Thought Portal Archive
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shark vs the universe
cherry valley forever
Not today Justin
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đ©” avery cochrane đ©”
Monterey Bay Aquarium

romaâ

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if i look back, i am lost
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
todays bird
Keni
Mike Driver
occasionally subtle
One Nice Bug Per Day
we're not kids anymore.
macklin celebrini has autism

titsay
almost home
hello vonnie

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Thought Portal Archive
A blog of the media I am consuming
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When I say that the 2010s were a decade of lost millennial creative labor, I am largely referring to a unique post-recession rebound starting around 2012 when a whole lot of corporations and venture capitalists were willing to spend money on internet content. ⊠And all the millennials that jumped over to digital media companies and social platforms ⊠spent a lot of time and energy making content that, 10 years on, basically doesnât exist anymore. And I mean this quite literally in the case of all the essays, short stories, magazine features, comics, and other written works have been lost to digital rot. But the stuff that you can still find, if you dig deep enough in an archive, has very little legacy, if any, because much of it was meant to game and algorithm or news cycle that no longer exists. âŠ
Why does everything feel so stale and so boring? I think the lost millennial decade has a lot to do with it. Making art, making culture, has always involved some sort of dark deal with the infernal machinery of capital, but the rise of big tech and venture capital in the early 2010s changed the terms of the deal. Culture stopped being something the consumer paid for and cultural industries became kindling for digital furnaces that only wanted to monetize our data anyways. An entire generation of young creatives were paid to dump terabytes of posts and videos in a black hole, trying to entertain users long enough to be surveilled and train AI.
You get what you pay for
Nothing in the rule book says a dog can't play basketball. There are a couple rules against trans women, however, so she'll have to leave.
your smugness will not protect you
Adam Ellis
While working on the WPA Florida guidebook, the Federal Writersâ Project team â including Zora Neale Hurston and Stetson Kennedy â documented a wide range of life from prison camps to soup kitchens to hair salons, in recordings that reveal a living culture and enduring traditions.
Hurston and Kennedy traveled the state recording peopleâs stories and songs. That included a visit to a remote turpentine work site, where they encountered a forced labor camp and the brutal conditions in a form of slavery that continued well into the 20th century.
Project interviewers in Florida also searched for survivors of pre-Civil War slavery and gathered hundreds of interviews. Nationally, thousands of âex-slave interviewsâ are treasures for understanding that lived experience. But the Projectâs written interviews should be read with caution. Historians remind us that those manuscripts are complicated and often reinforced racial bias and stereotypes. Historian Tameka Hobbs helps put this work in context and brings it alive. {listen}
For years, going solar meant owning a home. That's starting to change thanks to the rise of plug-in solar panels, also called balcony solar.
The regulatory gray area
In states without enabling legislation, plug-in solar isn't necessarily banned, but utilities often treat even a single plug-in panel the same as a large rooftop array. That can mean interconnection applications, fees, and waits of weeks or months.
Now, most people who have quietly plugged in small systems in these states haven't faced enforcement action, but know that youâd be operating outside clearly defined rules. While the practical risk is low for small, certified systems, it's worth being honest about the ambiguity.
If you're a renter, check your lease before installing. If you're in an HOA, review your CC&Rs. These agreements can restrict exterior modifications even where state law doesn't.
Secret Panel HERE đ« tinyview.com/mrlovenstein/2026/04/22/working-from-home
telecom service providers in india are getting orders from government to shutdown our internet. they might also mass delete the posts and videos online. i know this is not the content you followed me for but please raise voice for the people in india if you can. if you find any posts about the brutality that the police inflicted upon protesters, people seeking legal or medical attention, people needing donation for sanitary pads, food, water, masks, etc. on twitter or instagram, please share it. it's my humble request. this is our last day. they're applying emergency alerts and new rules from tomorrow but today we are standing here in rain raising our voices and we will continue to do so.
Weâre winning.
I found his bio on societyofpresidentialdescendants.org and it was so delightful I had to copy paste the whole thing:
âUlysses Grant Dietz grew up in Syracuse, New York, where his Leave it to Beaver life was enlivened by his fascination with vampires, from Bela Lugosi to Barnabas Collins. He studied French at Yale (BA, 1977), and was trained to be a museum curator in the University of Delawareâs Winterthur Program in American Material Culture (MA, 1980). A decorative arts curator at the Newark Museum for thirty-seven years before he retired, Ulysses has never stopped writing for the sheer pleasure of it. Aside from books on Victorian furniture, art pottery, studio ceramics, jewelry, and the White House, Ulysses created the character of Desmond Beckwith in 1988 as his personal response to Anne Riceâs landmark novels. Alyson Books released his first novel, Desmond, in 1998. Vampire in Suburbia, the sequel, appeared in 2012. His most recent novel, Cliffhanger, was released by JMS Books in December 2020.
âUlysses lives in suburban New Jersey with his husband of 45 years. They have two grown children, adopted in 1996.
âUlysses is a great-great grandson of Ulysses S. Grant. His late mother, Julia, was the Presidentâs last living great-grandchild; youngest daughter of Ulysses S. Grant III, and granddaughter of the presidentâs eldest son, Frederick. Every year on April 27 he gives a speech at Grantâs Tomb in New York City. He is also on the board of the U.S. Grant Presidential Library and Museum at Mississippi State University.â
And frankly, the novels sound like they slap:
Desmond was nominated for a Lambda Award.
âWith his husband of 45 years.â You kids donât know ... they got together before AIDS, at the peak of the Gay Glam Life. They stayed together as their generation died around them, and made through it to the point where they could marry and have a legal family. He looks like a chipper preppie who never had a serious thought or care in the world, but it took *incredible* determination, commitment, and also luck to get here.
having now read the first of this man's vampire books, you can absolutely tell that he cares a lot about historical furniture because oh my god he really wanted to tell us about all the historical furniture in this vampire's house. material culture as foreplay. seduction via theses about chairs
weâve got his biography in QLL!!
(& Cliffhanger in our wishlist, hoping to add it to the collection soooon, alas the other Desmond books are not available for us to purchase)
Join V&A curator Fuchsia Hart as she unboxes two spectacularly embroidered traditional Najdi thobes (dresses) from the Najd region of Saudi Arabia. Traditionally worn to celebrations such as weddings, Eid and family gatherings, these luxurious outer garments measure around 3-metres wide, making them some of the largest objects in the museum's fashion collection. Complete with sequins and floral motifs in metal thread, the luxurious silk sleeves drape over the top of the head to create a spectacular flowing shape, revealing the exquisite details of the narrower dress worn underneath.
Boston Brown Bread