MATILDA DE ANGELIS as MARIA Dracula: A Love Tale (2025)
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MATILDA DE ANGELIS as MARIA Dracula: A Love Tale (2025)
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The Dragoness and The Dragonless
Aerion Targaryen X Valyrian!FReader
Summary: You arrive in Westeros, being the last of your Great Valyrian Houses bloodline, with your Dragon.
Word Count: 4.7K
Warnings: no use of y/n, swearing, some descriptions of violence and death, dead parents, misogyny, canon divergence (made up my own thing and baelor lives ofc), Aerion (lol he's kinda ooc I tried to keep him as mean as possible), typical GOT Universe things, Reader is described with Silver hair and purple eyes but nothing else specific, there's sprinkles of angst and fluff in here, there will be smut in future parts!
Author's Note: MINORS DNI!!! Hello my lovelies! this blog is very new but I wanted to start writing for Aerion! bro has sucked me back into writing fanfics... it's been a while. any comments, reblogs and feedback are appreciated! lmk what you guys think, this is gonna be a series <3
PART 1
Nothing spreads faster than wildfire in Westeros, all except whispers. And as soon those whispers reached the Red Keep in Kingâs Landing, utter chaos ensued.Â
âWhat the fuck do you mean?â Maekar demanded, exasperated, as soon as the Master of Whisperers announced his findings at the handcrafted table of the Small Council Chambers.Â
The Shape of a Silence
Content warnings: drug use, addiction, overdose, neglect, suicidal ideation, major character death. This is a tragedy. No comfort, no redemption. Please read with care.
---
you are dying in a house full of heroes.
This is not a metaphor. You feel it in the brittle architecture of your bones, in the tremor that lives beneath your skin like a second heartbeat. Your body has become a haunted thing, a repository for all the poisons youâve poured into it, and stillâstillâno one has noticed that you are disappearing right in front of them.
You sit on the floor of your bedroom, back pressed against the foot of an antique four-poster bed that has never felt like yours. The curtains are drawn, heavy brocade that swallows the late-afternoon light and spits it back in shades of amber and rot. Somewhere in the cavernous belly of Wayne Manor, laughter peals like a bell. It echoes through the heating vents, distorted and tinny, a transmission from a world that has no space for you.
Your fingers curl around a prescription bottle. Oxycodone. The label is worn, the name smudgedâsomeone elseâs pain, stolen from the medical bay three weeks ago when Alfred was busy suturing a gash in Jasonâs shoulder and Bruce was already back at the Batcomputer, already lost in the next catastrophe. You remember walking through the cave with the silence of a ghost, barefoot on cold stone, plucking the bottle from a drawer of neatly organized catastrophe supplies. No one turned around. No one said your name.
You dry-swallow two pills and chase them with the flat dregs of a soda you left on the nightstand three days ago. The carbonation has long since died. It tastes like sugar and oblivion.
Downstairs, they laugh again. You can pick out the individual threads: Dickâs bright, easy warmth, the kind of laugh that makes people fall in love with him. Timâs quieter chuckle, a little awkward, as if heâs still surprised heâs allowed to be part of the joke. Even Damian is thereâyou hear the precise, clipped cadence of his voice, less a laugh and more a reluctant acknowledgment that something is amusing. And Bruce. Bruceâs laugh is so rare it cuts you every time, because it is a sound that has never been offered in your direction. It is a relic of a man you do not know.
You tilt your head back against the mattress and let the opioid crawl into your bloodstream with the patience of a lover. The edges of the world soften. The laughter becomes bearable, then beautiful, then nothing at all.
This is how you survive. This is how you die.
...
The first time you realized you were ignored by your family, you were twelve years old.
Youâd been living in Wayne Manor for two years by thenâyour whole life, technically, but the years before Bruceâs return from his training were a blur of boarding schools and nannies who called you miss with the kind of professional distance that made you feel like a piece of expensive furniture. Then Bruce came back, and for one glittering, impossible moment, you thought you might become real.
He was your father. Your biological father. The only child born from his short-lived, ill-fated marriage to a woman whose face you had to reconstruct in your memory from photographs because she died when you were two years old. You had his (.....) hair, his stubborn jaw, and his tendency to withdraw into silence and contemplate. That must have meant something. It must have meant that you definitely belonged there.
But then Dick came, and then Jason, and then the cave opened up beneath the manor like a second heart, and you understood: Bruce did not want a child. He wanted soldiers. He wanted mirrors that reflected his own grief back at him, sharpened into weapons. And youâyou were just a girl who cried when she skinned her knee, who was afraid of thunderstorms, who wanted to be held. You were soft. You were useless.
