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thewatcher727

Writing Description Notes:

Updated 17th July 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

sauntervaguelydown

it's funny although a little exasperating how artists designing "princess" or medieval-esque gowns really do not understand how those types of clothes are constructed. We're all so used to modern day garments that are like... all sewn together in one layer of cloth, nobody seems to realize all of the bits and pieces were actually attached in layers.

So like look at this mid-1400's fit:

to get the effect of that orange gown, you've got

chemise next to the skin like a slip (not visible here) (sometimes you let a bit of this show at the neckline) (the point is not to sweat into your nice clothes and ruin them)

kirtle, or undergown. (your basic dress, acceptable to be seen by other people) this is the puffing bits visible at the elbow, cleavage, and slashed sleeve. It's a whole ass dress in there. Square neckline usually. In the left picture it's probably the mustard yellow layer on the standing figure.

coat, or gown. This is the orange diamond pattern part. It's also the bit of darker color visible in the V of the neckline.

surcoat, or sleeveless overgown. THIS is the yellow tapestry print. In the left picture it's the long printed blue dress on the standing figure

if you want to get really fancy you can add basically a kerchief or netting over the bare neck/shoulders. It can be tucked into the neckline or it can sit on top. That's called a partlet.

the best I can tell you is that they were technically in a mini-ice-age during this era. Still looks hot as balls though.

Coats and surcoats are really more for rich people though, normal folks will be wearing this look:

sauntervaguelydown

so you know that ballgown look that people default to when making "princess" designs

this is kind of the fashion equivalent of when an AI has been trained to approximate what art looks like without understanding what it's drawing or how physics work. A costume designer has general recollections of about how the dresses looked from art, and a lot of the art they're learning from is also romanticized revival recreations of earlier art, so things are getting pretty confused structurally.

(I have to blame Disney for a lot of the specific trends but to be clear this was already happening before Disney was born.)

You can probably recognize how the gestalt of the bodice evokes what would actually be two layers--a gown laced over an under-gown, maybe with a stomacher in the same color as the gown.

The skirt is the very distant legacy of a trend that starts around here, in the early 1500's:

deliberately slitting the skirt of your gown so that it shows a triangle of the under-gown peaking through.

You know what a farthingale is? it's this thing.

Reeds sewn into the skirt to give it that round bell shape without needing 100000 layers underneath. Unsurprisingly invented in Spain, where it's hot as fuck. This is also the era where the farthingale starts its evolution into the eventual hoop skirt. You see that wide "ballroom" shape in a lot of princess designs. Princess Peach is a classic example.

Farthingale becomes hoop skirt, and using basically the same technology (reeds sewn into the fabric for support) the under-gown/kirtle becomes stiffened and shaped.

Eventually you get to this very pronounced version of the "slashed skirt" shown in the left figure, below. You can see that the red skirt is probably part of a whole dress, because the red sleeves in the same fabric are visible under the outer gown. (you can also see the chemise at the edge of the neckline). They did have detachable sleeves back then, as a standard part of a gown, so the red sleeves could be pinned to the chemise instead of attached to the body of the gown.

>Right figure, you can see this shit is getting elaborate now. I think that's a white under-gown with a yellow gown and a burgundy overgown. The collar around her neck is actually a partlet, not connected to anything else, just tucked in and maybe pinned underneath the neckline. But they're starting to have separate skirts now, so it's also possible she's only wearing a yellow skirt with the overgown on top it.

At this point whalebone is coming into the picture in a BIG way, and that's when you start to get Tudor style boned gown/kirtles tight around the bust really taking off. Also boned sleeves, if you can believe that. The smooth flat conical bodice is the product of a boned kirtle, which will eventually become stays, which will eventually become a corset.

anyway by now we're fully out of the medieval period and into the early modern/renaissance.

look at this bad ass bitch, hat ON titties OUT, who is doing it like her

sauntervaguelydown

I went to the ren fair recently, which got me interested in the specific historical inspirations of common “Renaissance Festival” clothes and consequently bugged my sister about her research so hard that it made us miss our turn

One common outfit you see (thanks to Amazon) is this modern take on the kirtle

On the left: Amazon. On the right: a recreation of what people actually wore. You can see how we have the same basic concept with a very different execution. This is what you would call a kirtle.

