[goodfortuneforever-deactivated2]

My 5 year plan .. being dope .. having fun .. chilling .. smiling

[moon111111]

[rexalogy]

robert pütz - building a rainbow

1972

[valzah]

Re-reading tgcf for the fourth time and I’m at the fourth book and I truly don’t think I can do it like I just can’t

[giveherswords]

WHAT A SHOCK WHEN THEY TELL YOU IT WON'T HURT AND YOU ALMOST TURN INSIDE OUT WHEN THEY BEGIN.

The Living Series, Jenny Holzer, 1989

[urgetocreate]

Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration

[giantleopardmoth]

Black witch moth, Ascalapha odorata

[cutecipher]

how it feels to be stressed out almost 100% of the time

[contemptible-scoundrel]

[doesn't understand jacking off] and I'm supposed to... touch my penis? [shaking my head and smiling, murmuring to myself] touching my own penis... [chuckles] what will they come up with next

[libro-de-libra]

[witchinghour]

The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid

“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON

[blxxdlxver]

you look good with blood on you what are your pronouns

[lesbx]

you guys are posting too loud you woke her up

[zendeyas]

Zendaya wearing MATIERES – New York premiere of The Odyssey

[lamignonette]

[itsmissing]

ice cream truck blasting gymnopedie no. 1 while a bunch of really forlorn children chase after it

[dykecatboy]

Do you guys like my picmixes