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Color Me Curious
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@typemotion
Shout
This lyric video looks like the revival of the 80s and 90s with a combination of colorful geometric shapes, textures, patterns and different styles of typography. It's a visual chaos resulted from motion graphics experimentation like those videoclips from those decades used to be.
Credits
Direction & Animation: Frametouch Music producer: Djemba Djemba Voice: Maribelle
Best Picture Oscar Nomination Title Sequence - 2015
In 2015, The Academy Awards or Oscar exhibited a graphic project related to the presentation of the films during the movie nominees. This particular graphic package is for the nomination for the Best Picture Category and part of a series of 20 different graphic title sequence packages for each category.
The design is quite clean and bring graphic and sound elements featured in the movies and uses nice transitions between one another.
Credits
Production: Elastic Producer: Lee Lodge Direction & Design: Henry Hobson
Frank Turner - Recovery
Not one but three videoclips in one; yes, that's right. It makes me remember the game "Exquisite Corpse" but not that much. It's a videoclip full of collage, cut-out animation and lettering as the song lyrics are shown regularly. What makes it more interesting is the mix of fragmented live action scenes, different illustration styles, textures and colors in the beat of the music.
Credits:
Client: Frank Turner Production: Crush Creative Director: Carl Rush Photography Direction: Dominic JonesÂ
Stranger Things
Have you heard about Stranger Things? The latest Netflix original series that is winning fans from all over the world. If you are the generation who watched E.T., Stand By Me, The Goonies and The X-Files, you will definately love it. As the TV series, this title brings us graphics and sound elements from the 80s. It is clean, simple and as the characters are shown in pieces, the thriller mood prepares us for the movie.
For a more detailed analysis of the title sequence, please visit this article written by Sarah Gless from Nelson Cash.
Credits:
Client: Netflix Production: Imaginary Forces Executive Creative Director: Peter Frankfurt Creative Director: Michelle Dougherty Executive Producer: Ben Apley Head of Production: Tina Starkweather Producer: Dunja Vitolic Designers: Arisu Kashiwagi, My Tran, Eric Demeusy Lead Animator: Eric Demeusy Compositor: Eric Demeusy Flame Artist: Eric Mason
Havas Worldwide Paris New Year Wishes card designed by the communication and publicity company called Havas Worldwide. If you like typographic animation, this is the one to enjoy. Great timing and transitions between scenes plus metaphors were used to translate the feelings and events where they took place. The sounds put all together resulting in this awesome and ellegant animation. This kind of art and animation make me remember the titles from Saul Bass and movies like 007: Simple and refined.
Credits:
Client: Havas Worldwide Paris Agency: Ddb, Havas Worldwide Paris Creative Director: Christophe Coffre Art Director : Julien Saurin Copywriter : Nicolas Gadesaude with the participation of Nicolas Harlamoff and Patrick Issenmann TV Prod Supervisor: Virginie Meldener Production Manager : Karim Ourabah Agency Manager : Brune Buonomano -- Thierry Grouleaud
Production : QUAD Productions (Wizz) Directors: Flying V Producer : Matthieu Poirier Animation : Gary Levesque, Clément Soulmagnon, Martin Richard, Mathieu Betard Sound Production : Schmooze Producer : Matthieu Sibony Sound Design : Sylvain Rety Composer / Songwriter / Player: Simon Davies Editor : Ultraschmooze
AHS Freak Show
Who likes horror movies must watch American Horror Stories. Every season is a new story. Actors and actresses may appear in more than one season. Some stories area based in urban stories, some fictional but there are elements inspired in true events.
The titles from the "Freak Show", which is the forth season, brought us well the classic elements of old circus and specially the show of horror atmosphere. Everything is disturbing, frightening and strange as it should be. This title is the creepiest one comparing with the other seasons. It was the combination of stopmotion and CGI that made it possible to create this amazing piece of horror.
Another curiosities about the opening credits can be seen here.
