The documents show inappropriate police surveillance of social media posts about pizza nights and study groups.

@theartofmadeline
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Today's Document
I'd rather be in outer space 🛸
we're not kids anymore.
hello vonnie
Three Goblin Art

Origami Around
Sweet Seals For You, Always
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year

祝日 / Permanent Vacation
taylor price
noise dept.

★

blake kathryn
🪼
No title available

Kiana Khansmith
Jules of Nature

seen from United Kingdom

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@vincentpants
The documents show inappropriate police surveillance of social media posts about pizza nights and study groups.
Bookends (at Tricouni Peak) https://www.instagram.com/p/B7WfdBKhW6T/?igshid=a7o636qybt4u
My 2010s: bookended by beautiful people and giant robots. Thanks to @portberto for talking me into leaving the house this NYE. Happy new year everybody and let’s get this shit right this time around! (at eatART Foundation) https://www.instagram.com/p/B6yZaC9Bwq2/?igshid=zkt8u7z1xui8
I think this is the first time any photos of me made it to the top nine. May your 2020 be full of many many more Vincents! (at Vancouver, British Columbia) https://www.instagram.com/p/B6yWk32Bk7u/?igshid=f9oqqvl712uk
John Waters and David Lynch at Bob’s Big Boy (1979) https://www.instagram.com/p/B6GetNUBLb2/?igshid=ggxeg8awck9z
Sensory rich and mind bending computational art performances by #MASOM (@pass_phil, @kivanc.tatar, @remysiu) & @furiousgreencloud presented by CODA & @bocadellupo . Aside: disturbingly amazing super human genius children (something-something gamma radiation) et al. (at Performance Works) https://www.instagram.com/p/B5mUVb_B-qP/?igshid=1eaq8914hwkhq
💳🛍 (at Strathcona, Vancouver) https://www.instagram.com/p/B5O87VqBHKb/?igshid=8t81dkvc4qy0
⚛️ #glsl (at Vancouver, British Columbia) https://www.instagram.com/p/B5J-PJRBi6B/?igshid=oushh7pkqpue
😚 (at Hot Springs Cove, British Columbia) https://www.instagram.com/p/B4wZUvShMA7/?igshid=1hrfhbdtdyrkv
⛪️🤲🙏🕋🛐 (at Strathcona, Vancouver) https://www.instagram.com/p/B4kqX1Gh-FB/?igshid=88si2otbb7q8
Time to die (at Los Angeles, California) https://www.instagram.com/p/B4VaqtVhcrN/?igshid=1rc7a29ldaup3
🚲 (at Strathcona, Vancouver) https://www.instagram.com/p/B4BSXvzhL5C/?igshid=1h638536mtykh
🎹🎙🎶 (at Strathcona, Vancouver) https://www.instagram.com/p/B3ibsmch5_X/?igshid=3nab4nmy1ifx
Chandra Oppenheim was just twelve years old when her debut album, Transportation, was released. Until recently, I wasn’t familiar with Chandra, but when I did hear Transportation for the first time, I was immediately taken with it. The music is great, for sure, but what’s truly astonishing is the depth of talent displayed by the young singer/lyricist. Chandra was a highly creative young person; encouraged by her father, artist Dennis Oppenheim, she was writing songs by age nine. In the late 1970s, members of the New York band Model Citizens were looking to start another group and approached Chandra’s father—who they knew through the art community—to ask if his daughter could join them. Rehearsals began when Chandra was just ten. In addition to singing, she was writing the lyrics and melodies for the group’s catchy songs. Four of their tunes would make up the Chandra band’s Transportation EP, released via the group’s own label, ON / GO GO Records. Chandra proves herself to be a charismatic vocalist and a compelling lyricist on Transportation. Over a danceable post-punk/no wave backing, Chandra sings with confidence, her lyrics exhibiting a sophistication...
Cybernetic Serendipity Music ICA01 | ICA02 1968 ICA Nash House, The Mall, London SW1
ICA01
A1 Lajaren Hiller & Leonard Isaacson – Illiac Suite (Experiment 4). 1957, 4 minutes, Mono.
A2 John Cage – Cartridge Music (excerpt). 1960, 5 minutes, Stereo.
A3 Iannis Xenakis – Strategie (excerpt). 1962, 5 minutes, Stereo.
A4 Wilhelm Fucks – Experiment Quatro-Due. 1963, 5 minutes, Mono.
A5 J.K. Randall – Mudgett (excerpt). 1965, 7½ minutes, Stereo.
ICA02
B1 Gerald Strang – Compusition 3. 1966, 2½ minutes, Mono.
B2 Haruki Tsuchiya – Bit Music (excerpt). 1967-1968, 2⅜ minutes, Stereo.
B3 T.H. O'Beirne – Enneadic Selections. 1968, 4¼ minutes, Mono.
B4 Peter Zinovieff – January Tensions. 1968, 10½ minutes, Stereo.
B5 Herbert Brün – Infraudibles. 1967, 8 ½ minutes, Stereo.
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UBUWEB
This record was made to celebrate and commemorate the Cybernetic Serendipity exhibition held at the ICA, London, 1st August to 20th October 1968.
During the preparation of the Cybernetic Serendipity exhibition two things became apparent.
One, that in order to show what was going on in the field computer music, it was necessary to include a considerable amount of material that was not strictly composed with or played by computer. Two, that dealing with an exploratory field, all attempts at a historical perspective or firm evaluation were out of place. The exhibition and this record, therefore, are essentially a reportage of current trends and developments in programmed and stochastic music.
The first landmark in computer composition is Lejaren A. Hiller’s ‘Illiac Suite’, 1957. Many experiments have been carried out before, but these were either exploratory without yielding a tangible music, or were mostly concerned with the technical possibilities of imitating familiar sounds.
Ideas which are relevant to composition with computers were frequently employed in the experimental musical composition of the past thirty years. The work of Joseph Schillinger, for instance, through its systematic analysis and programming, antedates the methods employed by computer composers today. The notion of randomness exemplified in the work of John Cage is also of crucial importance. Randomness (decision avoiding, or more concisely, leaving a decision to chance within an exactly specified range of possibilities) is one of the most important tools of the computer composer.
Computer music falls into two categories: computer composition and computer sound. Specific works may employ one or both of these. 'Illiac Suite’ is computer composed but performed by a string quartet. Pieces by James Tenney, Gerald Strang and Peter Zinovieff utilise the computer both as a tool to compose with and a sound-making instrument. The experimental pieces produced at Bell Telephone Laboratories make use of existing tunes like 'A bicycle built for two’ but played and sung by a computer.
As a souvenir of the Cybernetic Serendipity exhibition this record is a selection of work in progress.
The cover shows a section of a score for “Four Sacred April Rounds’ 1968 by Peter Zinovieff
After 14 years of hauling this thought-to-be-dead Roland SH32 around to five cities in three countries, just rattling around in my spare parts bin I've managed to breathe life back into this beautiful and quirky-sounding analogue modeling synth! Example videos coming soon! #sh32 #roland #synth #arpeggiatormangler (at Strathcona, Vancouver) https://www.instagram.com/p/BqjCKwpnQcw/?utm_source=ig_tumblr_share&igshid=aiz7l2sazjm2
The High Frontier: Human Colonies in Space by physicist Gerard K. O'Neill, 1976. Cover art by Rick Guidice.