You remember the night you asked him to train you. You were twelve, small for your age, wearing pajamas with little stars on them. Youâd crept down to the cave after hearing the roar of the Batmobile returning from patrol. Bruce was still in the suit, cowl pulled back, sweat darkening his hair. He looked like a god. He looked like your father.
âI want to help,â you said, and your voice echoed in the cavernous space, thin and reedy. âI want to be like Dick. I want to fight.â
Bruce turned to you, and for one breathless second you thought you saw something soft in his eyes. But then his expression shuttered, became the mask he wore even without the cowl.
âNo.â
âBut I can learn. I can be good. I canââ
âThis isnât a game.â His voice was not cruel, but it was final. It was a door closing. âYouâre my daughter. I wonât lose you. Go back to bed.â
I wonât lose you. What a beautiful lie. Heâd already lost you. He just hadnât noticed yet.
You went back to bed. You didnât cry. You were too hollow for tears. The next morning, Dick taught Jason how to throw a Batarang in the gymnasium, their laughter ringing against the high ceilings. You watched from the doorway for seventeen minutes before anyone noticed you were there, and even then, it was only Alfred, who offered you a cup of tea and a sad, knowing smile that did nothing to fill the chasm opening in your chest.
That was the year you learned that love in this house was a finite resource, and you had been deemed unworthy of it
...
By fourteen, you had stopped trying.
This is what the history books will never record: the slow, quiet erosion of a girl who lived in the margins of a legend. The way you stopped setting a place for yourself at dinner because no one remembered to call you anyway. The way you learned to move through the manorâs hallways without making a sound, a skill born not of training but of the desperate, animal need to avoid the pain of being seen and then ignored. It is worse, you discovered, to be acknowledged and then dismissed than it is to never be acknowledged at all.
You remember the afternoon Damian first arrived at the manor. He was ten, imperious, all sharp angles and sharper words. Bruce introduced him to everyoneâDick, Jason, Tim, Alfred, even Barbara, who had come by to assess the new addition to the chaos. They stood in the grand foyer, a tableau of fractured family, and you watched from the top of the staircase, half-hidden behind the balustrade.
No one introduced you.
Later, you found Damian in the library, examining a first edition of The Art of War with the critical eye of a general. You hovered in the doorway, trying to find the right words. Iâm your sister. I know you donât know me, but Iâm here. Iâve always been here.
Before you could speak, he glanced up and fixed you with a stare that could have cut glass. âYouâre the civilian,â he said. Not a question. A designation.
âIâyes. Iâm yourââ
âTt. Donât get in my way.â
He turned back to his book. You stood there for a long moment, the air pressing in on you from all sides, and then you walked away. You didnât blame him. He was a child raised by assassins, taught that value was measured in utility. In his world, you were useless. He was just the first person to say it out loud.
That night, you stole a bottle of wine from the cellar and drank it alone in your room until the walls stopped closing in. It was the first time you used a substance to mute the noise inside your head. It would not be the last
....
The escalation happened so gradually that even you didnât notice until it was too late.
At fifteen, you broke your wrist falling down the grand staircaseâa genuine accident, not a cry for help, though youâd be lying if you said you hadnât been tempted by those before. Alfred drove you to the emergency room because Bruce was in the middle of a Justice League operation and couldnât be reached. Dick was in BlĂŒdhaven. Jason was off on one of his brooding self-exile stints. Tim texted you a single âu ok?â and didnât follow up when you didnât respond. Damian didnât even glance at the cast when you returned home.
The doctor prescribed Vicodin. You remember staring at the bottle in the harsh fluorescent light of the pharmacy, the orange plastic warm in your palm. Youâd never taken anything stronger than ibuprofen before. You were scared of it, a little. But the pain in your wrist was a relentless, grinding thing, so you swallowed one pill and waited.
The relief was not just physical. It was existential. The Vicodin didnât just mute the ache in your bonesâit muted the ache in the hollow of your chest where your family was supposed to be. It wrapped you in cotton wool. It made the loneliness feel distant, like a storm on the far side of a thick window. For the first time in years, you felt something that might have been peace.
You finished the prescription in five days. When the bottle was empty, you felt the absence like a physical blow. The noise came backâthe laughter, the silence, the unbearable weight of being invisible. You needed it gone again.
So you went looking.