Credits
Production: Prologue Creative Direction: Ryan Murphy, Kyle Cooper Art Direction & / 3D Supervision: Lee Nelson Art Direction & 2D Supervision: Nadia Tzou Music: Cesar Davila-Irizarry and Charlie Clouser
Brincante
These end titles for a Brazilian movie called Brincante was done through stopmotion. This amazing animation tecnhique matches perfectly and embraces us with a world full of textures and a few but consistent colors. The soundtrack invite us to feel a cultural and Brazilian atmosphere. Besides the detailed scenario, the storytelling of this piece of art envolves the audience with some elements from the movie in according with Lobo.Â
Credits:
Movie Year: 2014 Director: Walter Carvalho Writer: Leonardo Gudel Production: Gullane Filmes Based on piece of : Antonio NĂłbrega
Titles Year: 2013 Production: Lobo / Vetor Zero Executive Production: André Rosa Direction: Gabriel Nobrega Art Direction: Diego Coutinho Animation Direction: Lee Peffer Cenography Direction: Fabiana Fukui Post Production: Lucas Barreto & Diego Coutinho
There is Always a Way
It’s a motion piece full of rythm and lots of things happening at the same time. Sometimes you almost feel like you’re cheering for the circle to choose the right way in its path.
When I saw this animation for the first time I remembered a game I used to love at the pc which is called “TIM - The Incredible Machine” and another one from PS3 called “Ibb and Obb”. Every choice has its consequences.
Every choice, since the simple lines and shapes, smooth and synchronized movements (and sounds), and a well chosen color palette, everything plus the storytelling brings us a friendly and almost irresistible animation to enjoy.
Credits:
Script, Design and Animation: Dennis Hoogstad Music and Sound Design: Antfood Creative Development Producer: Kristin Labriola (Hornet Inc)
Graphonaute - Demo Reel 2013
Hugo Germain, Graphonaute as he is known in the internet, is an engineering student living in France and self taught digital creator. Check out his demo reel of 2013. Would you like to know more about him? Check out he in the internet: site - instagram - tumblr - behance
The Old New World
Vintage photo-based animation. Extra information: here.
Credits: Animation and Composition: Alexey Zakharov Photos: Shorpy.com Music: Al Bowlly - “Guilty”
Nightmare
Music video made for the band “The Ones You Loved”.
Credits:
Design & Animation: Joseba Elorza (MiraRuido) Song: Nightmare Client & Music: The Ones You Loved (band)
Megapix ID
This narrative identity is part of the re-design package for the channel Megapix. The full package and the concept is presented here.
CREDITS: Client: Rede Telecine Direction, Design & Animation: Beeld Production: Beeld & Telecine Audio: Bandeira 8 & Flavio Biniou (Telecine)Beeld Eduardo Tosto, Greco Bernardi, Luiz Maggessi, Marcelo MourĂŁo, Papito, Filippo Johansson, Victor Seabra, Daniel Tumati, FabrĂcio Duque, Gustavo Duval, Renan de MoraesTelecine Bernardo Bravo, Carmen Fernandes, Erica Malugani, Erico Pereira, Jeanine BrandĂŁo, Jean Gonçalves, Leonardo de Sá, Marcela Silveira, Ney Lage, Raquel Cerqueira, Renato Camilo, Thatiana Carvalho
Goutte d'Or
Credits:
Written & Directed by: Christophe Peladan Producer: Søren Fleng Co-Producer: Andé Samak Line producer: Ilan Zerrouki
Animators: Tim Allen Ludovic Berardo Brian Hansen Marjolaine Parot Christophe Peladan Florian Perinelle Dan Ramsay
Set and props builders: Erik Mogensen Charlène Barré Karen Rhode Johansson Javier Panos Freundlich Lars Kristensen MIkkel Brøns-Frandsen Guy Peladan Morten Larsen Ludovic Berardo Hanna Habermann Louise Krarup Frandsen Charlotte Hansen
Interns: Astrid Lauridsen Lisa Jørgensen
Puppet makers: Hanna Habermann Shannon O' Neill Florian Perinelle Christophe Peladan
Lighting consultant: Angela Poschet
Motion control supervisor: Sunit Parekh-Gaihede
Storyboard: Christophe Peladan Jakob Worre Foged
Background painters / Mattepainting: Joaquim Royo Morales Erik Fokkens Johan Gay Esben Jakob Sloth Marie-Louise Højer Jensen Susanne Bækby Olesen Christophe Peladan
Compositing: Ilan Zerrouki Olivier Carru Guillaume Depestèle Francis Canitrot Guillaume "Roger" Aussant Jesper Fleng Mickaël Das Nèves Mathieu Reygaerts Kitija Matisone Claudia Marvisi Margherita Clemente Tobias Gundorff Boesen Tanguy Launay
Color Grading: Antonio Lizzio
Sound Design: Tim Prebble Samuel Sené Frédéric Turban
Welcome to Firefox
The world was build by hand. Brick by brick. Page by page. Lines by lines. This video is about a community of people that collaborates to create a more personal browsing experience. Welcome to Firefox. (by Julien Vallée)
You can see the making of here.
