consummation

where must we go, we who wander this wasteland, in search of our better selves.

[madeline-kahn]

We love you

Okja (2017) dir. Bong Joon-ho

[denisvilleneuve]

The Handmaiden (2016) dir. Park Chan-wook

[fl0rencepugh]

[zacksnyder]

Let’s cut the crap, shall we?

[bbuchanann]

[ferretfyre]

Academy Award for Best Supporting Actress:

85. Lupita Nyong’o // 12 Years a Slave (2013, Steve McQueen)

“Mistress Epps won’t even grant me no soap ta clean with. Stink so much I make myself gag. Five hundred pounds ‘a cotton day in, day out. More than any man here. And ‘fo that I will be clean; that all I ask.”

[nicolaswindingrefns]

Oscar Isaac in ‘Drive’, 2011.

[gaelgarcia]

Dunkirk (2017) dir. Christopher Nolan

[greenzara123]

CAROL

[vivienvalentino]

[dianaprincesource]

I could have saved them.

[cinemagal]

There’s no hiding from this, son. We have a job to do. If we go back there we’ll die  - Dunkirk (2017)

[gael-garcia]

Mahershala Ali photographed by Peggy Sirota for GQ 

He converted to Islam in 1999, after attending a mosque with his future wife. His faith, he says, has helped him become a better actor: “It benefits me from the standpoint of really creating empathy for these characters that I try to embody, other human beings with issues as deep and personal as my own. Because of Islam, I am acutely aware that I am a work in progress.” The daily practice of the religion, he says, “puts a healthy pressure on you to be your best self, beginning with your own spirit and how that feeds into your actions.”

[jodiecomer]

“The long take, far more common in art house cinema, also has the effect that it allows the viewer to recognize himself in relation to the film. In other words, rather than ‘getting lost in the plot’, the viewer becomes increasingly aware of his role as a spectator.” +

[mancandykings]

Tom Holland for GQ UK Magazine (July 2017)

[bubbagumps]

► film meme ➥ [¾] upcoming films ✖ hidden figures (dir. theodore melfi)

[amatteroftiming-deactivated2017]

We’ve developed a code so that we can communicate with each other, even in front of the others, without them knowing what we are saying. When we turn our heads to the left, it means, “I love you more than anything in the world.” And when we turn our heads to the right, it means, “Watch out, we’re in danger.” We had to be very careful in the beginning not to mix up “I love you more than anything in the world” with “Watch out, we’re in danger.” The Lobster | Yorgos Lanthimos, 2015