â My eyes are damp from the words you left, ringing in my head. â
FULL NAME: VERONIQUE MOREAU
AGE: TWENTY FOUR YEARS OLD
OCCUPATION: DIVINER AND MUGGLEÂ âFORTUNE TELLERâ
Paris in the 1920s was the stuff of dreams. The Golden Age. Perhaps that was what made it so fitting for the golden girl to be born there; Veronique Moreau, beautiful even as a screaming newborn, was welcomed into a small family in Montparnasse, on the Left Bank of the River Seine where bohemia reigned. Her parents raised their little girl in the midst of this lifestyle, each night spent at dinner parties and and walking the streets of Paris in midnight, singing about life and love and everything in between. Veronique was surrounded by magic at all turns, and not just from the Wizarding World; to be in the same vicinity as people such as Zola, Manet, Degasââ it would have been blind for her parents to have shielded from the art that was being created in her midst, and so she grew up with one foot in the Muggle World and the other in the Wizarding World. This was only made further by her mother, who worked as what the Muggles called a âfortune tellerâ, a âpsychicâ, who would use her natural flair for Divination to read palms and tea leaves for money. They lived hand to mouth, struggling artists, but Veronique loved every second of it, moving from place to place and watching her mother bewitch people with her charms. Her golden hair would fly as she ran through the streets with her younger brother, Auguste, musicians situated on the corners who would play their sad, sad songs for them and bring her to tears, staining her beautiful skin as her heart wept for them. Things couldnât have been better for the girl who lived with her heart on her sleeve and glitter in her hair.
Life has been so good to her in Montparnasse, she didnât quite want to leave when she reached the age to attend Beauxbatons. Why would she, when she had everything she could have wanted right there? She didnât need a home, nor did she need education, not when she had a life here. At Beauxbatons, Veronique could immediately tell that she would not fit in; she hated the regiment and schedule of the school, she hated the strict rules and the lack of creativity. She hated having to act like an obedient little girl, crossing her ankles when she sat and being reprimanded when her hair became dishevelled, the ribbons trailing down her back. She couldnât help that she was so animated, so adventurous, that the pristine and delicate life she lived in Beauxbatons was simply not enough. The only part of the school she loved, more than anything, was when she met Natasha Rybakova, the dark haired girl with the soulful brown eyes and the thick accented French, betraying her roots in Russia. The two quickly became inseparable, causing mischief wherever they went and giggling into the late night. Natasha was her constant, and it caused her heartbreak when she announced that she would be returning to Russia once they graduated from Beauxbatons. Veronique felt like a part of her had left her soul, but she plastered a smile on her face, even when she found herself watching her best friend marry a man who was a monster. Natashaâs grandmother had approached her, telling her about Mikhail Dolohov, and it had shocked Veronique, knowing she had lost her sister to a beast.
Returning to Paris, she had pushed herself to move on, to keep herself going despite the hurt in her heart. She pushed herself into her studies of Divination; while Veronique did not possess the Sight, not in the slightest, she could learn. She excelled in Tessomancy, reading tea leaves, and began to make a life out of moving from street to street, usually attracting Muggles who were taken in by her otherworldly presence, slipping into her character so easily it became a second skin. Sheâd even began dabbling in Crystal-gazing, which seemed to earn the most for her. Veronique enjoyed the life she had created, enjoying being driftless, a free spirit with nothing to hold her down or keep her. She wasnât made to be restrained, wasnât made for the mundane life others led; she was a wanderess, a lone piece of starlight, shining too hot to be held. That was what made it so much more frightening when she looked into the eyes of one of her Muggle customers, a man so out of place in her world he stuck out as if he were for her alone, and found herself unable to breathe. He had been drawn to her, he said, spotting her in the streets and finding himself unable to keep from moving towards her, worshipping her in his gaze. His name was Richard, and the two fell into a love affair that left Veronique breathless, her adoration and hunger for him refusing to die, despite the long hours they would spend together, never getting enough of one another. He loved the fact that she was so strange, that she wasnât of his world. In the small hours, Veronique could imagine a life for them, something like a dream.Â
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That dream never came to be. Grindelwald had made sure of that. He had moved to France swiftly through his conquering of several European countries, coming closer and closer West; Veronique was caught in the middle of both the Dark Arts beginning to threaten her, and the fear of Hitler growing closer, Richard signing on to head to the Western Front despite her pleas. He had been on leave, a small piece of time they could spend in their bliss, when Grindelwald had attacked their town, ordering his followers to find every Muggle and end their lives. She had tried to fight back, had tried so hard, but it hadnât been enough; sheâd been left holding Richardâs body in her arms, her tears mingling with his, stuttering through any spells she could think of to save him. She did the only thing she could do, apparating as far as she could manage. This led her to the middle of London, a place Grindelwald had yet to reach, and she dragged his body through the streets, screaming for help. It was a Healer, Maya Sarr, who found her, and tried to save the dying man who clung to the blonde, muttering his love for her. However, it was too late. The damage was done. Veronique spent the night lying next to his corpse, her mind numb and hazed, hearing the jabbering English her that she didnât understand and the cold hands of someone trying to seperate her from Richard. No, she fought back. However, she wasnât strong enough, and she had been left alone to drown in her sorrow and her loneliness. Somehow, there had been something, something so small, that had kept her fighting.