CREDITS Client : Mozilla Firefox Agency : Mono Studio: Vallée Duhamel Directors : Julien Vallée & Eve Duhamel Assistant Director : Anabelle Berkani Production Manager : Inès Steinmetzer Coordinator : Faye Duhamel DOP : SPG Art Director : Louisa Schabas Art Department : Alex Hercule, Catherine Portvin, Antonin Sorel, Frédéric Bouin, Simon Besré, Ismael Tremblay Prop : Carl Pépin Hair and Make-up Artist : Léonie Lévesque Stylist : Very Much Choreographer : Steve Bolton Talents: David Prévost, Frantz, Ollie Brown, Daniel Savard, Duc Linh, Nadine Gonzalez, Samantha Filleti Post-production & Color grading: The Workshop Music : XS Music
STATE Design - Reel 2014
Check the full portfolio at statedesign.tv.
A Guide To Happy "A Guide To Happy combines irreverent imagery, edible colours and a friendlier way to feel good." (Panoply)
Credits:
Concept, Design & Direction: Panoply Creative Directors: Renaud Futterer & Mark Lindner Script & Concept Development: Will Jarvis Audio: Echolab Voice: Jon Hillcock
Viacom Screens
Animated Loops created for VIACOM to celebrate the spring in New York, an invitation to the citizens to enjoy this season.
Music: "I'd rather dance with you" by Kings of Convenience, only used for this reel and with no commercial purposes.
Credits Directed by: Plenty Creative Direction: Pablo Alfieri Art & Motion Director: Elda Broglio Executive Producer: Inés Palmas Producer: Clara Etcheverry
TRAIN Illustration, Character Design & Cell Animation: Mau Lencinas Compositing: Edgardo LĂłpez Osornio
BIKE Illustration & Character Design: Pablo Alfieri & Mau Lencinas Animation: Juan Casal Compositing: Mariano FarĂas & MatĂas Mastrogiano
GROCERY Illustration & Character Design: Elda Broglio Animation: Ezequiel Torres Compositing: Mariano FarĂas & MatĂas Mastrogiano
ROWING Illustration & Character Design: Carolina Carballo Animation: Carmen Angelillo Compositing: Edgardo LĂłpez Osornio
LAKE Illustration & Character Design: Mau Lencinas Animation: Patricio Molina Compositing: Edgardo LĂłpez Osornio
PICNIC Illustration & Character Design: Mau Lencinas Animation: Pato Molina Compositing: Edgardo LĂłpez Osornio
COFFEE Illustration & Character Design: Elda Broglio Animation: Sergio "Kechu" Slepczuk Compositing: Edgardo LĂłpez Osornio
WINDOW Illustration & Character Design: Elda Broglio Animation: Luis Suárez Compositing: Edgardo López Osornio
Year: 2015
Client: Viacom SVP Brand Strategy & Creative: Cheryl Family Executive Producer: Matt Herron Director, Screen Content: Matt Hanson Supervising Sound Editor: Andrew Pomeroy Sound Designer: David Nazario Creative director: Matt Hanson