THE OTHER BENNET SISTER (2026)

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@valdara
THE OTHER BENNET SISTER (2026)
I think the way to write really common tropes in a way so they don't feel tired is to treat them as a fan fiction AU. Yes, it's a coffee shop, everyone knows the coffee shop, but how does The Character operate in the coffee shop.
Let's take the common Person Falls, Is Caught in Arms, They Look at Each Other trope. The most memorable take I've seen on this one is Character A was carrying a musical instrument and Character B caught the instrument and let A fall (A's easier to repair). Is Character B too slow or weak to catch the other person (do they hate that about themselves)? Do they even care; do they watch them fall, bemused? Do they catch with reflexes, see the other person and then purposefully drop them? Then Character A, did they slip out of clumsiness, manipulation or because of a trap? Are they embarrassed to be in a vulnerable position? Do they act pitiful for more sympathy? What is the contrast? Would A catch a possible Character C differently?
So because I'm an Austen blog, for example!
Anne Elliot of Persuasion stumbles because she's tired from the long walk, Captain Wentworth catches her because even when he's pretending not to pay attention, he's really focused on her. He catches her, for one moment they are in the past again, and it's alright to hold her in his arms, but then he comes back to the present. His expression goes cold. He sets her upright and walks away without looking at her again. Anne is left there, feeling that though he still doesn't want her to be hurt, the past can never return.
Edward Ferrars of Sense & Sensibility catches Lucy Steele, but of course she fell into him on purpose. She smiles shyly at him while in his arms. He blushes. He helps her stand and then notices her clothes are askew, but clenches his hands awkwardly. It's not proper to touch her again. He can't figure out what to say. Then she tries to walk and cries out in pain. He quickly offers her his arm. She smiles slyly at the camera...
Caroline Bingley of Pride & Prejudice wants to be viewed as graceful, so no, the slip wasn't on purpose, but when it happened she tried to make the most of it. Unfortunately Darcy was surgical in his precision, he caught her and set her upright, no chance for gazing lovingly into each other's eyes. What a shame! When Elizabeth, flustered to be found at Pemberley and struggling to find a safe subject of conversation, tripped on a tree root, he somehow couldn't help himself from stealing a moment with her in his arms...
Henry Tilney of Northanger Abbey would catch Catherine Moreland, be sure she wasn't sneaky enough to do it on purpose, and then make a quip about how cliche they were being. Catherine would be in awe.
I'm convinced that people don't actually hate tropes, what they hate is when the trope doesn't feel like The Character. When it feels like a trope was just thrown in because This is a RomanceTM, or whatever, instead of carefully considering how The Character would react. When used correctly, a trope can give a ton of characterization in a single moment. When used incorrectly, when The Character doesn't do it in their own unique way, it feels forced and tired.
I have always loved you from the very first time I caught you playing graces on your own when you thought no one was at home.
Imagine being the only person alive who can say this
buzz aldrin and neil armstrong liked to do a thing where they’d tell unfunny jokes at parties about being on the moon and when people were confused they’d go “guess you had to have been there”
People who say “ooo Mary Bennet has a victims complex and is a snob” I want to respond to like “damn you wanna brag so bad to the rest of us about how you didn’t have your personality and hope ground down within an inch of your life at age 3 due to uncontrollable life circumstances in a restricted society that devalues everything you are to your face with no proper caring mentor or guidance till reaching the legal age of adulthood, ooo you want a cookie for being sooooo well adjusted.”
yall gotta learn the difference between "this character is an asshole" and "this character was supposed to be super cool but the author is an asshole" and "this character is a teenage girl who was mean once"
The Heart of Miss Mary Bennet | The Other Bennet Sister
MY DEAR TUMBLR USERS!!
WONDERFUL NEWS!!
NETHERFIELD PARK IS LET AT LAST!!!
What a wonderful thing for our girls!!!
How so? How can it affect them? 🤨
My dear Merian! You must know I am thinking of his reblogging from one of them!
Is that his design in blogging here?
Design? nonsense, how can you write so! But it is very likely that he may reblog from one of them, and therefore you must follow him as soon as his blog is online.
I see no occasion for that. You and the girls may follow him, or they may follow him by themselves, which perhaps will be still better for them, for as you are as clever as any of them he might reblog most from you of the party.
My dear, you flatter me. I certainly HAVE had my share of cleverness, but I do not pretend to be anything extraordinary now. When a woman has five grown-up mutuals, she ought to give over thinking of her own reblog counts.
