āHomer was a womanizer...his frank appreciation of female horseflesh jibed with his loud, nasal upper-class New York accent
- The first installment of Part II of my series,Ā āQuotes from Nascent Manuscripts I Read at my Internshipā
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Today's Document
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āHomer was a womanizer...his frank appreciation of female horseflesh jibed with his loud, nasal upper-class New York accent
- The first installment of Part II of my series,Ā āQuotes from Nascent Manuscripts I Read at my Internshipā
When I look at you, I see
the man I didnāt kiss but really wanted to at the bar in Bordeaux,
the toe ring from six summers ago,
my fatherās Christmas tie,
a Frank OāHara poem, his best, whatever itās called,
a grassy hill for rolling down while someone barbecues nearby,
every fireplace Iāve read a book in front of,
an early Rodin plaster.
I hear the stream closest to the top of Mt. Marcy
I feel wet sand glomming between my fingers
I taste starlight,
honeysuckle,
beloved, burnt candlewick.
Erstwhile
The other day I told someoneĀ āerstwhileā could be used as an adjective to characterize longing/nostalgia/wistfulness (because I somehow believed it was true, not because Iām an asshole).Ā
But now Iām really digging my made-up meaning & would like for it to catch on, so please, join me, join the movement, letās "make erstwhile happenā
(plz msg me if you would like to further discuss the specifics of āerstwhile,Ā the feelingā / the merits of granting that feeling a name)
You: [engaging in normal conversation]
Me: [imagining, in great detail, exactly what it would be like to spoon with you]
[FYI, I feel very safe, and I like that thing you do with your fingertips. I hope I don't crush your arm.]
Please. Nobody 'tortured' has ever worn that much J. Crew.
On Voice(s)
Describe the sound of your Head Voice. All of the conversations youāve ever had inside your mind -- in the shower, in the car, in the subway, in those last waking moments before sleep. Those arguments, all those ardent confessions, the responses to all those othersā ardent confessions. Even (or perhaps especially) those recitations: you should hire me because; the Franco-Prussian War began in 1870; I have nothing to declare.
What does that actually *sound* like? Does it match your speaking voice? I only ask because Iāve just recently noticed that mine definitely does not.
This realization came by way of writing in volumes. Not prose (ah, you have too much faith in me, dear reader!), but via Instagram captions. That probably tells you everything you need to know about how good of a job Iāve been doing with my whole āwriting every dayā thing.
But anyway: I aim for a certain #InstaGame in my captions. Careful use/misuse of punctuation, creating an air of detachment and gruff sentimentality. Gruff -- I guess Iād say that my āInstaVoice,ā which aims for a certain annoying ācoolā factor, can be a little gruff. Even brash. Masculine, honestly. Dry, low, a splash bitter. It sounds the way a gin & tonic tastes.
This is not what you would hear if I read my captions aloud to you. I guess itās hard to really know what your own voice sounds like (which is SO weird, right, because itās the only constant in any conversation youāve ever had). But letās say I donāt get a lot of compliments on the sound of my voice -- nasallyās not quite the word for it, but I feel like itās a touch nerdy. It is certainly not the least bit sexy. I feel like sometimes it sounds detached not in the way my Instagram captions do, but as though Iām talking from a great distance; it goes over the same refrains, ends up hollow. Worse: Iām rarely shushed. I canāt yell. Itās often hard to get the attention of servers in restaurants, or in a large group or party.
That is not the voice I want conveyed in my writing. I write to escape from that voice. I write so that I can sound husky or gruff or male or passionate and, above all, LOUD. I may not be able to shout at you or approach you in public, but Iāll holler from the page.
Does that make my written voice less genuine? Am I putting on airs? I want to be authentic. Writing is supposed to convey real feelings in a real way. Is it empowering, or hollow, to have such dissonance between my speaking and my writing?
Iām thinking of writers I like. Do I hear their voice when I read their work?
Do you?
So, once again, tell me about the sound of your Head Voice. And, just a reminder: when these words go through your eyes and hit some receptor connected to your ear drum, know that it is with the hope that youāre reminded of a springtime gin & tonic.
Haiku for a hangover at 3pm
Bra: Impossible. All begins to smell just a bit less like vomit.
My new aesthetic: passive aggressive Facebook quotes from older family members.
This is particularly awesome when itās a random photo of one of your distant FB friends thatās really an acquaintance...itās almost like watching KUWTK
For instance, this is an actual caption that I just saw on a lovely family photo in some European vineyard.
āFinally the family is all together. Had to travel a long way to make it happenā
Careful lack of punctuation,Ā āfinallyā ... I see you! All hail Mrs. Meyer, the new queen of shade!
(...) the little garret where he and Vera incinerated their virginity together
A nascent manuscript Iām reading at my summer internship
Although Oprah is unique in many ways, her weight problems are all too common
You guessed it: another yet-to-be-published manuscript from the internship
It would be heartless to tell your wife you're leaving her right before Christmas. Not even Stan Gold would do that, and he was a Jew!
Yet another nascent manuscript from the internship
Massachusetts is spiteful in that way."
A nascent manuscript Iām reading at my summer internship
Lives I Fashion with Strange Men in Subway Cars: 1
Regardless of any romance in my āreal life,ā which, ugh, who needs it anyway, Iāve had countless relationships, of varying degrees of seriousness, take place in my head. Theyāre always creepy and vivid (I blame an overactive imagination), but mostly harmless. The majority are fleeting -- give me a few minutes and Iāve been through the entire honeymoon phase, discovered the strangerās fatal flaw (or heās discovered mine), and weāve broken up forever. But a few have been crippling, months-long, elementary-school-style crushes on personalities that Iāve completely invented and then projected onto the unsuspecting, real-life bodies of my peers. Itās awkward.
But, anyway: thereās no better place for my imagination to run amok than in a subway car, where for several minutes all these strangers (who are sometimes nice-looking men) are forced to occupy the same space as I, and all without cell service to distract us. Itās like a science fiction novel -- hurtling under the surface of the earth in a space-ship-esque vehicle, potentially tasked with rescuing mankind if aliens attack above ground while weāre down there ....
So, with all that said, I present to you the first installment of āLives I Fashion with Strange Men in Subway Cars.ā I call this one:
āThe Baby Face on the 5 Train.ā