Linktober 2025 Day 13: Village 🍄🍄🟫🍄🍄🟫🍄
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Aqua Utopia|海の底で記憶を紡ぐ
NASA
Sade Olutola

pixel skylines
TMBGareOK. The Official They Might Be Giants tumblr
YOU ARE THE REASON

❣ Chile in a Photography ❣

PR's Tumblrdome
The Stonewall Inn
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
RMH

roma★
No title available
hello vonnie
Phantogram Three

bliss lane
I'd rather be in outer space 🛸

Game Changer & Make Some Noise

seen from Bangladesh
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seen from United States
seen from Bangladesh

seen from Indonesia
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@tristan-no-isolde
Linktober 2025 Day 13: Village 🍄🍄🟫🍄🍄🟫🍄
Print available here!
peak dynamic
I'm struggling to find the time to relisten to Ethersea, but I urgently need to do so, because someone needs to write the essay about Ethersea being Griffin's thematic self-response to the plot and framing of Balance. someone needs to write the essay about the most criminally underdiscussed cross-campaign parallels in the entire Adventure Zone expanded universe — but my brain has fighting the whole concept of "focusing on podcasts" lately, and it's absolutely killing me.
...but that said. now that you've got me talking. the thesis of this essay would be: Ethersea, quite familiarly, is a story about travel between successive parallel worlds, following their inevitable destruction. it's a story about the survivors of one world starting a war in the next, introducing new magic that should not have been granted, and terribly fracturing that world, and life as the world's inhabitants knew it. it's about the long, drastic struggle waged by one of those godlike dimension-travelers, who could not tolerate the actions of the other travelers, and who fought a morally dubious fight in their own right, to stop the cycle from repeating.
however. unlike Balance, Ethersea is told from the perspective of the people whose world was embroiled in that war. the ordinary people, from a world destroyed by the actions of the visitors — the people who lost the only home they ever had. in Balance, it's a bit of a plot twist, but the story was secretly always from the point of view of the people who did the destroying, however accidentally — but in Ethersea, that entire frame of reference, the narrative focus itself, is flipped upon its head. the destroyers, and their guilt, are no longer central — because Ethersea is a story about the citizens of the world that was poisoned. it's a story about Amber, who remembers the surface, about Devo, who doesn't, and about Zoox, who was born from this terrible tragedy that took so much from everyone else's lives. and from this perspective shift, familiar roles are filled by much different characters — Benevolence and Koda, the warmonger and objector, are far less sympathetic, than, say, Lup and Lucretia.
that said, the circumstance of being flung into a new word for reasons beyond your control, reasons that almost resemble fate — having been so key to Balance — is still a circumstance given sympathy, primarily via Amber's ending. but the demigod position that Amber takes on is subverted heavily — it is presumed that Amber will be a destroyer like the Vestiges, and she has to actively choose not to be. in the instant she traverses the portal, she is elevated from near the bottom of the power dynamic, up to the absolute top of it, and burdened with immense responsibility to not let the cycle repeat. Amber suddenly evokes previous TAZ protagonists, whom she had previously been so different from, by landing in a position not unlike the IPRE on Faerun — and Amber's perspective shift, arriving only at the end of Ethersea, reveals in hindsight that a prior perspective shift had to happen for Ethersea to even be told, moving the spotlight to the people most affected by the destruction of their home.
