pepperony week 2019: day 1 & 5 â pepperonyâs journey & parallels
Marvel Cinematic Universe (2008 - 2019)
All of Pepper & Tonyâs scenes in Avengers: Endgame paralleling their journey throughout the years in the MCU
occasionally subtle

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@tonywasp
pepperony week 2019: day 1 & 5 â pepperonyâs journey & parallels
Marvel Cinematic Universe (2008 - 2019)
All of Pepper & Tonyâs scenes in Avengers: Endgame paralleling their journey throughout the years in the MCU
You have a weak heart or are you trying to scare me?
I gave you a scare.
Of course. Youâre my ride home.
harry immediately after discovering tom riddleâs diary absorbs ink: hello magical book my name is Harry Potter and my age and address and credit card information and password is
tony stark has the range
Tony: Iâm willing to do a lot of things,
Tony: But admitting to Pepper that Iâm cold after she told me to bring a jacket is not one of them.
achievements in life: taller than wolverine
remember when tony was drowning & jarvis was like âsir, take a deep breathâ & then saved him with his own goddamned armor????? god i miss jarvis
I really like Natasha Romanoff Based off this iconic look
âAnybody ever tell you how pretty you look after getting your ass kicked?â SHARON CARTER + STEVE ROGERSÂ â CAPTAIN AMERICA (2018) #24
Tony Stark being Tony Stark in Tony Stark - Iron Man (2018) Issue #1
iron dad +  the all-new all-different avengers
Her black hair seemed to catch the light, and then to destroy it.
Tony Stark + Tumblr Text Posts
happy birthday mr president âșïžđ
Hiya blue lemon it's me again. Do you have any criticism in the way GRRM wrote Sansa in book1/2? EX:.Sansa and Jeyne are BFF but we amolst never see the girls talking to eachother, and when JP is sex traffikced sansa just forget about her(we could have a scene where sansa try to find what happened to JP or at least grieve for her). Every time sansa appears as a non-POV in AGOT she's been mean and whe we have her POV she's mean for no good reason(SANSA III AGOT). >PART 1<
And the worst is why GRRM wrote sansa goin to Cercei to tell her the âNed Plansâ, itâs just bad writing, Cercei kill lady so Sansa going to her was OOC GRRM just wrote that to we hate Sansa And in the book itâs not explained what âthe Ned plansâ was(And it was nothing imortant at all, and would make no difference at Nedâs fate) so ordinary readers blame Sansa for Nedâs death and GRRM does that too in book 2 Cercei put all the blame for Ned death in sansa nd âthe Ned Plansâ Your thoughts?PART 2
Thereâs a lot to unpack here.Â
I get a sense that in the early books, George was not as comfortable writing female relationships as he was writing male relationships or even male-female ones. I mean, Catelyn has no female friends, no companions like Margaery Tyrellâs cousins, no fostering wards of her own, no correspondences with other ladies except that one letter from Lysa for plot reasons. This is just weird for the lady of two major houses. It is neglectful on Georgeâs part to give most of the important social connections to men. This doesnât mean he was totally inept at writing female relationships, though, and it does seem like heâs tried to improve upon highlighting the positive in later books.
By comparison, the positive side of the brotherly relationships are presented so strongly that it tends to smooth over the conflicts with many readers. Jon can feel envious and resentful of Robb, but the love and loyalty is always in the foreground. The conflict between Arya, Jeyne, and Sansa does have legitimate character arc and plot purposes, so this isnât bad writing. Itâs unfortunate that GRRM presses down so hard on the constant bickering and occasional nastiness, but he did write some positives (albeit they tended to be revealed in later books) and there are understandable reasons for the dynamics. It was not done in a totally unrealistic way. Whatâs depicted is a typical and relatable rocky period for that age group, and there was negative adult influence at play. Itâs not a permanent feature of the sisterhood. Itâs all there if you pay attention and youâre inclined to be charitable toward the mistakes of young girls.   Â
If a reader is already predisposed to see the bonds between male characters as more pure and more able to overcome the negative aspects, then they probably also view the bonds between female characters as inherently weaker and more fraught with conflict. Fandom misogyny is not GRRMâs fault. That sector of the fandom will always have contempt for girls for being girls, especially preteen girls. They will always hone in on their faults and belittle their virtues.Â
