debate I've had in my head for awhile. The quote I listed above is a bullshit phrase I've heard from a handful of comics that think you have to strip away your individuality and become a caricature of yourself to be successful and earn the right to say what you want on stage.
I call bullshit on this.
If you, as a person, are "clean" then I think your comedy should reflect that. If you are a wholesome person that loves their family, doesn't swear and loves all things sunshine & kittens, then your stage persona should reflect that and I hold no issues with your stage cleanliness. I've seen some VERY funny, unique, borderline brilliant clean comics that are 100% individuals on stage. Tommy Johnagin, Brad Upton, Brian Regan, Jim Gaffigan and Kermet Apio come to mind as great examples. But if you, as a person in your real life, have a mouth like a sailor and talk about dark subjects or have dark life experience...then your stage persona should reflect that. If you're an intense person that gets fired up about the things you believe in and you get loud about them occasionally, your stage persona should reflect that. If you're a politically minded, activist type of person that feels very strongly about your views, your stage persona should reflect that. You, as a person, should be reflected on stage in your performance. Otherwise, you're nothing more than a caricature of yourself, watered down to appease the mass populace and your art suffers for it.
When we steer away from ourselves for the sake of getting more bookings in a certain market, we end up with "comics" that have their hands up a puppets ass. We have "comics" that stand on a stage and tell an hour of watered down race jokes or run-of-the-mill fat jokes. We have "comics" that sound like radio announcers and, as full grown adults speaking to other full grown adults, say words like "wiener" and "boobies". We have "comics" that make up bullshit "jokes" with no substance behind them, written only for the sake of "writing clean" and getting a pay day. It's a crock of over sanitized, politically correct shit and it trains comedy audiences to accept it as the normal majority of stand up comedy. It makes individuals with a real message to convey have a harder time in the business when they are coming up through the ranks.
I get it. We all want to make money in this business. I personally try to write clean material anytime I write dirty/dark material so that I have material for any audience I encounter. But the one thing I will never do is write "clean" material that is without personality or substance for the sake of a booking. If anything, I'll keep the act exactly the same while only altering the actual language used. Rest assured, you can get booked in damn near any room while remaining an individual, so any clean material I write will be a reflection of myself or an experience in my life. You'll hear this "Anyone can write dirty. It takes a real comic to write clean" bullshit every now and then. I challenge this statement 100% and claim the complete opposite. Anyone can write some pandering, vanilla, easy set of clean jokes stripped of any individuality that appeals to a mass audience of sheepish audience members. But it takes a real comic to get a crowd of their peers to laugh at the darkness in the performers life. Everyone is gonna laugh at an easy, stereotypical race joke or a generic observational joke about the difference between men and women. But it takes actual writing talent and language manipulation (not to mention delivery) to make an audience laugh at drug addiction, loss, pain, violence, bullying, the dark sides of religion, conspiracies, sexual freedom (since it's so taboo in this country)...just to name a few examples.
I think we have to remember that we're artists that are exposing our lives to a group of people every night on stage. We don't have to "earn the right" to say what we want on stage. As soon as we become comics, we have that right. We have a job on that stage and that job is to make the audience happy while making them want to come back. If you know how to use the english language properly, you can literally write about any subject matter, remain an individual, have material full of substance and not have to sell your soul in exchange for stereotypical vanilla comedy and a paycheck. That same paycheck can be made with you being the "real" you and letting the audience into your life. We aren't court jesters unless we choose to be. The ones that choose to be the jesters are a slap to the face of the real comics that use this artistic avenue to show audiences a part of themselves. Real comics leave a part of their soul on that stage every time they leave it.
Comedy Is...
Comedy started out as a dream to me. I had the blessing/curse of growing up as a fat kid. Comedy was something that I had to be good at from a very young age. I used it as a survival tool. A way to get through the day I guess. When I say “comedy” I don’t mean stand up, obviously. I mean it in the sense that I would always crack jokes, do funny things and make funny gestures so that everyone would accept me into their circle. And, I have to be honest, not only did it work but it also taught me a lot about myself as a person. It gave me that acceptance and allowed me to be an acquaintance of the “cool kids.” More importantly, though, it made me realize that I really didn’t care what they thought of me just as long as I was making them laugh and bringing joy to their day.
