strange overtones

🆑🆑🆑

[lilymarc]

photo by Byron Newman, Ultimate Angels

[mademoiselleclipon]

Race Willard

[happy-on-the-inside]

[sentimental-obsessions]

Untitled 1976-, (1976–) by Bill Henson

[germanpostwarmodern]

Bourse du Travail (1974-78) in Bobigny, France, by Oscar Niemeyer

[archivings]

Courreges Fall/Winter 1996

[jimlovesart-deactivated20190109]

Adam Fuss - untitled (Calla Lily), 1992. 

[alighthouseofwords]

The French called this time of day “l’heure bleue.” To the English it was “the gloaming.” The very word “gloaming” reverberates, echoes—the gloaming, the glimmer, the glitter, the glisten, the glamour—carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, an apprehension of illness, at the moment you first notice: the blue light is going, the days are already shortening, the summer is gone.

Joan Didion, Blue Nights, 2011. (via vervediary)

[trend-spotting]

[fashionarmies]

‘Color Crush’ Lala Lauren Tsai by Sangmi An for Marie Claire Korea December 2017.

[driflloon]

miguel androver fw12

[lilymarc]

🌐🌐🌐 with my angels @lindangocnguyen @theabebe @tlc.thealindacollab @yingcaicaicai #tlc #tlcthealindacollab #carlylimmakeup #makeup #makeupyourmind #fun #beauty #fashion #comb #myartistcommunity

[fashionarmies]

‘Color Crush’ Lala Lauren Tsai by Sangmi An for Marie Claire Korea December 2017.

[jinxproof]

Jenny Shimizu (1995) | ph. Ellen von Unwerth

[jaditorial-deactivated20171217]

[fashionarmies]

‘Night Affair’ Sijia Kang by Nam Jiang for L'Officiel China June 2017.

[sing-and-play]

Faye Wong, 1993