Another common ren fair look is the outer-wear stays. Always with the un-collared billowy undershirt.

I want to draw attention to the lacing. Stands to reason that costumers now would use contemporary lacing rather than that of previous eras. But check out even the romantic depictions of clothing from the 1870’s below this. No grommets. That’s just pure fabric baby.

Very few renaissance era women ever wore anything exactly like the ren fair corsets. For one thing, cross lacing wasn’t common, and metal grommets were not accessible to normal clothing makers. For another, structured stays (or “bodies”) were underwear, not outerwear. (Apparently something more popular with English peasants than French peasants, who didn’t use them.)

Left: stays (underwear). Right: jumps (outerwear)

Stays are boned. Jumps are not. Stays/bodies were pretty expensive due to the craftsmanship, and a poor person would have budget for a single pair. You can imagine this investment was not as popular with women who did hard physical labor. Jumps got really popular in the mid-1700’s and largely replaced stays in working class fashion.

A brief history lesson: clothes are ephemeral; we lose them as they are worn out, cut down, repurposed, and thrown away. Before modern anthropology and modern record keeping, it was difficult for anyone to know what anyone else looked like in the past or even a country away. Words used to refer to one kind of garment kept being used even as that garment changed in structure and purpose over time. Even after paper became common enough for printing art, it wore out fast and art was lost. References were hard to get.

What we think of as “peasant garb” is actually the product of a game of telephone that travels back from Romantic Revival art, and many of those (urban) artists got their idea of what rural peasants wore from opera costumes. The costumers working at the opera were not going out to the country side to take notes on what farmers actually wore, nor did they want to. Opera is show biz, you want it to be evocative, but not ordinary. Their costumes would have been based on what urban folks were wearing, with extra little touches like a shepherds crook to make it look “rural”.

Below: some mid-to-late 1800’s artistic depictions of peasants wearing improbably nice fabrics/clothes (probably a reflection of opera costumes). The painting of the peasant girl on the right is wearing more-or-less jumps.

You can see how the romantic art depictions of unstructured vests eventually inspired the “medieval revival” styles of the 1960’s/1970’s which lives on in the ren fair. Not only the neckline of the vest, but the style of undershirt with an open neck and billowy sleeves.

Compare (unstructured, laced, outerwear):

Nobody wore that in the 1400’s or 1500’s, but they wore things that looked similar at a glance. When 1960’s artists went back looking for early modern/medieval styles to replicate, they mostly had a hodge podge of this art to reference and extrapolate from.

The fact that a historical laced kirtle with an over skirt looks a lot like stays worn on the outside, probably made this confusing for artists. Undershirts of the 1500’s were collared and high necked, however, with tighter sleeves.(Below, 1500’s kirtle)

Ironically the upper class of the 1500’s does have something similar to “peasant” costume, but the visual effect is achieved with a loose chemise and a U-necked bodice that fastens in the front with hooks.

One last example of 1800’s romanticism, this time depicting a contemporary girl. Looks familiar, right? We’re back at the ren fair, if you take the bonnet off.

It does look similar to what was being worn in the 1800’s. Here’s a cartoon showing a working class woman in the 1870’s.

TLDR; what we think of as “Renaissance” or even “medieval” peasant garb is actually a remix of the working class clothes from the 1800’s, with some confused memories of the kirtle from older art thrown in.

Structured stays? 1500’s. The blousy no-collar undershirt? 1700’s. The cross lacing? 1800’s.

Anyway. This image of peasants has always been costume & fantasy. That’s why I think it’s kind of fun that it reaches a terminus in the anachronism and fantasy of a Renaissance Festival.

imastoryteller

Understanding Internal Conflict in Storytelling

Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.

Introduction to Internal Conflict

Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.

Purpose: It adds depth to characters, making them more relatable and complex.

Types of Internal Conflict

Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.

Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.

Identity Crises: Moments when characters question who they are or what they believe in.

Conflicting Desires: When a character's wants or needs are at odds with each other.