Comedy is a suspension of disbelief, a weapon, a calling, an outlet, a dream, a hobby, a way of life and many more things that are far too vast to list in this one article. Comedy, for me, is a lifestyle. Sure, it is also a career path and a hobby, but it is so much more than that. I live it every day, even when I am not on a stage built with wood and steel. I do this because I consider the world a stage. Every person I contact is a perspective audience member to me. This has gotten me into trouble before, but it’s always worth it when I hear that laughter. I’m not going to walk up to them and start telling them jokes on the street but at the same time, any given day they may see me on a stage and I want them to remember me. I take a lot of joy out of making people laugh and bringing that joy to their lives. My life growing up was very difficult and it made me learn to appreciate everything I have and to help people any chance I get. One of the ways I help people is making them forget all of the bad stuff that’s going on in their life for the short period of time that I’m on stage. A lot of people look at stand-up comedy as a narcissistic profession, as if comedians just like hearing their own voice. This isn’t true in my case. My comedy is all for my audience. My goal is to bring joy to their lives. If that means I eat it on stage and they laugh at that, then so be it. If it means I have to tone down my language, so be it. If it means I need to be dirtier than I have ever been before, so be it. As with any job, you have to adapt.
I grew up watching Bill Cosby and his comedic polar opposite, George Carlin. And I loved every second of it. I wanted that feeling. The feeling of bringing that joy to a room full of thousands of people with just my words was something I wanted to experience. It took me 15 years to finally follow my dream of becoming a comic. And I wouldn’t change a thing about it. It cost me some very important things in life (jobs, a marriage, money) but the feeling of making even 300 people laugh was intoxicating to me. It is a hard thing to explain without experiencing it on your own. Everything about it is like a high with no drugs involved. That is why I won’t ever go on stage drunk or high, I want to feel everything on that stage organically. I love the nerves before getting on stage, the rush while on stage and the high once I get that final applause as I close the set. I treat all sets, whether they’re 3 minutes or 45 minutes, the exact same way. I’m there with one goal: Make these people laugh, no matter what it takes. That’s my goal and, at the end of the day, my job that night. I am being paid to provide a service. That service is comedy.
Comedy has come almost full circle for me. Comedy has changed from a dream to a reality, from a hobby to a lifestyle, from fun to work and from something I loved to a full on addiction.
Comedy is an addiction. But it is the first addiction I've had that I am in no hurry to cure.
Photos from the Rammstein show at The Tacoma Dome on 5/14/2012Â
Me and Comedian Nikki Glaser (From the film "I AM COMIC") at Tacoma Comedy Club in Tacoma, WA.
Me and Comedian Alex Reymundo (Showtimes Hick-Spanic & Red-nexican) at Tacoma Comedy Club in Tacoma, WA.
Me and Anthony Anderson (Scary Movie 3, Scream 4, Me Myself & Irene, Law & Order, Romeo Must Die) at The Parlor Live in Bellevue, WA.
Review: "A Carlin Home Companion" - Mother's Day 2012 in Portland, OR.
It's a weird feeling, sitting in the audience watching a one woman show from the daughter of a man that you idolized growing up. A man that shaped what you are doing with your life. A man that gave you guidance in life through his performances on stage. A man that made you realize that you wanted to be a stand up comedian. It's a weird feeling because at times he felt like a father figure of sorts...albeit one that was in a magic talking box in front of your face. And then you watch his true offspring do a show telling the tale of what it was REALLY like being the child of this comedy legend and you realize that your feelings of growing up with him as a father were waaaaaay off. Let me start this off by saying that Kelly Carlin is NOT a female clone of her father. And this is not a bad thing at all. George Carlin was a comedy legend. Kelly Carlin is a writer, theater performer and all around total sweetheart that has one hell of a story to tell about growing up in the Carlin household. She is very funny in her own right, yet not a stand up comic. She is a writer and a wordsmith. She is very much her own performer and has gone down her own path. And she has completely come into her own as a performer with her one-woman show, "A Carlin Home Companion". The show was all things that you'd expect from a well done, well thought out and polished theater show. It was funny, happy, sad, insightful, thought provoking and at the end of the day...it was inspiring. It was inspiring to hear just a small portion of what Kelly had gone through in her own life and how it shaped her into the woman I was watching on stage. Fans of her fathers final book, "Last Words", will be a little familiar with some of the stories that she tells but if you haven't read that book, the show is still extremely easy to follow and you won't be missing anything. From a technical standpoint, the show was very well done. It truly was a one-woman show in the sense that it was simply Kelly on a stage telling her story. She used footage of her father to help tell certain aspects of her story and they worked very well without taking the focus off of her. It truly felt like a Kelly Carlin performance that happened to have a couple cameo appearances from her father. I assure you this is a good thing. The use of minimal lighting effects to emphasize certain aspects of the story was a welcome addition along with splicing music in with the speaking and short video clips. All of it simply worked. It gelled perfectly. And it never felt over or under produced. It was simple in the best possible way. Most importantly, the show is very entertaining and, due to her ability to throw humor in at just the right times, never feels heavy handed.