it's almost as if Balance had been told from the perspective of three ordinary Faerunians, whose lives had been devastated, then reshaped, by the Relic Wars and their subsequent redaction. which, likely, wouldn't have worked for Balance, at least not without major plot structure changes — but was necessary to become the absolute foundation of Ethersea. if anything, when viewed through this lens, the two campaigns mutually enrich each other — the perspective of Balance offering a framework through which to examine the Vestiges, and the perspective of Ethersea calling retroactive attention to the ordinary people of Faerun. once you see it, you can't unsee (or, should I say, un-SEA) that Balance and Ethersea are truly just two sides of the same coin.
...okay. so it looks like I wrote that essay after all, just purely from memory. if I forgot a couple things about Ethersea or didn't explain things as clearly as I could have then, please be nice to me
When Eternity comes out I'm gonna act like it's Challengers
What if the "Cat Man" in Buffalo Hunter Hunter is the original Bram Stoker's Dracula who has been transported to North America to be interred in the frigid North.
I think the vampirism brought by the Cat Man and the way he chooses to wield his nihilistic power in opposition to Good Stab's is very representative of the colonial vs indigenous mindsets at odd in the story. The Cat Man brings an in infection from the "Old World" that Good Stab succumbs to. He betrays his people and the natural world wanting for the base desires of colonial power. The Cat Man turns Good Stab and expects him to be as nihilistic and ruthless as himself. Good Stab, despite his self-hatred for himself for what he has caused to happen, retains respect for his people and his way of life and uses that power to claw back dignity from the people killing their way of life. He gets a level a redemption in the end because he makes sacrifices to protect his people and the buffalo and the beavers and all the natural world.
Stephen Graham Jones will be like let me write a story about a man in a situation after he kills an animal he knows he shouldn’t and I eat it up every single time
I present to you the best genre of speculative fiction: "We have to deal with The Horrors while also experiencing a horrific historical event"
I'm sitting on a backlog of unposted artwork since last year, and only have recently scraped together some free time to catch up with tidbits in my to-do list! It's out of order, but I'm posting the artwork I provided @illumicrate as a bonus print for their edition of The Familiar by @lbardugo -- because it's very leafy, and I've been recently enjoying planting some new annuals for my neighborhood pollinators! A scene from early in the book with Luzia is reviving a withered grape vine as a demonstration with her singing. (captured in foil!) This was such a fun set of character designs, for two very fun characters. Luzia and Santángel are like a pair of spicy cats meeting for the first time before eventually seeking each other's warmth for naptime. Santángel especially, I wanted to capture in his expression the stirring curiosity pushing out through his exhaustive apathy. More art dumps to come!
The King of Ankh-Morpork
GUARDS! GUARDS!
Linocut, 2024
I'm a dollar late and a dollar short.
does anyone wanna hold hands until we feel a little braver
the reblog map is all of us holding hands btw
We are each other's night sky. No one is alone here.
@theshitpostcalligrapher

