Antoni Zdebiak
http://www.bialo-czerwona.pl/index.php?a=bw&id=pw&e=3&idw=203

Product Placement

Andulka
$LAYYYTER

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ellievsbear
will byers stan first human second
Jules of Nature
TVSTRANGERTHINGS

pixel skylines
styofa doing anything
Today's Document

JVL
Game of Thrones Daily
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"
No title available

#extradirty

if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day

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seen from Italy
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@victimrosi
Antoni Zdebiak
http://www.bialo-czerwona.pl/index.php?a=bw&id=pw&e=3&idw=203
Martin Margiela from La Force de L’art 11. Grand Palais
Alexander McQueen F/W 2006/07 ‘The Widows of Culloden’
Lygia Clark, Dialogue: Goggles, (1968)
In keeping with her experimentation with therelationship between the artist, the artwork and the audience/participant, Clark fabricated a pair of goggles that restrict the visual field of the participants and force an eye-to-eye exchange through a series of mirrors that distort their vision. In this piece, Clark merges concrete examples of performance, interactivity and dialogism. For Clark, the object becomes “a mere vehicle for bodily experience and exists only in relation to the body that holds (or interacts) with it.”
the Metamorphosis - Franz Kafka
Channeling Gregor Samsa
selfportrait by Alexei Siozov
Photography by _marcelsiebert
Hermès Kelly bag customized by Jun Takahashi
comme des garçons wool maxi dress
A Serbian boy outside his home in Velika Hoča enclave, Kosovo
🏄
Doug Aitkin’s mirage house, photographed by Ashley Cho
Shhh… (at Dean & DeLuca - Georgetown)
Overcoat impermeabile, Nautica; dolcevita beige, Carol Christian Poell; jersey top, Nike; black pants, Voyage. Cintura David Saity, NYC; stivali Cesare Paciotti
Vogue, 1997