With "A Carlin Home Companion", Kelly walks out of any shadow her father may have cast over her (lets be honest, he was larger than life, there was a shadow) and shows the world that she is her own person and her own performer. Take this from a life long student of her fathers work and a rabid fan that idolized George Carlin...Kelly Carlin has arrived and put together a show that will appeal to fans of her and her father alike. I urge any fan of either her or her father to go see this show as soon as you get the chance. This is also a great introduction to Kelly Carlin for the uninitiated. The show has a very universal appeal. You will not be disappointed. It is an inspiring tale that is as happy & sad as as it is uplifting. It pulled cheers, laughs, tears and a standing ovation out of a Portland OR crowd and out of this life long George Carlin fan. I give it 7 dirty words out of 7. A Carlin Home Companion: http://www.kellycarlin.com/companion/ Kelly's "Waking From The American Dream" Podcast: http://www.kellycarlin.com/waking/Â
Delicatus - A Seattle Deli That Will Punch You In The Taste Buds
I consider myself a lover of food. I am a man with tits and I didn't get them from eating shitty food. Being a lover of food and a stand up comic that travels, I like to find those places wherever I happen to be that speak to me. Places that are usually local, ran by great people and have great food. All cities, big or small, have those places. That's what this series will be about. Telling you about those places that caught my eye and made sweet love to my mouth. The first entry:
Nestled within the crackhead infested waters known as "Pioneer Square" in downtown Seattle, WA lies a handful of great food choices. Whether you're looking for a $5 cream cheese street dog or a slice of pizza dripping with grease & cheese or one of the best cheesesteaks the west coast can offer, you'll never go hungry. The food fare varies and, most of the time, is a grease bomb. And I'll be the first one to tell you there is nothing wrong with a good grease bomb. But maybe you don't want to spend the following day celebrating your culinary journey with a day of gastro-intestinal discomfort! Maybe you'd like something that tastes great and won't suicide bomb your intestines. Well, you're in luck, because I've found the place for you. Unfairly located directly across the street from a "chain" sandwich shop lies an eatery that I would consider a Seattle gem. I do comedy around the corner at The Comedy Underground on a regular basis so good, close food was always attractive. Like an asshole, I walked right past this place on more than one occasion. Then, one day, a fellow comic and friend by the name of DC Chapman asked me if I'd like a sandwich that'd ruin every other sandwich I try for the rest of my life. You're fucking right I'd like that! And with that, my tasty relationship with Delicatus was born. Right when you walk in, you can tell that this is not a regular sandwich shop. The place is very rustic but has it's own style. One very noticeable thing specific to Delicatus is the various quotes on the wall written in chalk: Â
Onto the important part: The Food. The incredible food! They have a gigantic menu on the wall that showcases the heavenly sandwiches that they offer. You will immediately notice the names of the sandwiches because they're unexpected. Names such as "Fire of 1889" (a fiery monster highlighted by spiced braised pork and jalapeno-lime aioli) and "Ballard Lox" (aptly highlighted by cured salmon lox, capers and tobiko caviar) will catch your eye, but make sure you don't miss the "normal" named sandwiches like "Classic Reuben" and the "B.L.F-ing T." (one of my personal favorites). They also have monthly "special" sandwiches that only stick around for a limited time but I hear through the grapevine that if you find one you like, and they have the stuff in shop to make it, they'll make it anytime. I recommend "The Rebel" (a beast layered with pastrami, pickled red onions, shaved white cheddar, cilantro and a garlic aioli) as it was the sandwich that popped my Delicatus cherry. All the sandwiches come with super crunchy kettle-cooked potato chips but can be subbed for the horseradish mustard potato salad or one of the various revolving soups they have (such as: Oyster Chowder, Moroccan Oxtail or Rabbit Stew just to name a few) for a little extra. The bar is located in the back corner and has a great feel to it. Very inviting and the deli theme follows them to the bar. Check out the lamb-stock bloody mary if you are a true alcoholic carnivore. I recommend coming in at night, around 7 or so when it's slower because they may just be testing out new side dishes/monthly specials that they need guinea pigs for. I can personally say that the sauteed goat cheese & garlic gnocci they made was incredible and goes great with the monthly wine tastings. Yep, that's right, I said wine tastings. Make sure not to miss the FREE monthly wine tastings. Free wine tastings, incredible food, great people and a great establishment...how can you go wrong? It's always good to support a local business, especially when they show that they deserve it. Delicatus deserves it. They treat the customers right and goddamn it do they have some of the best sandwiches I have ever tasted. Check them out! Delicatus: A Seattle Delicatessen 103 1st Ave S. Seattle, WA 98104 P: (206) 623-3780 www.delicatusseattle.comÂ
Check me out getting interviewed at the 36 minute mark with fellow comics Mike Brody and Cory Michaelis. It's the first podcast on the top of the list.
My first DVD! Man, that one on the far left is full of hotness.