Got it
I love the color of this sky
Already seeing people on tiktok saying “I still hate trump but he ate with this one” like … babes … you just got propagandized … that’s literally exactly what he created this situation in the hopes you would say …
This is super important for everyone to see
The incorrect and negative beliefs we can get from years of negative feedback not knowing we have ADHD or how it affects our lives. While not everything is solely caused by ADHD, it can affect us and our comorbidities in many, many ways. Good news is, treating ADHD can do wonders for Anxiety and Depression!
The tragedy of my life is that I keep acquiring and displaying fetish art and having to be corrected by my friends.
Most recently, a friend came over my house and saw my computer background and went, "Wow, um, I didn't know you were into that." To which I look at the picture of the well drawn muscular female minotaur in historically accurate Greek clothing and I start geeking out about how I love the detail the artist did with the clothing and I point out the period appropriate folds and pins, how the artist even inserted the native plant that was used to dye the clothing this particular shade in the background, and even how the belt has technology AND historically accurate weaving patterns on it.
Then I start explaining how I love the muscular choices of the minotaur, that I was so impressed with the artist's anatomically correct depiction of the muscles converging into the neck. That many people get an upright cow's neck wrong because cow's don't have collarbones, so it can be very difficult to merge the upper arms and a chest of a human with a cow's body. I draw her attention to the beautiful way they've merged the pectoralis major so smoothly while also staying true to how muscular they've depicted the rest of the body.
I finish up with my thoughts on the artist's bold choice to depict the minotaur as a female, and despite the underlying themes of a minotaur being violence, child murder, strength, and muscles. I segue into how unlike bulls, cow are perceived as mothers. That they are the major source of milk in human culture, and that idyllic depictions of them in a field usually depict calves frolicking nearby, yet the minotaur kills and eats children.
I finish and there is a long pause.
"Urban, this is fetish art." and she takes me to the artist's twitter and god dammit it's fetish art, not a bold statement on cultural perceptions of women and violence throughout history. I have been tricked again.
tbh if they put that much thought and research into it and an unaware observer couldn't tell, is it actually fetish art? If it were actually fetish art, does that somehow preclude it from also being a commentary on women and violence?
Some of the boldest political and emotional messages I've ever seen came from straight up no nonsense porn. It's a setting that allows people to approach a major facet of the human experience without shame or obfuscation.
Keep in mind this is coming from an asexual person-- I don't think physical desire is some foundational keystone of life without which one isn't fully human. I think it's as morally neutral as hunger and thirst, and almost as impactful on all of human culture.
So why does the fetish cancel out the art?
Our tendency to dismiss anything associated with sex or the expression of sexual desire as frivelous and meaningless leads a lot of people to forget that pornographic art is still art.
The artist didn't just jerk off on the canvas and a beautiful minotaur appeared. They didn't spend hours researching greek dyemaking and bovine anatomy just because they were horny for muscular women. And their admiration for muscular women doesn't cease to be inherently transgressive of traditional and mainstream views of femininity just because they expressed that admiration in a sexual way.
Francisco Goya's The Nude Maja is a classical masterpiece that took three years to paint and is considered one of the greatest works of art ever made. [^] It's also porn. It was commissioned by a man-- the Prime Minister in fact-- to hang in a private room specifically for his nudes where he "often retired after dinner." It's believed the model depicted may have been his mistress.
In the political climate in which it was made, depicting a fully nude woman was extremely controversial (in fact it's considered one of the earliest western works to depict a woman's pubic hair without obvious negative connotations) especially because Goya painted her looking directly at the viewer, making her an active participant in an exchange of desire, rather than a passive object.
Eight years after it was finished, the Spanish Inquisition raided the Prime Minister's home, stole The Nude Maja and all his other paintings, and put Goya on trial for "moral depravity."
Goya, who had by then been rendered deaf by an unknown illness that may have been cumulative lead poisoning and was already sinking into the deep depression that marked his later years, escaped prosecution only by arguing that The Nude Maja followed in the "respectable" tradition of the classical nude [^^] , despite the fact that the full frontal nudity, pubic hair, direct stare, and the details that established the subject as a modern, living, literal woman, not a mythological figure or allegory-- the very features for which it was considered problematic-- were substantial departures from that tradition.
He could draw enough connections between it and a "respectable" painting in that genre by another lauded Spanish artist, appeasing nationalist egos and satisfying people that he was suitably reverent of the idealized past. Therefore, it wasn't porn. It was valuable, it was a classical nude.