In such cases, a woman has not often much of a reblog count to think of.
Dónal Finn as Tom Hayward in The Other Bennet Sister, ep. 3
TOBS is not a P&P Adaptation
I saw a post that was doing a side-by-side comparison about characters from the 2005 P&P adaptation and the same characters from TOBS, talking about how different they were. It frustrates me how people think the characterizations should be the same as what is found in P&P and anything different from that is anathema.
I want to start with the title: TOBS is not a P&P adaptation. It's a complete re-writing of the story from a different perspective.
P&P is narrated from Lizzie's perspective (through a third person limited voice, focalized entirely on Lizzie at least from the Meryton Assembly on), and we all know Lizzie is not a perfectly reliable narrator. That's the point of the book, how her perspective changes from the beginning to the end, how her snap judgements on the limited information that she has leads her astray, and we as readers are right there beside her.
Her perspective of and relationship to the characters around her along with her reactions to events she learns about and experiences is what is written in the book. The movies/miniseries have cut scenes to events Lizzie doesn't experience, but those is not in the book. Those are made up by adapters filling in blanks based on their interpretation of the events Lizzie learns about or experiences.
The first part of TOBS (first 1/3 of the book, 2 eps of the series) is the same events and characters, told through a third person limited voice, but focalized entirely on Mary. Mary's relationships with and perspective of these characters is going to be entirely different than Lizzie's, because they are different people with different experiences and ways of relating. It's entirely possible that Lizzie's ideas about who was the favorite child is false, that Lizzie's perspective of Mary is limited to an older sister's interpretations of a younger sister's behavior without actually knowing anything about her internal world. Saying "Mary (or anyone else) isn't like that because JA said so!" isn't true. "Lizzie doesn't think they are like that!" would be a truer statement. And Lizzie can be wrong!
I know my sister and I may have had the same person as our mother, but we had two entirely different experiences of being mothered. I'm willing to accept that premise for the Bennet sisters, as well. I mean, can you imagine P&P focalized on Lydia and how different the characters would seem? Focalized on Lady Catherine? Focalized on Wickham? Different people will narrate the same events drastically differently based on their own personal experiences. These are the writer's thoughts on how Mary might have experienced those characters as opposed Lizzie. In that way, I super appreciate the differences and the similarities to the characterizations between different books and shows, because it tells a more interesting story about who Lizzie and Mary are than about who the other characters are.
Now, as for Mary, she is also wrong about a lot of things, a very unreliable narrator in the book. She gets to experience more growth as a person, in her internal world, in the book than in the series, which is an artifact of the medium. In the series it is very hard to show her thoughts changing and the occasional voice-over isn't enough. The show is third-person, but not limited or focalized, because we as viewers can see and notice things happening that Mary doesn't notice, and we're not seeing Mary's interpretations of events but the events themselves. It's a different medium, a different lens both figuratively and literally.
As a visual medium, the show can only show her behavior changing, through her different clothes, different posture (Brucolleri talked in interviews about how she tightened and loosened the stays she was wearing to change her posture throughout the show), standing up to her mother, standing up to Tom, things she would not have done in the first five episodes, or perhaps even the first eight or nine episodes. It couldn't take us on the thoughtful journey (again, both figuratively and literally) she went on in the book, so it changed the order of events, added characters (Oh, Ann, whoof those choices. The casting is both brilliant for matching incredible actors to the characters and a nightmare for representation/misogynist tropes/racism), gave lines to different people, and generally tried to bring in the spirit more than the letter of the book.
Is the show a product of perfect writing with Mary a perfect character with a perfect arc and Tom the perfect man? Hell no. I appreciate the TOBS series for what it is, and I acknowledge its flaws. I have my critiques of the show's writing and changes from the book, and I have read some very good ones that I both agree and disagree with, but the "TOBS characters aren't like the P&P characters!" is the least interesting criticism possible, and I'm tired of it coming back over and over and over, especially by people pulling from adaptations (where they already are interpretations and not like the characters in the book) rather than the book itself.
The Other Bennet Sister (2026)
The Other Bennet Sister - Chapter 8
MARY BENNET & TOM HAYWARD ❤️
↳ THE OTHER BENNET SISTER | 1.04 “Chapter 4”
THE OTHER BENNET SISTER 1.09 'Chapter 9' (2026)
i just love them
“I shall be sure to tell her that, for she has wondered many times today what your true feelings were.” - Mary Bennet
"The eye, it cannot choose but see; We cannot bid the ear be still; Our bodies feel, where'er they be, Against or with our will."