rising from under the flesh — high in the air as high as the sun lift up your aching heart as it flutters open above the mass of earth
— Kim Hyesoon, from "Big Eyes," The Hell of That Star, tr. Cindy Juyoung Ok

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KIROKAZE
we're not kids anymore.
Game of Thrones Daily

shark vs the universe

Love Begins
Stranger Things
dirt enthusiast
Alisa U Zemlji Chuda
Peter Solarz
styofa doing anything

Kiana Khansmith

祝日 / Permanent Vacation

JVL
art blog(derogatory)

❣ Chile in a Photography ❣
h

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Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
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@thoughtconstellation
rising from under the flesh — high in the air as high as the sun lift up your aching heart as it flutters open above the mass of earth
— Kim Hyesoon, from "Big Eyes," The Hell of That Star, tr. Cindy Juyoung Ok
Richard Mayhew (American, 1924-2024), Delusions, 2000. Oil on canvas, 30 × 40 in. San Francisco Museum of Modern Art (SFMOMA)
Was It Tonight - David T. Alexander
Canadian , b. 1947 -
Acrylic on canvas , 52 x 58 in.
Clay Johnson, (American), Marsh Sky, 2026, Oil on linen - Hunting Beach State Park, Sunrise
in the contemporary world, the most fundamental human right - and, it often seems, the least protected one - is "being both Allowed and Able to go Somewhere Else." the rest is commentary.
the torments of prison are predicated on Not Letting You Leave. the most terrifying and degrading aspects of childhood are predicated on Not Letting You Leave. misogynists wail and moan and fearmonger about divorce and equal opportunity employment because they Allow Wife To Leave. borders and immigration restrictions exist, in no small part, to Prevent People From Leaving countries where they will be exploited and/or oppressed. fuck you for trying to leave. fuck you for exerting any control over your life whatsoever. that makes you the one at fault, actually.
The most revolutionary thing I've learned about Blackness is that our English is not at all "broken"
It was 2012 and I was a "white washed" (not real but you know what that means) junior in undergrad and an entire chapter included in this textbook was dedicated to our pidgin/dialect whichever your argument. 14 years later and the amount of borrowing with and without permission of rest of English is truly a marvel to the point where things I know damn well are just AAVE are attributed to wide ranging sources such as "Gen Z/Alpha slang" and "gay lingo" and "internet speak" in general. Our range
These are just a few of our many common grammatical rules:
Habitual "Be": In Standard English "He is working" means right now or generally. In AAVE "He be working" specifically means he works regularly or habitually, a distinction that Standard English can't make without adding extra words.
Copula Deletion: Dropping forms of the verb "to be" in places where Standard English requires them ("She tired" instead of "She is tired" or "They going" instead of "They are going")
Double Negatives: In Standard English, two negatives make a positive. In AAVE, using multiple negatives ("She ain't never going") simply adds emphasis to the negation, a common feature in many of the world's languages.
Metathesis: switching sounds within a word, the most famous example being "ask" as "aks," a pronunciation that has roots in Old English.
Remote "Been": When you say "I been knew that" the stressed "been" means you've known it for a long time, remotely in the past, which doesn't exist in Standard English without adding extra words.
Completive "Done": "I done told you already" is a way of saying the action is finished and the matter is settled with an emphasis on finality or frustration.
Subject-Verb Disagreement: In AAVE verbs are often uninflected for the third person ("She walk" instead of "She walks") to simplify conjugation.
I love being Black, we're so smart! We been developed our slice of language despite the slavery and diaspora
Mary Oliver, from On Meditating, Sort Of
me holding a gun to a mushroom: tell me the name of god you fungal piece of shit
mushroom: can you feel your heart burning? can you feel the struggle within? the fear within me is beyond anything your soul can make. you cannot kill me in a way that matters
me cocking the gun, tears streaming down my face: I’M NOT FUCKING SCARED OF YOU
Hey OP? What the FUCK does this mean?
decay exists as an extant form of life
That’s a terrifying answer, have a nice day
@shitpostsampler this feels up your alley
Prism and Fry are definitely being lazy bums due to the Blaze and Praise weekend, but- This is one of our most requested to-dos, and we feel like @itsafckingsnickersbar just nailed it. There is literally nothing we could do to make it better. We’re folks who rarely tread where others have been (yeah, there’s exceptions), but look at this. It’s perfect.
Fry thinks she spooked the OP on Facebook a little, whoops, apologies (we 100% lurk in a lot of the snark based cross stitch groups) … But! You can get the border wreath here on Etsy, and insert whatever font makes you happy.
Happy stitching!
Joy Sullivan, from “Culpable”, Instructions for Traveling West
Natasha Trethewey, from Thrall: Poems; "Mythology"
the voice in my head said
LOVE IS THE DISTANCE BETWEEN YOU AND WHAT YOU LOVE WHAT YOU LOVE IS YOUR FATE
•
[...] then the voice in my head said
WHETHER YOU LOVE WHAT YOU LOVE
OR LIVE IN DIVIDED CEASELESS REVOLT AGAINST IT
WHAT YOU LOVE IS YOUR FATE
—Frank Bidart, excerpt of "Guilty of Dust", in In the Western Night (Half-Light)
There can be no perfection or rising above all that is natural, only endless cycles of accumulation and erosion, disappearances and emergences played out on every conceivable scale. It is not our job to transcend our troubles and vulnerabilities, but to let the waters run through and over, and do their work. When something falls apart, another thing opens. We cannot know what will be better or worse, only that it will be different.
Weathering
Ruth Allen
Jenny Holzer.
A reminder to the "the American government wouldn't..." crowd. They have. They have made their own internment camps before. They have rounded up innocent citizens and immigrants before. The victims of which are still alive to this day and trying to share their stories with the world, they have been trying to warn us for a long time. George Takei (as seen above) is a famous example of this. He has written about his experiences time and time again, even publishing a book talking about his time in these camps. He may be famous now, but at the time he was just another kid forced from his home. To this day he still firmly dedicates himself to trying to educate and inform people, trying to spread awareness with his platform. The American Government can and will do terrible things. Do not let anyone convince you otherwise.