Examples of Internal Conflict

Classic Literature: Hamlet's indecision about avenging his father's death.

Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".

Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".

Importance of Internal Conflict

Character Development: Drives growth and transformation, showing how characters evolve.

Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.

Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.

Crafting Internal Conflict

Believability: Ensure the conflict is realistic and relatable to the audience.

Depth: Give characters more than one internal conflict to make them richer and more interesting.

Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.

Questions to Consider

What is the character’s main internal struggle?

How does this conflict affect their decisions and actions?

In what ways does the internal conflict drive the story forward?

larkingame

Emojis rise while you write and more

I've been using this the past couple days to work on larkin/larkinrelated projects/my school work and let me tell you friends it WORKS. for fans of the 'making my font really small' or 'writing in comic sans' tricks, this writing program is sooo for you. it lets you set a word count goal that's accompanied by a little progress bar to help illustrate how far you are, it lets you change visual backgrounds from waves to a fireplace to old tv static, quite possibly my favorite feature--it allows you to enable typing sounds--so that you can make it so it sounds like you're writing on a type-writer! Can't recommend this project enough to my fellow writers <3

sm-writes-chaos

this-I-I can't even begin to express how much I've needed this. this has made my day so much better thank you sososos much

wizardarchetypes

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

pixelartpeach

Are there any other particularly egregious examples?

theglintoftherail

This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:

It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).

wandercuriosity-deactivated2024

This book can be downloaded for free on Researchgate, posted there by the author himself:

The Biology of Human Survival: Life and Death in Extreme Environments

novlr

Can you tell me the difference between a preface, and introduction, a foreword and a prologue? I never know which to use.

You're in luck! Today's blog post is all about that very topic. Different genres will use them differently (for instance, there will be slight differences between how a non-fiction book uses a foreword, vs how a work of fiction uses a foreword), but in general, they all serve very distinct purposes, and readers will approach them differently.

You'll find the full post at the link below:

Have you ever wondered why some books have a preface and others don't? Or what the difference is between an introduction and a foreword?

writingquestionsanswered

"Probably one of my biggest writing-related takeaways of 2023 was the brain science behind being overwhelmed by writing. So often, we put so much pressure on ourselves to meet goals, and get so frustrated with ourselves when we fail, that we end up making writing time something that fills us with anxiety. So our brains perceive that activity as a threat, which makes us want to avoid it."

I'd love to learn more about this cause it's my biggest problem when it comes to writing. The avoidance of the task, but it also manifests also as feeling overwhelmed by writing a long story/novel.

Some Brain Science Behind Avoidance

I encountered this idea of fear-based avoidance in a few workshops and summits over the past year, but I have to give a shout out to author/coach Monica Hay whose "Overcome Writer's Resistance Bootcamp" explained it the best. I can't find my notes so I'm going from memory here, but the gist of it was that our brains are hard-wired to avoid things that make us feel fearful or uneasy. This is an evolutionary throwback to when those instinctual feelings helped us steer clear from danger. As I remember Monica putting it, "Don't go that way, there are cheetahs there that will eat us."

So... how does this apply to avoidance of writing?

When we heap unreasonable goals and deadlines on ourselves, and berate ourselves for falling short of them, we inadvertently turn writing into a stressful activity. So, when we sit down to write, our brain picks up on that stress and says, "Don't go that way, cheetahs will eat us," and your gut instinct tells you to avoid this stressful activity at all cost. And then it becomes kind of a vicious cycle because you feel even worse because you're avoiding writing, and that makes you feel more overwhelmed and makes writing more stressful, and well... you can see the problem.

The solution? De-stress the writing process for yourself as much as you can. Start by de-stressing yourself when you sit down to write... take a relaxing walk first, do some yoga or a meditation exercise, or try some grounding techniques. See if you can do some things to make your writing environment more relaxing and inviting. Put on some soft lighting and relaxing music, use your favorite method to lightly scent the air, grab your favorite drink and snack. Then, just try to move the needle forward in any way you can.

