Transition Records Adelaide

Record store for underground house, techno, and assorted leftfield sounds. Room 121,  33 Pirie St,   Adelaide  (1st Floor Epworth Building)

[transitionrecords]

Leipzig council approves law to abolish closing times for clubs

Last night, around 700 people showed up in front of the town hall to celebrate the decision.

Listen up Adelaide, city of music my arse.  THIS is how you incubate culture for young people and creatives.

[transitionrecords]

[transitionrecords]

Transition will be selling out of BRKLYN for a few hours on Saturday the 7th of July.  Should be good!  Hope to have a box of new stock arriving on the friday, but might be held up due to the new tax thingo. 

Keep an eye on https://www.discogs.com/seller/transition/profile    new records being listed for sale all the time.

[transitionrecords]

‘I played Berlin at 7am on Sudafed and coffee’ – the middle-aged DJs still keeping pace

Thirty years on from the second summer of love, a cohort of fiftysomething DJs are refusing to hang up their headphones, fuelled by nothing stronger than caffeine

[transitionrecords]

Ciao Ancients

Saturday, 21 April 2018 - Adelaide

Oddball House, Funky Techno

[transitionrecords]

[transitionrecords]

Background Noise: Session Victim

Session Victim share their approach to house, soul and disco music, and everything in-between.Session Victim are two dedicated diggers from the small town of Lüneburg in Germany, but they are better known for their crazy DJ and Live sets.The pair demonstrate a charming disregard for the boundaries of house music, delving and dabbling into everything from Disco to Soul to Hip Hop and back again in countless digging sessions that feed the duo’s sample based approach to production.With their third studio album just released on Delusions Of Grandeur, we caught up with the duo to find out what's been inspiring them lately.Basstarde PartyThis is the flyer for the second or third party we threw together in our hometown Lüneburg. It was set in an old ammunition factory (the building in the middle) and provided the perfect atmosphere to what we wanted to do. We had a gasoline generator and one of us would always patrol the street with a walkie talkie, so whenever the police drove by, we would shut the whole power down. Highly unprofessional as we were, we only found out the whole thing was asbestos polluted after the 3rd party. Twin PeaksYeah, Twin Peaks. We were so obsessed with it. A lot of our early jams had twin peaks names, and at one point we wanted to name the whole project Bookhouse boys. For one party, we put out five different flyers with either Josie, Shelly, Donna, Audrey or Laura on it and told everyone they get free entry if they bring all six flyers with them.Pinball Monster BashWe always have been pinballing when we need a break from the sequencer. In Kreuzberg, there are still some places with tables in good condition, in Hamburg not so much anymore - all we can do here is wait for the hype to come back. Freegoldwatch in San Francisco is the best pinball place we have been to yet, it’s right behind Amoeba records. Monster Bash is a great machine built by Williams - one of the tables we probably put the most time and money in.Akai 612This is hands down our favourite sampler. It has a few fantastic features that we have never seen on any other machine. It sounds great, feels great, looks great. We like it so much we have four of them. If you see one for sale, don’t buy it but write us a message because we still need a few more. Thanks in advance.Click ClubThis was the House music club in Hamburg where we went almost every weekend for as long as it existed. So many memorable nights there, acts like Steve Bug, Alexander Kowalski and Miss Kitten kept us on the floor for as long as it was going. Marc Schneider was our favourite resident there, dancing to his sets were one of the main reasons for us to get on the sequencer together.Session Victim are playing at Corsica Studios on Friday June 30th. Check the event here.

[transitionrecords]

[transitionrecords]

We're quietly replacing an open web that connects and empowers with one that restricts and commoditizes people. We need to stop it.

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9 Synth Artists Who Defined Eastern Europe’s Post-Soviet Sound – Telekom Electronic Beats

The Georgian DJ, promoter and label head Irakli Kiziria shares the producers pivotal to the region’s late-20th century experimental movement.

[transitionrecords]

I would like to maintain that no music is really rare these days. It is likely just a few clicks away, and if you can afford to purchase it, it is just one

[totalstasis]

stasis011 guitar by nigel lee-yang mixed by nigel lee-yang mastered by amir shoat art by thomas jeppe coming october 2017

[transitionrecords]

[transitionrecords]

[transitionrecords]

Shock As DJ Doesn't Start Own Label

The world of dance music has been thrust into disbelief this afternoon after a DJ decided against starting his own record label. Spencer Davies, a.k.a. 6th Spence, shocked his peers by claiming that he had no aspirations to become a record label owner during a conversation in the DJ booth of a local night club […]

[transitionrecords]

Crate Diggers: Inside Steffi's stunning record collection

At home with one of Berlin's finest DJs, we visit Steffi to a crash course in DJ culture, Italo disco and electro on vinyl.

[transitionrecords]

Broke(n): How Music Got Cheap

Where did all the money go? This is how music got cheap and making it got expensive.

Just play vinyl you turkeys!