The medical bay in the Batcave was a treasure trove of chemical solutions. Morphine, fentanyl, oxycodone, codeineâa pharmacopeia of battlefield medicine kept stocked for the inevitability of violence. Security was tight, but youâd lived in this house your whole life. You knew the blind spots. You knew that the caveâs motion sensors were calibrated to ignore anyone under a certain height thresholdâa leftover from when Damian was small and prone to wandering where he shouldnât. You had never been a threat, so you had never been a variable worth accounting for.
Stealing became a ritual. Youâd slip down in the small hours of the morning, when patrol was still underway and Alfred was asleep, and youâd take just enough to keep the silence at bay. One pill at a time. Two. Three. You told yourself you could stop whenever you wanted. You told yourself it wasnât a problem because a problem required someone to notice, and no one did.
The first time you ran out before you could steal more, the withdrawal hit you like a freight train. You spent a night curled on the bathroom floor, shivering and sweating, your stomach cramping so violently you thought you might die. You didnât die. You just wished you would.
The next day, you went to school for the first time in a weekâGotham Academy, where you were enrolled under a fake name because Bruce was paranoid about kidnappings but couldnât be bothered to remember which fake name belonged to which child. You moved through the hallways like a wraith, hollow-eyed and trembling, and a boy named Leo found you in the parking lot, leaning against the brick wall, trying to remember how to breathe.
âYou look like shit,â he said, not unkindly.
Leo was seventeen, tall and lanky with nicotine-stained fingers and eyes that had seen too much. He sold weed to the scholarship kids and harder things to the rich ones who wanted to feel dangerous. He didnât ask why a Wayneâbecause he recognized you, despite the fake name, because everyone eventually recognized youâwas shaking like a leaf behind the gymnasium. He just pulled a joint from his pocket and offered it to you.
âThis wonât fix it,â he said. âBut itâll take the edge off.â
You smoked with him behind the bleachers, coughing on the first inhale, and when he asked if you needed something stronger, you said yes without hesitation.
That was the beginning of the end
....
By sixteen, you were no longer a girl who used drugs. You were an addict.
The word sits ugly in your mouth, but youâve learned to swallow it like everything else. You smoke weed to sleep. You take pills to function. On the bad daysâand there are so many bad days nowâyou let Leo inject you with heroin in the dingy back room of his apartment, a place that smells of mildew and old cigarettes and the particular desperation of people who have nothing left to lose.
Leo is not your boyfriend. Heâs not even really your friend. Heâs a transaction in human form, a pair of steady hands and a ready supply, and you pay him in cash and jewelry stolen from rooms in the manor that no one ever enters. Youâve taken a diamond bracelet from a drawer in the master suite that probably belonged to your mother. Youâve taken cufflinks from Bruceâs study, a silver letter opener, a handful of antique coins from a display case in the library. No one has noticed. No one has ever noticed.
Sometimes, when Leoâs pressing the needle into the crook of your arm, you close your eyes and pretend his touch is love. You pretend the warmth spreading through your veins is the warmth of being held, of being wanted. Itâs pathetic. You know itâs pathetic. But itâs all you have.
Youâve stopped going to school. The Academy sends letters home, but Bruce is in the middle of a war with the League of Assassins and Alfred is too busy keeping the household running to follow up. You intercept the letters when you can, forge Bruceâs signature on the responses, and when you canât, you just throw them away. No one asks where you go during the day. No one asks why your eyes are glassy, why your hands shake, why youâve lost so much weight that your clothes hang off you like they belong to a stranger.
Once, Dick corners you in the hallway, his hand gentle on your shoulder. You flinch. He doesnât seem to notice.
âHey, kiddo,â he says, his smile the same easy, practiced thing he gives to the press. âI feel like we havenât talked in a while. Howâs school?â
âFine.â Your voice is a croak. You havenât spoken to another person in three days.
âThatâs great. Listen, Iâm sorry I havenât been around muchâBlĂŒdhavenâs a mess and the Titans are running me raggedâbut we should do something soon. Just the two of us. Sound good?â
You nod. You know he wonât follow through. He never does.
He pats your shoulder once and is gone, leaving behind the faint scent of his cologne and the hollow echo of another broken promise. You lean against the wall until the shaking stops, and then you go to your room and crush a pill on the nightstand with the flat of a silver hairbrush that hasnât been used in months.
The powder burns when you inhale it. The burn is the only thing that feels real
....
Your bedroom has become an observation deck, a silent perch from which you watch the family that isnât yours.