My suggestions: try editing a sentence. Maybe see if you can add a paragraph or two. Don't think about deadlines or word count or what others are doing. Just focus on adding something to the page, even if it's changing a word or adding a sentence. Don't push yourself. Congratulate yourself on whatever progress you made. Ultimately, if you do this every day, the stress should start to melt away and writing becomes an activity that your brain no longer tells you to avoid.

Another suggestion: try to avoid setting arbitrary deadlines, or if you have to set a deadline, take a look at your schedule/calendar and be really honest about how much time you actually have to write. Because so often what happens is we say, "I want to finish this 80k word draft in eight weeks..." but the reality is we're not going to write all 56 of those days. In fact, when we take an honest look...

-3 days per week for days with both class and work = 32 days -5 days for a cruise next month = 27 days -1 day for bestie's birthday celebration = 26 days -Sundays because that's hiking day = 18 days Suddenly, that eight weeks is actually only 18 days... and that's not even taking account things that come up unexpectedly. But, let's say you do get to write all 18 days, and let's say you know you can commit three hours a day to writing but you'll probably take two ten-minute brakes... so 48 hours worth of writing. But here's the problem: you know on a good hour, you're probably only going to write 1200 words. And guess what: 1200 words per hour over 48 hours is only 57,600 words... far short of your 80k goal... and that's assuming you get to write all 18 days and hit 1200 words every hour you write. In other words... you've set yourself an impossible deadline, and when you fall short of it without understanding why, you're going to be disappointed in yourself. And that's why it's so, so important to be honest about the time you have and how much you can reasonably accomplish within that time. Also: just don't be hard on yourself. It will never make you write faster, more, or better.

I hope you can use this to overcome your own resistance to writing! ♥

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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andyclutterfuckme-deactivated20

Rick waited such a long time before following Michonne. You can really see him go through his logical "this is what's best for my family & for the world" brainwashing mental block and finally, you see his love win with what he described as feeling like "my heart ripped itself out of my chest and walked out the door" and, soon enough, you see him literally running back to her but man, if there weren't tears in my eyes when Michonne stood in that hallway, alone, turned and waiting for him, knowing her Rick would never have hesitated

endlessburningdarkness

how to go from daydream to draft:

begin by daydreaming as you normally do, or just after you've finished doing so. write down every thought you have. one after another. do not reread. do not stop for spelling mistakes. just dump out every thought. this is called stream of consciousness writing. you can do this for every scene you need a first draft for.

struggling to draft the scene? try to daydream about it. start thinking about how it would look, feel, what the characters would say, act it out in your head and then write out the stream of your thoughts as they arrive.

by now you have a few scene dumps. you may be tempted to go back and edit. do not do this expect for obvious spelling mistakes. do not read closely and start thinking "i need to rework this sentence." that is for later. now you're in the zone. draft more scenes. or work out what the next scene needs to be, scaffold it with a few comments. this will be the inspiration for your next deliberate thought stream that you will write out. repeat this process until you have the whole draft.

now that you have a draft or part of a draft you get to do this very fun thing called revise until you're happy. sweep through your draft with specific goals each time. one sweep to fix spelling/grammar. another for character voice. another for plot. repeat until you're happy with it.

leave it alone. just leave it for a bit. at least a few hours or days or even weeks. forget it exists. this will allow you come back with fresh eyes. then you can do your revisions with an eagle eye. now you may realize you need to add/remove scenes. you know how to get the first version down. close your eyes and daydream at your desk if that's what takes!

remember that fiction writing is persuasive writing. you are trying to persuade the reader to care about what happens next, the character's, the world, the feelings. as you're revising, consider whether you are persuaded. is the feeling/thoughts you wanted to provoke being felt by you when you read it? when working with beta readers, be sure to communicate what you're trying to convey so they can tell you if you've been successful or not.

this got a bit beyond getting the first draft done. hope you found it helpful.

bonus tip: check the spellings of names and places and other nouns that are not typically used, like the name of a magic tool!

