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ampervadasz

morsuna-deactivated20230116

this is like how a dream feels

victorarriojas

Jajajjajajajajaj a que es esto

lesbianlinkle-moved

What ARE Vanishing Points?

So I feel like a lot of confusion with drawing in perspective is because people are not taught the absolute basics properly? So let’s do that.

Let’s say we have a cube.

Now, a cube we know is made out of 6 squares or rectangles, and every edge is at a 90 degree angle.

so every opposite edge of a cube is exactly parallel, right?

but let’s say we draw a cube using only parallel lines:

this looks a little weird, you know? Like if i try think of this as an object in 3d space and i look at it for too long, the faces start to look really warped - with like the back looking bigger than the front as if its been made out of weird wonky trapeziums

so what’s going on here? if all those edges are exactly parallel, why does it look weird?

lets take a look at this photo of a railway track

Now we know that the rails on a track are always going to be parallel, they have to be the same distance apart so the train can stay on the track yeah?

But we can very clearly see that these tracks are converging to a single point in the photo.

So what does this tell us, exactly? That our view of the world is naturally warped, and that lines that are physically parallel when drawn in perspective will converge to a single point.

Now, I could call this image “one point perspective” - but that’s not really true,

if these lines are also parallel, then they must also converge to a single point in perspective, right? so lets add another point

clip studio paint automatically adjusts the horizon line to fit the new points you add to your perspective…. notice how the horizon line actually fits the photo better now?

our new point is a very very long way away, so we don’t notice a lot of difference in the angle between lines, but the point that i’m trying to make here is:

Drawing with perspective guides is not about choosing one, two, three point perspective etc. those are just quick ways to set up a certain viewing angle

What you are doing when you use these guides is making your parallel lines converge to a point.

So, if you want to draw a big ol’ cube that’s aligned to be parallel with these railroad tracks, then you can do that with the same point as the tracks - because it’s parallel. It’s on the same axis!

but what if you want to draw a cube that’s rotated, and isn’t parallel to the tracks?

well that’s not too difficult to do if you know that every point represents one set of parallel lines.

If these lines aren’t parallel to the ones you already have, then clearly you just need new points.

We’re not planning to tilt this cube up into the air, or rotate it onto its side, so we’re going to leave the vertical axis alone, and just move our horizontal points to a different place on the horizon line

But speaking of the vertical axis - the only points that will be on your horizon line are the ones that are flat on the ground. But you can still have points that are not on the horizon line!

This is important to remember because if you’re trying to draw something like a slope or stairs, something that has an incline, it’s not going to be level with your horizon.

Let’s draw some stairs as an example.

This is actually pretty simple - first draw where your slope starts and ends by drawing a big L shape.

this will give you some parallel corners, which you can then connect to make a new point for your slope

And with this you can then find the centre and divide that up into equal parts to make your stairs (http://lesbianlinkle.tumblr.com/post/176704472820)

So lets go back to our original cube, with the knowledge that our parallel lines should all converge to a point and draw it again

well, doesn’t that look better!

but also, now you know how to make a cube lean against its buddy like this

because we just make new points for the new parallel lines

Anyway I hope that clears some things up, and makes perspective easier to understand!

Also if these tutorials have been helpful and you’d like to support me, I do have a patreon & a ko-fi you can donate to :^)

helpfulharrie

I’ve noticed a fair few people expressing that they didnt understand this post, and I tried to like explain more but actually after writing for a while I realised more words are probably not going to help is the thing about it.

So! If you don’t understand this post:

1. First the main takeaway here is: Vanishing points represent parallel lines.

that’s it. If that’s all you remember, you have 99% of the post.

2. I recommend bookmarking this post so you can revisit it and reread it a few times, with any advanced concept relating to art just reading about it isn’t going to get it to sink in. You’ll need to experiment and reread it to fully understand it!

3. Speaking of, here is an exercise you can do that I think might help clarify this post.

Take a look at some photos of architecture, and look for the parallel lines. Actually draw them on top of the photos!

I recommend especially using a program like CSP that lets you set up perspective rulers, so you can see the vanishing points

or you can just make the canvas really big

Anyway! Here’s an image to get you started:

or go out and take some photos of your own and/or have a look on google! Do this a few times with a few different photos, then try drawing some architecture.

just drop the opacity and look for the parallel lines in the architecture.

chrisriddellblog

Instructions by Neil Gaiman

minc3meat-blog

bulbasaur-propaganda

Artist ふむな draws and imagines her life with her starter in an adorable comics.

waneella

Hi!

Just wanted to remind that you can support me on my patreon: https://www.patreon.com/waneella

I post processes of making GIFs there, hi-res wallpapers and also try to make streams sometimes (not very succesful, but still). Thinking about making tiny tutorials.

Beside this, I have twitter, instagram and redbubble accounts (in case you don’t know).

Thank you for staying with me!