It has been two years since she has found herself in London, and life has slowly resembled something that can be described as ânormal.â Veronique returned to her line of work, opening her fortune-telling business in the midst of the city, attracting both Muggles and wizards alike. The first day had been difficult; the first time a Muggle man had approached her, so very like the way Richard had, sheâd had to mutter through his tea leaves, tears streaming down her cheeks as she refused to look at him for fear of seeing those same beautiful eyes. The silver lining has been finding Natasha again, her dear friend, and letting her help her through the grief. Seeing her again is as if they had never left one another, even if it means having to spend time with the dangerous Dolohov brothers, too, considering they flock about her like bodyguards. However, as long as she focuses on her friend, she doesnât mind, letting her laughter and kindness light Veronique up once more as if they were thirteen years old again. Having experienced firsthand the terror that Grindelwald has inflicted on people, Veronique has a deep hatred for those who support him, and tends to avoid them. When she does find herself in a room with them, it only takes a few words from them before she is unable to hold her tongue and lashing out at them, usually in quick French. While she keeps herself out of violence and duels, having always been against it, she is more than willing to support those who do want to defeat Grindelwald and would be willing to join the fight if necessary. Not just for herself, but for Richard.
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DAMIAN VULCHANOV ⥠Brother. Veronique had never been particularly close to her brother growing up; she had enjoyed playing with him when he was very young, pretending to be gods and goddesses and using their natural liking for Divination to spook their peers. However, as they grew older, they grew apart from one another, and eventually lost contact entirely. When she opened the Daily Prophet to see him, under the guise of another name, as part of the National Quidditch Team, she was shocked and confused as to what could have led him here. At first it didnât seem possible, but she would recognise his face anywhere. They havenât seen one another in years, but Veronique wants to build her relationship with him once more, in the wake of knowing how much they need each other.Â
NATASHA RYBAKOVA & MAYA SARR ⥠Close friends. Veronique and Natasha have been as close as sisters since they were children, and their bond has never faltered, despite the distance between them. She considers Natasha the other piece of her, and would do anything for her, even through the darkest periods of her life. Maya has been a source of comfort in the aftermath of losing Richard, having seen her in her lowest and most vulnerable moment when she arrived in London, and Veronique canât put into words how grateful she is for Mayaâs attempt at saving her. In this period of her life, her friends are the most important thing to her, and the thought of losing them too is enough to make her heart falter and crumble in agony.
ELEAZAR YAXLEY âĄÂ Customer/acquaintance. The first time that he had walked into her makeshift shop and asked to have his future told to him, Veronique had almost Hexed him, she was so furious to find a fervent Pureblood and Grindelwald supporter in her midst. Her anger could not be contained, and so she had ordered him to leave. To her horror, he seemed to have taken this as an invitation to continue coming back and speaking to her, trying to sweet-talk her and understand her, telling her heâs not like the rest. Veronique is not a fool, and she refuses to allow herself to be treated as if she will bend under his will. She tells his fortune, reading his palm and his tea leaves and telling him everything she wants, but nothing more. To her, pretty words mean nothing. The word is in the deed.
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this character is currently TAKEN.