creativepromptsforwriting

seeking out physical affection

comparing hand-sizes to hold their hand against the other's and then just holding hands

leaning against the other one in close spaces

acting like they're cold to have an excuse to cuddle or share clothes or blankets

brushing a strand of hair away

grabbing each other's hands in crowds or when crossing the street to "be safe"

turning their cheek to get the other one to give them a peck

brushing their arm against the other's, hoping the other would finally catch their arm and hold it close

fixing the other's hairstyle to let their hands run through their partner's hair

draping the arm around their shoulder while sitting next to each other

lightly tickling the other one, almost hoping it gets retaliated

reaching out with their hand without saying anything, wanting the other one to grab it

linking arms when walking around together

trying to get the other to dance with them

bumping shoulders into each other

wrapping arms around the other's neck when standing behind them

maccreadysbaby

Some of My Favorite Ways to Describe a Character Who’s Sick

pressing their forehead into something cool or comfortable (this could be an array of things. the table, the floor, someones leather jacket, their water bottle, the countertop)

warm to the touch, or heat radiating from them (could be noticed if someone’s gauging their temperature with their hands, hugging them, or just generally touching them)

leaning into people’s touch, or just spontaneously leaning on them (like pressing into their hand when someone’s checking their temp, or just, like, literally walking up and laying their head on them from fatigue. bonus points if the character is usually feral and the other is scared to engage™︎)

falling asleep all over the place (at the dinner table, on their homework, in the car, in the bathroom — just being so exhausted from doing literally nothing)

being overly emotional (crying over things that don’t usually bother them, like their siblings arguing, or their homework, or literally just nothing)

stumbling/careening/staggering into things (the wall, furniture, other people. there is no coordination in feverish brains. running into chairs, hitting the door, falling over the couch, anything and everything)

slurring their words (could be from fatigue or pain. connecting words that shouldn’t be connected, murdering all of their conversations with the excessive use of ‘mm’ and ‘nn’ in place of words) (this is my favorite thing ever)

being overly touchy (basically like a sick kid — just hold them, please. do that thing where you brush their hair back out of their face, or rub circles on their back, or snuggle them. they won’t care. bonus points if this is also the feral character and they refuse to believe it afterwards)

being extremely resistant to touch (flinching away when they usually don’t so someone can’t feel the fever, not letting themselves be touched because they’re so tired they just know they’ll be putty in their hands if they do)

growing aggressive or being extremely rude (it’s a defense mechanism — they feel vulnerable and are afraid of being manipulated or deceived while they’re ill)

whimpering/whining/groaning (this was in my “characters in pain” post but it’s so good that i’m putting it here too. this shite is gold, especially if it’s just an involuntary reaction to their symptoms)

having nightmares caused by a fever and/or delirium (crying and murmuring in their sleep, or being awake but completely out of it and convinced they’re somewhere else)

making themselves as small as possible (curling up into a ball everywhere they lay, hunching over slightly when standing, wrapping their arms around themselves)

TW for vomiting below cut !!

creativepromptsforwriting

Advice for writing relationships

Ship Dynamics

How to create quick chemistry

How to write a polyamorous relationship

How to write a wedding

How to write found family

How to write forbidden love

Introducing partner(s) to family

Honeymoon

Date gone wrong

Fluffy Kiss Scene

Love Language - Showing, not telling

Love Language - Showing you care

Affections without touching

Giving the reader butterflies with your characters

Reasons a couple would divorce on good terms

Reasons for breaking up while still loving each other

Relationship Problems

Relationship Changes

Milestones in a relationship

Platonic activities for friends

Settings for conversations

How to write a love-hate relationship

How to write enemies to lovers

How to write lovers to enemies to lovers

How to write academic rivals to lovers

How to write age difference

Reasons a couple would divorce on good terms

Reasons for having a crush on someone

Ways to sabotage someone else's relationship

Ways a wedding could go wrong

Arranged matrimony for royalty

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

slayingfiction

List of 400+ Dialogue Tags

Below is a full (but not exhaustive) and updated list of dialogue tags. Dialogue tags are a widely debated topic for writers, some saying you should only use said, others arguing the opposite. You will get no opinion for me—only a list to use as you wish :D

Some words may differ in categories based on context.

