RELENTLESS COMPROMISER @trongkientran - Tumblr Blog

Planet Earth - Episode 09 - Shallow Seas from Planet Earth on Vimeo.

This is the episode nine of popular planet earth documentary series which was created by BBC 2006. To find more planet earth video documentary series visit planetearthpedia.com

nbchannibal

Controversial dish… veal.

Delta Goodrem - Believe Again from The Gingerbread Man on Vimeo.

Winner of MTV Clip of The Year in 2008. This was a very exciting, post heavy, big budget video clip. All Production was shot in studio, and all post was done in house by The Gingerbread Man.

#god

Arca - Front Load (Official Video) from Arca on Vimeo.

“FRONT LOAD” taken from the new album MUTANT

"Jesse took one of my pomegranates for this video without asking"

MUTANT. THE ALBUM. OUT NOW: DLD: smarturl.it/ArcaMutantiTunes VINYL: arcalightbox.sandbaghq.com/arca-mutant.html CD: smarturl.it/ArcaMutantCD

LISTEN HERE: APPLE MUSIC: smarturl.it/arcamutantapplemusic SPOTIFY: smarturl.it/arcamutantspotify

Video by Jesse Kanda

arca1000000.com

thuleitalia

Mishima

dekehlmark-deactivated20151201

« Nous vous présentons une valeur qui est plus élevée que le respect de la vie. Cette valeur n'est ni la liberté ni la démocratie. Cette valeur, c'est le Japon, le pays de notre histoire et de notre tradition, c'est le Japon que nous aimons » - Yukio Mishima (14 Janvier 1925 - 25 novembre 1970).

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Yukio Mishima

truthandmovies-blog

REMEMBER WHEN PAUL SCHRADER MADE THE BEST BIOPIC OF ALL TIME?

Infamous Japanese iconoclast Yukio Mishima once said “I still have no way to survive but to keep writing one line, one more line, one more line…,” a sentiment which suggests that his eventual suicide came only once his creative resources had run dry. Yet, as Paul Schrader’s sublime film “Mishima: A Life in Four Chapters” so fluidly illustrates, Mishima ended his life with a self-administered sword thrust to the chest not because he was out of words, but rather because the page had never been a sufficient canvas for his artistic expression, or one to which he had ever intended to confine himself.

In his novel “Runaway Horses” (the second installment of the informal tetralogy referred to as “The Sea of Fertility”), Mishima articulated: “Perfect purity is possible if you turn your life into a line of poetry written with a splash of blood.” Those words ostensibly belong to the novel and not the novelist, but Mishima’s fevered yearning for a harmony between pen and sword demands that we accept the consistent ideology of his heroes as that of their creator. Whereas most authors are encouraged to write what they know, Mishima wrote who he was, assigning names to the slivers of his persona so that his novels wouldn’t read like manifestos.

READ THE FULL ARTICLE ON FILM.COM