I donât think that is true that we hardly ever see Jeyne and Sansa talking. They are nearly always in each otherâs company. There was real friendship between Sansa and Jeyne, because what George does do well with them, is realistically write the way girls cement their bonds. Young girls strengthen their relationship by communicating and confiding in each other. Sharing secrets, crushes, hopes, fears, and pieces of gossip builds trust and intimacy. Jeyne and Sansa do this all the time, even though they can have different opinions and disagree about a lot. Yes, there is some one-sidedness in that Sansa socially outranks Jeyne and believes that makes her more mature and wiser than her friend. Jeyne is dependent on her closeness to Sansa as a highborn lady and future queen to rise successfully, so sheâs not going to push back on Sansaâs dominance. This is also a reason Jeyne sometimes bullies Arya to supplant her as Sansaâs âsister.â When Sansa has something to share, she goes to Jeyne to talk about it. I think itâs hilarious that the girls have a debate over which castle Gregor Cleganeâs head will get spiked. Sansa wants Jeyne at her side for these new and exciting events like the tourney. When things get serious and dangerous, they comfort each other. Again, this is not all Georgeâs fault if some readers donât recognize or value the way girls do friendships. Â
Itâs stated quite clearly why Sansa tries to not think about Jeyne or her deceased family members very often. Itâs fucking traumatic and her survival while among her captors depends on mentally holding herself together.Â
If only she had someone to tell her what to do. She missed Septa Mordane, and even more Jeyne Poole, her truest friend. The septa had lost her head with the rest, for the crime of serving House Stark. Sansa did not know what had happened to Jeyne, who had disappeared from her rooms afterward, never to be mentioned again. She tried not to think of them too often, yet sometimes the memories came unbidden, and then it was hard to hold back the tears. Once in a while, Sansa even missed her sister. By now Arya was safe back in Winterfell, dancing and sewing, playing with Bran and baby Rickon, even riding through the winter town if she liked. Sansa was allowed to go riding too, but only in the bailey, and it got boring going round in a circle all day. â Sansa II, ACOK.
Following her fatherâs beheading, Sansa was in a suicidal depression for days. She wouldnât eat, wouldnât bathe, welcomed drug-induced sleep, and contemplated killing herself. If she thinks too much on those she lost, she falls to pieces. She canât openly weep and mourn for âtraitorsâ if her life depends on appearing to be loyal to Joffrey. Most of her grief is suppressed inside. This also includes asking too many questions she doesnât feel psychologically prepared to hear the answer to. She was there when the decision was made to shuttle Jeyne off to Littlefinger; however, she has no idea this is going to result in Jeyne being sent to a brothel and worse. I would also keep in mind that even if she did ask, itâs not like Cersei or Littlefinger would ever tell her the truth. Why would they? Does she really want to hear lies and have to think about what the horrible truth might be when she canât do anything about it? When it comes to Arya, Sansa believes her sister escaped on the ship bound for home. She comforts herself with imagining that Arya is safe and free, and thatâs enough to keep her going. Â
And she prays and sings for Jeyne, wherever she is.
She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin⊠â Sansa V, ACOK.
Itâs only until later in the books that Sansa feels emotionally at peace enough to start remembering the good times with Arya and Jeyne without breaking down into tears. We can also see the conflicts werenât always a thing, and the love was strong with all three.
Sansa began to make snowballs, shaping and smoothing them until they were round and white and perfect. She remembered a summerâs snow in Winterfell when Arya and Bran had ambushed her as she emerged from the keep one morning. Theyâd each had a dozen snowballs to hand, and sheâd had none. Bran had been perched on the roof of the covered bridge, out of reach, but Sansa had chased Arya through the stables and around the kitchen until both of them were breathless. She might even have caught her, but sheâd slipped on some ice. Her sister came back to see if she was hurt. When she said she wasnât, Arya hit her in the face with another snowball, but Sansa grabbed her leg and pulled her down and was rubbing snow in her hair when Jory came along and pulled them apart, laughing. â Sansa VII, ASOS.
It was most unladylike, but Alayne sound found herself laughing. For just a little while, as she ran, she forget who she was, and where, and found herself remembering bright cold days at Winterfell, when she would race through Winterfell with her friend Jeyne Poole, with Arya running after them trying to keep up. â Alayne I, TWOW.