Expressing Agreement or Confirmation

Acknowledged, Admitted, Affirmed, Agreed, Apologized, Confirmed, Conceded, Gibed, Professed, Reassured, Verified, Vouched

Initiating or Continuing Conversation

Added, Began, Chimed In, Commented, Continued, Conversed, Discussed, Elaborated, Greeted, Interjected, Offered, Proposed, Remarked, Went On

Making a Declaration or Announcement

Announced, Attested, Declared, Decreed, Emphasized, Enunciated, Proclaimed, Revealed, Stated, Voiced

Formal or Deliberate Communication

Chanted, Concurred, Observed, Postulated, Preached, Put Forth, Reasoned, Surmised, Testified

Indirect Communication

Digressed, Hinted, Implied, Insinuated

Providing Information, Explanation or Speculation

Alleged, Articulated, Asserted, Clarified, Doubted, Equivocated, Explained, Guessed, Imparted, Informed, Lectured, Noted, Predicted, Quoted, Recited, Reported, Theorized

Expressing Doubt or Uncertainty

Doubted, Faltered, Guessed, Hesitated, Pondered, Questioned, Speculated, Wondered, Ventured

Seeking or Giving Advice

Advised, Coaxed, Proposed, Recommended, Remonstrated, Suggested, Supposed, Urged

Animalistic

Barked, Croaked, Growled, Hissed, Hooted, Howled, Hummed, Roared, Snarled

Expressing Discontent or Frustration

Complained, Fretted, Grumbled, Protested, Ranted

Demonstrating Authority or Command

Avowed, Commanded, Crowed, Decided, Demanded, Dictated, Directed, Insisted, Instructed, Maintained, Ordered, Pressed, Proclaimed, Reprimanded

Displaying Confidence or Assertiveness

Asserted, Assured, Boasted, Bragged, Claimed, Piped Up, Pledged, Spoke Up, Told, Vowed

Exhibiting Anger or Aggression

Accused, Bristled, Challenged, Cursed, Erupted, Exasperated, Fumed, Groaned, Huffed, Raged, Seethed, Snapped, Spat, Stormed, Swore, Threatened, Whinged

Displaying Sadness or Despair

Anguished, Bawled, Bemoaned, Blubbered, Cried, Despaired, Grieved, Lamented, Mourned, Sobbed, Wept, Whimpered, Worried

Persuasiveness

Appealed, Begged, Cajoled, Convinced, Persuaded, Petitioned, Pleaded, Prayed

Conveying Fear or Worry

Cautioned, Entreated, Gasped, Quaked, Shuddered, Stressed, Trembled, Warned

Softly or Quietly

Breathed, Called, Crooned, Murmured, Mumbled, Muttered, Sighed, Whispered

Loudly or Forcefully

Bellowed, Boomed, Cried Out, Hollered, Screamed, Screeched, Shouted, Shrieked, Thundered, Wailed, Whooped, Yelled

Demonstrating Disgust or Disdain

Cringed, Gagged, Griped, Groused, Rasped, Scowled, Sneered, Snorted

Expressing Mockery, Disrespect or Sarcasm

Dared, Imitated, Insulted, Jeered, Mimicked, Mocked, Ribbed, Ridiculed, Scoffed, Snickered, Taunted

Doing Annoyingly

Gloated, Goaded, Nagged, Pestered, Provoked, Sassed, Tattled

Emotional or Expressive Communication

Grunted, Mewled, Panted, Quavered, Sniffled, Snivelled, Squawked, Whined, Yowled

Showing Empathy or Comfort

Comforted, Consoled, Empathized, Soothed, Sympathized

Indicating Thoughtfulness or Reflection

Contemplated, Echoed, Mused, Pondered, Recalled, Reflected, Remembered, Reminded, Reminisced, Retorted, Reiterated

Expressing Humour or Amusement

Cackled, Chirped, Chuckled, Giggled, Guffawed, Jested, Joked, Laughed, Quipped

Revealing Information

Confessed, Confided, Divulged, Disclosed, Expressed, Hinted, Revealed, Shared, Spilled, Uttered