To a modern viewer, it is in fact, more or less indistinguishable from any classical nude, despite the fact that when it was painted, anyone who saw it could have told you it was porn.
Today, The Clothed Maja, an almost identical but less risque painting which he created directly after The Nude Maja [^^^] is one of the paintings included in Animal Crossing: New Leaf.
Another painting included in New Leaf is Beauty Looking Back by Hishikawa Moronobu. It's an arch-typical example of the ukiyo-e genre. While far from all ukiyo-e art was erotic, it's not an exaggeration to say the overwhelming majority of it was, at the very least, intended to titillate.
The very name ukiyo-e associates the genre with hedonism, courtesans, brothels and pleasure districts. Beautiful courtesans were the most common subject. Nearly every ukiyo-e master produced explicitly pornographic work at some point in their careers. [^^^^] Beauty Looking Back is a pin up. It would have been recognized in the time it was created as something inherently sensual and referential towards sex, despite not being explicit.
And yet, it's "artistic value" (I do not like this term. The value of art is not and should not be quantifiable) is so unquestionable that Nintendo included it in arguably one of the most family friendly games in their notoriously, stringently family friendly catalog.
What is a fetish, if not a non-sexual element that inspires sexual desire?
What is fetish art, if not a depiction of these non-sexual elements intended, whether explicit or not, to arouse that same desire in the viewer?
What defines something as being outside the boundaries of "normal" sexual desire? Breasts aren't a reproductive organ, they're not inherently sexual. Neither is the ass. But they do inspire sexual desire, at least in those whose cultural back ground has taught them to associate those body parts with sex.
If feeling sexual desire because of anything that isn't genitalia is a fetish, then all erotic art-- from the most explicit adult films to those Levi's billboard ads where the models are doing their best not to wear the jeans they are advertising-- is fetish art.
So when did The Nude Maja and Beauty Looking Back stop being fetish art, and become art?
When does it stop being shameful to admire the beauty and technical skill of a creative work just because it's sexual in nature?
Is it just time? Or have we let ourselves be led into imagining the past was a land of chastity and virtue, its art inherently more valuable and firmly divorced from physical desire-- where men could paint tits all day and other men pay small fortunes to commission and purchase those tit paintings all without a single impure thought-- compared to which our modern age is debauched, immoral, deviant, degenerate?
If that Minotaur was hanging in a museum with a placard that said it was painted in the 1700's, would you, or your friend, still assume it was fetish art?
If you'd come across it in a context where you knew it was sexual, would you still have stopped to notice and appreciate the skill and the research put into the details?
This was a hell of a tangent, and if OP is the kind of person who notices period accurate historical details at a glance and the particulars of bovine anatomy to the degree of being able to make an educated statement about how well someone has accounted for the musculature whilst attaching a cow head to a human body-- probably none of this art history trivia is news to you.
The point is just this. Maybe you weren't "tricked" into seeing the art before the porn.
Maybe your friend was tricked by our deeply sex negative culture into only seeing the porn and missing the art entirely.
[^]: Though he's better known on tumblr for Saturn Devouring His Son, which I'm always delighted to remind people is not a name he gave it. It wasn't discovered until after his death, so we can't know for certain what he intended to depict. The greek myth of Zeus's father eating his children was a best guess and, imo, a way of sanitizing the disturbing nature of the image by framing it as part of the classical tradition of mythological art, rendering it allegorical and academic instead of horrifying and unexplained. It was not the first time Goya's work would rendered more palatable to conservative audiences by claiming it was part of classical tradition, which brings me back to Maja.
[^^]: Physically fighting the urge to add a rant here about fascism and "degenerate" art. Just go watch Jacob Gellar's "Who's Afraid Of Modern Art." He does a better job of it than I would anyway.
[^^^]: presumably also at the Prime Minister's request, with the intention they be displayed together and not, as urban legend likes to say, because the Inquisition forced him to. The concept of creating a clothed and a naked version of the subject so that the viewer can imagine undressing them is a tradition well preserved in commissioned pornographic art today.
[^^^^]: and I do not mean ~artistic nudes~ here. I mean fully explicit art created with the specific intention of being porn. Like I could not post them on tumblr without them being immediately taken down for violating community guidelines, regardless of their "artistic value" as historical works by globally recognized masters of the genre whose non explicit works are so well known and well loved they ended up in ANIMAL CROSSING.
I must see the Minotsaur art
Bless @hareofhrair for having a nice long well sourced yell there for me to just read so that the part of me that welled up yelling JUST BECAUSE IT’S FETISH ART DOESN’T MEAN ALL THAT OTHER STUFF ISN’T TRUE STAND UP AND DEFY THE MORALIST IN YOUR OWN HEAD— can be content that someone else already did it much better. A+, would reblog again.