EXPECTATIONS
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let's talk about Bridgerton tea, my ask is open

#extradirty
occasionally subtle
The Bowery Presents
taylor price
YOU ARE THE REASON
Not today Justin

❣ Chile in a Photography ❣

izzy's playlists!

Andulka

Game Changer & Make Some Noise

Product Placement
Show & Tell

bliss lane

tannertan36
Cosmic Funnies
2025 on Tumblr: Trends That Defined the Year

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@vapeure
Maurits Cornelis Escher , Fluorescent Sea
Anne De Gelas au Trinkhall museum, 12 natures mortes, Polaroïd contrecollé sur bois.
Shadow Series, Photo by Arthur Tress, 1974
Sun Center by Ingo Swann (1975)
take me to heaven | víctor m. alonso
Josef Strau Tears and New Tears Greene Naftali, New York March 8 – April 14, 2018
a viewing tower for fish made with an old fish tank and a couple of cinder blocks
Whenever I see these ‘observation towers’ they’re always jam packed with fish. Do fish just enjoy being able to see over the regular water level that much? Is this a good method of enrichment for fish?
If you could hang out in space, wouldn’t you???
Masaaki Miyazawa - 宮澤正明 Awakening Sounds if Insight, May 11, 1984
Kaoru Ueda — Spoon and Cherry (oil on canvas, 1978)
Jumy-M In a Bad Mood / フェンスの向こうのヨコハマ
[Image: Tweet by Emily Mullin (@EmilyLMullin) and tweet by Isobelle Winter (@IsobelleWinter), both about the dangers of Facebook’s new preventative health screening tool. Images have been modified for visual ease but information has not been changed.]
Something to know about Facebook’s new “screening tool,” and advice/info that can most certainly be used outside of this specific situation.
For spoonies, the biggest deal is how this data, if leaked, could affect you in professional and insurance spheres.
Here’s Emily’s full thread, which discusses the details of the tool, and here’s Isobelle’s full thread, which extrapolates on specific dangers.
In the end? It’s another data grab. Data is worth money; don’t give yours away, especially not to Facebook.
PLEASE SIGNAL BOOST this shit is scary.
風を綯う日々-ねじ曲げられるもの The Days of Twining Wind-Things can be bent ed/50 59.5 x 45.0cm 2005年 林孝彦 Takahiko Hayashi copperplate print with chine collé( etching)
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