So itâs not even that the girls only bond through confiding. They run, play, and roughhouse with each other. Itâs interesting that AGOT!Sansa tried to be so mature and proper, but now that sheâs older, sheâs remembering how good and freeing it was just to be a kid. But letâs not act like this part of the story is over. Jeyne is still very much alive and seems likely to run into Arya in Braavos. We can almost be 100% certain that Sansa will find out the truth about what happened to Jeyne and what Littlefinger did to her (and her parents), then watch out. Sansa will turn all that buried pain into a righteous fury at Littlefinger. Â
Now as for Sansa being mean for âno reason.â Um⊠yeah, LOL. Sometimes sheâs just a total unwarranted bitch to her sister, and itâs not meant to be a good look. Sometimes sheâs superficial, insufferably immature and annoying, judgmental and prejudiced AND THATâS OKAY. I mean, she sounds no better or worse than your average middle-schooler if they were of the privileged nobility. Guess what? Sometimes preteens are really like that. Sometimes siblings have ugly, knockdown drag out fights where they say horrible things to each other. Most will grow past those phases and still wind up just as loving and close. Itâs realistic and believable. Sansa has flaws, but they arenât deep moral flaws. She does an amazing job at growing, learning, and overcoming those flaws over the course of the books. In TWOW, sheâs warm and affectionate with people, easy-going, nonjudgmental, and genuinely more mature than ever. She took the stick out of her ass and became a happier person for it. Whatâs the problem? What did you want her to be? Perfect? Unfailingly kind and loved by everyone all the time? Sheâd be a saint, not a multifaceted human being. Even with her occasional ugly side, Sansa is still a strong, smart, compassionate badass. I donât care if some people donât like her as she is written or if they vilify her with their misinterpretations or ignore her strengths. What bearing does that have on GRRMâs vision for her character? He never set out to write any character that the whole fandom would either unanimously love or hate.  Â
This is not bad writing. This NOT bad writing. This is GOOD writing.
*Sigh* Listen⊠this whole nonsense about Sansa being to blame for Nedâs demise has been going on since ASOIAF was written on clay tablets. You donât have to listen to every stupid thing the fandom says about anything. Itâs just factually wrong. End of story. This misinterpretation and reader inattentiveness is not GRRMâs fault, because he lays out all the details of everything that went down between Arya, Ned, and Sansaâs POV as it was happening. Itâs totally understandable why an upset and frustrated Sansa would go to Cersei, the mother figure she implicitly trusts and admires. She didnât go to Cersei to betray her fatherâs plans. She went to the queen to intercede in what she thought had to be some big misunderstanding, having no idea what was really going on or at stake.Â
This is not OOC for her to go to Cersei after Ladyâs death. The hand that killed Lady was her own fatherâs, a undeniable breach of trust that wounded their relationship. Ned just doesnât really do a lot to deal with the emotional aftermath either. Ned and Sansa are very similar in turning a blind eye when confronted with unpleasantness from someone they love. Ned is also at that moment disillusioned with Robertâs failure to do the right thing after the Trident incident. He begs Robert in the name of their brotherly love and the love he bore Lyanna, and Robert turns his back on Ned anyway. Yet Ned immediately goes right back to believing in the best of Robertâs nature, despite all evidence to the contrary. Every sign points to this being a one-sided friendship with Robert being lazy, irresponsible, and completely selfish. Like father, like daughter. Sansa has a very hard time accepting that Joffrey and Cersei are not the people she thought they were, even when sheâs seen some cracks. And since she canât understand her fatherâs actions and the communication has been shot to hell between them, of course she runs to Cersei with her problems. Cersei can flip a switch and pretend to be kind, loving, and understanding.Â
This is so typical of a teenage thought process: âDad just doesnât understand and heâs making a big mistake. I donât understand why heâs doing this. He doesnât get how important this is to me. This will all work out if a sympathetic adult steps in and fixes it. Everything will turn out great and weâll all be happy.â While Sansa is pouring her heart out about how it isnât fair she canât say goodbye to Joffrey, Cersei pretends to be that sympathetic mother figure that really understands her. How hard would it be then to pump Sansa for information? Like âOh my sweet little dove. I know how much you love my son. Donât worry. Iâll help you straighten this out. You said your father wants to send you away? How? When? Whatâs the name of that ship again?â Â
And that line from Cerseiâs POV is horseshit. Cersei is a liar and regularly lies in her POV to absolve herself of responsibility and force the blame entirely on others. In this case, Cersei is acting like she didnât totally manipulate a trusting child to betray her. We also know this is a lie because Ned was the one that told her himself of his plans to reveal the invest and remove her as queen. Sansa had nothing to do with that. All Sansa did was give Cersei information that allowed Cersei the opportunity to take her hostage before the girls could leave by ship. Cerseiâs plans against Ned were already well underway. Sansa never came to her with the intent of knowingly betraying anyone, but she did have selfish reasons for going to the queen to complain in the first place. GRRM said himself that Sansa wasnât to blame for Nedâs capture or death, but she did play a role in the events that transpired. Thatâs fair. All that makes her is a kid who made a not entirely innocent mistake, but a mistake nonetheless, which she immediately learned from. Does she trust Cersei or Joffrey again? Hell no. Â
Relax, anon. Itâs fine for her to not be nice all the time. Itâs fine for her to have some realistic, garden variety flaws. Itâs one of the most universal human mistakes to fall too hard and fast for the wrong person, act the fool over them despite all the red flags, only to realize you only saw what you wanted to see in them. And Sansa learned this lesson at eleven when some adults havenât learned it at all. Relax. Sheâs a great, well-written, relatable character who has overcome most of these issues successfully. Â
tony and nat in the web of black widow#1
you were made for espionage.