In a Flirtatious Way

Bantered, Cooed, Flirted, Joshed, Moaned, Purred, Teased

Demonstrating Surprise or Astonishment

Gasped, Marvelled, Yelped

Indicating Hesitation or Reluctance

Faltered, Hesitated, Stammered, Stuttered

Engaging in a Dispute or Argument

Argued, Bargained, Bickered, Contended, Debated, Disputed, Negotiates, Objected, Rebutted, Shot Back

Showing Enthusiasm or Excitement

Beamed, Blurted, Cheered, Exclaimed, Gushed, Raved, Rejoiced, Sang, Squealed, Trumpeted

Expressing Approval or Praise

Applauded, Complimented, Encouraged, Exhorted, Extolled, Lauded, Praised

Speaking in a Continuous or Repetitive Manner

Babbled, Chattered, Jabbered, Rambled, Rattled On, Repeated

Questions and Answers

Answered, Asked, Cross-examined, Inquired, Implored, Probed. Prodded, Prompted, Queried, Questioned, Quizzed, Requested

Expressing Criticism or Disagreement

Challenged, Chastised, Chided, Condemned, Corrected, Countered, Criticized, Deflected, Demurred, Denounced, Scolded

Negative or Deceptive Communication

Denied, Droned, Exaggerated, Interrupted, Lied

Finishing the Conversation

Concluded, Finished, Thanked

Neutral or Miscellaneous

Admired, Consented, Foretold, Invited, Mentioned, Mouthed, Pointed Out, Replied, Said, Sputtered, Volunteered

Don’t forget our Grand Opening Giveaway starts February 1st/24 on Tumblr, Instagram and slayingfiction.com! You don’t want to miss it!

Happy Writing!

eloquent-edits

🗡️ “I’m all for platonic intimacy but this…?”

the subtext of romance is really peeking through 🗡️ friends to lovers scenarios

Person A going to person B’s house to watch a movie but getting looped into playing drunk card games with B and their parents

Working out together and A insisting on spotting B and adjusting their form

B playfully poking A in public and promptly getting tackled

B patting A’s cheek only to accidentally linger as they notice how the light catches in A’s eyes (A is DESPERATELY trying to not blush)

“Here’s the garage code.” “… Why am I receiving this information?” “You’re already over here a lot. My parents think it’s better than a key.”

Forced close proximity at a LAN party because there’s not much room at the table (and A’s arm keeps brushing against B’s, messing up their aim, but if anything the space between them decreases as the night goes on)

The “Oh, is B coming too?” to “A kidnapped me to come here and hang out” pipeline

Going from quick and funny head scratches to absentmindedly stroking/detangling their hair while chatting with friends

“Do I smell okay?” “You smell normal.” “Which is…?” “Like lilac and gooseberry.”

A melting into B’s hug after a long and stressful week

B helping A deal with a major headache by rubbing/scratching their back

A heating up B’s ears with their hands because B forgot ear muffs in winter

“My mom thinks you’re really pretty/handsome.” “My mom thinks you look like Adonis/Aphrodite.” “Can you ever take a compliment?”

Candid pictures give away the softness in B’s eyes when they look at A goofing around

B not minding when A gives them a long hug in public, even though they aren’t big on PDA in general

B drawing a shitpost and sending it to A, A setting it as their lockscreen, and months later B realizes that A still hasn’t changed it

B’s family automatically assuming that A might join for any family function and making A’s favorite dish accordingly

“I have to go into the office this week. Can I crash at your place since it’s closer?”

Hanging out for hours —> “I don’t want you to drive home this late.” —> waking up in each other’s arms because they both refused to let the other sleep on the floor/couch

“My clothes reek of you.” “You could’ve just told me to take a shower.”

dawnoflemuria

"I love you but I can't say those words":

I would drown even the stars for you.

When I look at you, I just think about how much things have changed since we first met.. my how time flies..

don't you think looking at me like that will give me the wrong impression?

oh, by the way, don't be late for dinner.

I don't think I would have rather done this with anyone else..

did you ever think we'd grow so close?

how many times have I had to nurse you back to health now?

maybe you should sit this one out, I've got it for now

why haven't you told me this before?

Please don't do anything reckless

Will you sit with me?

When was the last time you ate??