❤

cursedimages

commodorecliche

soup-erb

How do I get my art noticed online; A simple guide based on what I have experienced.

This is one of my most asked questions so I am going to try and offer what advice I can. It certainly did not make any sense to me years ago and I would have liked a bit of help.

To preface this entire guide will be from the perspective of an artist attracting an audience for their work that is interested in buying and supporting their art.

Understanding and reaching the audience.

These are the people you want to see your work. If you are trying to create something commercially viable you must always keep the audience in mind. What matters to you is often lost on them and it is easy to lose track of that when you are emotionally involved in your work.

Everything I discuss from here on is centred around the audience and how they will potentially regard you and your artwork.

1. Time does not matter to the audience.

I see this brought up a lot. “I worked very hard for a long time on my art, someone else did not, why don’t people appreciate that.”

To be incredibly blunt, why should they? Two artists create two similar pieces of work. One took 3 days, one took 3 hours. Both are at the same technical level and a similar concept. Why should one be “worth” anything more to the audience, who only sees the end result.

Time rarely matters to the audience. An audience with no art background of any kind will find it very hard to judge how long someone spent on a piece of art (especially digital art) unless-

It’s very clear. A huge traditional painting for example, with something for scale. A linked video showing the process.

The artist states the time taken somewhere. Again, this is only really going to matter to the audience if it surprises them or justifies their own assumptions about the work. (It looks good, but they work quickly, how do they do it!)

I know there will be exceptions. People who really appreciate art will understand and recognise the time taken to create it. You aren’t leaving your success to exceptions though. You need to work with the majority.

Taking a long time to produce a piece of work only really informs your potential audience that they are going to have to wait a while to receive the content. If the work or the concept behind it are strong enough this is not a problem. It hurts an unknown artist trying to establish themselves though for the following reasons…

2. Your upload schedule.

People like consistency and the best way to capture any kind of audience in media is with quick regular uploads of content they are prepared for, are looking for or easily understand. I will list a few things that I feel an audience appreciates or deviates towards.

A regular upload schedule, be it daily, twice a week, even once a month. As long as it is clear. This is a great way to keep viewers coming back to you once they find your work and are happy with the content you appear to be providing.

The time you upload matters. If you post your artwork while the world is asleep no one is going to see it. On sites like tumblr this is even worse, hours can go by and your work will be pushed further and further down the audiences dashboard.

Consistent content. It’s great to try new stuff, but unless your audience knows you for it it could possibly confuse people browsing your page or site. Artists often get categorised as “The dude that draws X, Y Z” for a reason, it’s just easier for an audience to understand.

Do not add unnecessary comments to posts. Nothing puts people off more than 2 paragraphs of text explaining the process or a personal story on why it took so long. Save that for a separate post, consider that your audience needs to share your image. Make it as easy to share as possible.

3. Your content and the concept.

Content is important. Your finished artwork can be technically beautiful, but if there is nothing there for people to understand or relate to they will have no reason to care, or they will be purely judging your work on its level of technical ability.

That can only go so far if the content is too strange, specific or incomprehensible. Very few people are going to share a technically impressive piece of work if it disgusts confuses or upsets them in some other aspect.

Vice versa, a strong or interesting concept can take very simple artwork a very long way. The perfect storm is to have both a fantastic concept and strong artwork working together, but you must consider how much work that will mean you have to do and how fast can you do it. Find a balance.

What grabs an audience varies greatly. You can build up your own brand with your own ideas concepts and characters as long as there is a consistent theme. More often than not an audience will look for:

Things they recognise

Things they can understand at a glance

Things that are relevant to them and their lives

Consider these examples, try to consider which one has the most immediate appeal to the general public:

4. Make things easy for them, some important general advice.

Upload on as many sites as possible, and where appropriate. (No one on a website purely for webcomics is going to appreciate your oil paintings, for example).

Join forums, sign up for art sites. Get to know people and make contacts to get your work out there. Understand the audience on the sites you frequent and what content they do and don’t enjoy. This takes time, this does not happen overnight. You have to commit and find your own path here.

The audience will not just come to you. You need to be proactive. You have to get out there and find them, but be careful, nobody likes to feel like they’re being sold something.

Wherever you post your art, MAKE IT EASY FOR PEOPLE TO FIND AND SHARE! Tag, list and group your content. Tags allow people to find things they already like, make use of that. Give them as few reasons as possible not to share your content. Put yourself in the shoes of the audience and think about what they would and would not want to share with their friends and people that know them.

To conclude

I hope this will give some people who are really lost a few extra ideas when it comes to creating commercially viable content. It upsets me to say this but sometimes there are ideas that, no matter how beautifully illustrated or conceptually brilliant, will just not resonate with certain groups of people.

This is a sad reality, but if this is an issue for you don’t worry. Use this information to create content you know people will enjoy, make a profit from that and then when you have the time and money make the things you really want to make.