Dicotomías incruentas

Música, pintura, literatura. Ciudad de México

[huariqueje]

Beholders  - Mia Bergeron , 2024.

American, b. 1979   - 

Oil on canvas , 24 x 24 cm.

[catonhottinroof-deactivated2023]

Oswald Achenbach (1827 - 1905) 

Strolling in the Evening, Villa del Principe, Palazzo di Andrea Doria, Genoa

[catonhottinroof-deactivated2023]

Théodore Gudin (1802 - 1880) 

Effect of light in the heart of a storm at sea, 1867

[pointandshooter]

Former Italian Villa Styled Women’s Dormitory

National Park Seminary, Silver Spring, Maryland

photo:David Castenson

[my-secret-eye-deactivated201902]

Max Dupain, Untitled, 1930

[bonvivanski]

[won-der-land89]

[trapgrl]

instagram | twitter: @heylizyy 

[radomirus]

Evening mood by Béla Spányi (1852–1914)

[vivacenontroppo]

Bela Spányi

[trulyvincent]

Place des Abbesses Maurice Utrillo - circa 1910

[edgardegas-art]

The Curtain 1880

Edgar Degas

[thevisualvamp]

Art is sexy

[jeannepompadour]

“La favorita” by Tom Roberts, c. 1889

[poboh]

Ophelia, William Quiller Orchardson. (1832 - 1910) - Oil on Canvas -

[silenceformysoul]

Ron Hicks - Italian Plaza Lovers

[laclefdescoeurs]

Music, 1904, Thomas Eakins

[escritoresmalditos]

Paul Auster - Diario de invierno [frag.]

[books0977]

The Female Artists (1887). Charles Boom (Belgian, 1858-1939). Oil on canvas.

When painting historical scenes, Charles Boom favored sixteenth century settings. Yet his genre paintings, for which he was also known, depict subjects closer to his own time. This painting, showing Boom’s fellow artists practicing from plaster casts, may have been influenced by his days as an art student and, later, as a teacher at the Anvers Academy.