Anything that you have to say to me, you can say infront of [B]

I know you're not feeling the greatest, that's why I brought you [insert thing]

you just love to give me hell, don't you?

You're important to me.

I don't wanna lose you / I can't bare to lose you

do you need some help with that? allow me

Hidden Confessions:

I don't think you understand just how much you really mean to me.

I know how you are, and that's why I've decided that you won't do this alone.

You can't get rid of me that easily (after an argument)

don't think so low of my loyalty to you for I would burn the heavens if it mean saving the stars in your eyes.

you've always been the one person who I could never stay mad at

I cherish the memories we make together

I will never let anything or anyone hurt you

you won't take them away from me

don't you dare lay a finger on them!

if you so much as make a move on them I will kill you where you stand, you hear me?

so precious, our time together

I love whatever this is between us.

do you ever think about where we'll be in 10 years?

careful now, you just might make me blush talking like that

Sappy Sentences:

I don't think the heavens or the hells below could fathom the level of love we share.

If there were a way to bottle your love, I'd get drunk on it every day

Sometimes all I really want is to lay like this, with you in my arms forever.

For us eternity doesn't mean for the rest of time. Eternity is just for the rest of our lives together.

I don't remember giving you my heart, but I know it's safe in your hands.

Watching you get hurt is like a blade through the heart, I can't take it.

Even if I had six hearts, they'd all beat for you.

I can't blame those who stare at you, I get lost in your beauty myself.

I'd worship you as my supreme deity, bathe me in your grace

I'd do anything in the world for you. Just you name it.

Come lay with me, I want to heart your heartbeat.

Everytime I'm with you, I can't help but feel at peace with the world.

writers-potion

Said is dead, and so are some other words that we writers tend to overuse. Here's a brief list to aid your brain:

01. "VERY" ☆★⋆⭒˚.⋆

Very angry -> Furious

Very beautiful -> Gorgeous

Very bog -> Massive

Very boring -> Dull

Very poor -> Destitute

Very cheap -> Stingy

Very clean -> Spotless

Very difficult -> Arduous

Very dry -> Arid

Very quick -> Rapid

Very strong -> Forceful

Very ugly -> Hideous

Very calm -> Serene

Very huge -> Colossal

Very small -> Petite

02. "WHISPERED" 🤫

Murmurd

Mumbled

Muttered

Breathed

Sighed

Hissed

Mouthed

Susurrated

Intoned

Purred

Said in an undertone

Hinted

Said low

Said in hushed tones

Gasped

03. "BAD" 😈

Corrupt

Sinful

Depraved

Contaminated

Tainted

Irascible

Atrocious

Sinister

Snide

Deplorable

Detestable

Execrable

Ghastly

Noxious

Substandard

Despicable

Contemptible

Foul, rank, faulty

04. "BEAUTIFUL" 🦋

Dazzling

Splendid

Magnificent

Aesthetic

Delicate

Glorious

Stunning

Heavenly

Resplendent

Radiant

Glowing

Blooming

Sparkling

05. "BEGIN" ▶️

Open

Launch

Initite

Commence

Inaugurate

Originate

06. "BIG" ⚡

Immense

Gigantic

Vast

Gargantuan

Sizable

Grand

Mammoth

Astronomical

Titanic

Mountainous

If you like my blog, buy me a coffee! ☕

asmoshywrites

How to avoid character inconsistency in your writing

Set your character boundaries:

What's the background?

What's your character's backstory?

What are their traits, and how do they portray them?

Know what keeps your characters motivated. (Are they reaching their goal?)

You can avoid quick shifting of scenes. Let your readers absorb the setting of the scene.

Ensure that their actions and decisions align with their development and growth.

Tip 1: Start your chapter with a scene or dialogue that comes back at the end, which helps maintain consistency.

Tip 2: Throughout the chapter avoid the fast pacing of the story, rather let the characters express themselves so that it's clear for the readers.

Consider how your characters react to situations that are hard to convey. (Do they feel nervous? Scared? Fearless?)

Dialogue writing is crucial in explaining your character's personality while writing a story.

This process requires lots of re-reading and writing, fixing character holes and rewriting character arcs.

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