Youâve learned the rhythms of the manor the way a prisoner learns the rhythms of a jail: the creak of the third-floor floorboard at 4:37 a.m. when Bruce returns from patrol. The clatter of pans in the kitchen at 5:30 when Alfred begins preparing breakfast. The precise momentâ6:15âwhen Damianâs alarm goes off and he begins his morning training, his footsteps a metronome of discipline in the gymnasium below your window.
You are not part of any of it. You are a ghost haunting the margins, a smudge on the periphery of their vision. But you watch. You canât stop watching.
There is a particular cruelty in the way they orbit each other, a gravitational pull that excludes you with the casual precision of physics. They donât mean to shut you out. Thatâs the worst part. You are not a victim of maliceâyou are a victim of irrelevance. You are the variable that doesnât factor into the equation. The side character in a story that was never about you.
You watch them from the top of the stairs on movie nights, when Dick commandeers the entertainment system and makes everyone watch old musicals that Jason loudly complains about but never actually leaves. You watch Damian pretend to hate the musicals, his small body wedged between Bruce and Tim on the couch, his mouth pressed into a thin line of disapproval even as his eyes track the dancers with reluctant fascination. You watch Bruce, the cowl gone, the weight of the city temporarily set aside, his arm draped over the back of the couch in a gesture of casual affection that makes your chest ache.
You watch and you are not invited.
You tried, once. Months ago. A lifetime ago. Youâd come downstairs in your pajamas, drawn by the sound of laughter, and hovered in the doorway of the media room like a moth at a window. Tim glanced up, saw you, and offered a small, distracted smile before turning back to the screen. No one else acknowledged you. The couch was full. The space was full. There was nowhere for you to sit.
You stood there for five minutes, waiting for someone to make room, to say your name, to do anything. No one did. Eventually, you went back upstairs, and no one noticed you were gone.
Now you donât go downstairs at all. You sit on the floor of your room with your back against the door and you listen to the distorted echoes of their happiness through the vents, and you tell yourself itâs enough. It has to be enough.
The first time you overdose, itâs an accident.
Youâve been using heroin for six months now, but youâve been careful. Careful in the way that addicts are carefulâmeasuring doses, testing potency, telling yourself that you have it under control because the alternative is admitting that you donât. But the supply Leo gives you this week is different, stronger, cut with something that hits your bloodstream like a fist, and suddenly youâre on the bathroom floor with your cheek pressed to the cold tile and your heart stuttering in your chest like a dying bird.
You can feel your body shutting down. Itâs not painful, not really. Itâs like sinking into warm water. Like falling asleep after a lifetime of insomnia. Part of youâthe part thatâs been screaming into the void for five yearsâwhispers that this wouldnât be the worst way to go.
No one finds you. No one comes.
You wake up three hours later, alone, your face crusted with dried vomit and your arms covered in bruises you donât remember getting. The house is silent. No one has noticed you were missing. No one has come looking for you. You lie on the bathroom floor for a long time, staring at the ceiling, and you feel nothing at all.
The next day, you call Leo and ask for more
...
The invitation appears on the kitchen island on a Tuesday morning, written in Alfredâs precise copperplate on heavy cream stationery: Family dinner this evening at 7 p.m. All are expected to attend. RSVP not required.
All are expected. You stare at the word all for a long time, tracing the elegant loops of the script with your fingertip. Itâs been months since you last sat at the dining table. Youâre not sure anyone noticed your absence then, either.
You spend the afternoon in a state of low-grade panic, cycling through the contents of your closet like a woman preparing for battle. Your body is a ruin. You can see it in the mirror: the sharp jut of your collarbones, the hollows beneath your cheekbones, the bruise-dark circles under your eyes that no amount of concealer can fully disguise. Your arms are a roadmap of track marks, some fresh, some faded to silvery scars. You choose a long-sleeved blouse in deep burgundy. You pull your hair back into a neat ponytail. You practice smiling in the mirror until your reflection looks almost human.
You are ready. You are terrified.
At 6:58, you descend the grand staircase and walk toward the dining room. Your heart is a war drum. Your hands are shakingâwithdrawal is starting to creep in, a familiar ache settling into your bonesâbut you clench them into fists at your sides and keep walking.
The dining room glows with candlelight. The table is set with the good china, the crystal goblets, the silverware thatâs been in the Wayne family for six generations. And there they are: Bruce at the head of the table, Dick to his right, Damian to his left. Jason is slouched in his chair, flicking a bread roll at Tim, whoâs trying to explain something about a case while simultaneously defending his plate. Even Barbara is there, seated next to Dick, her wheelchair tucked neatly beside the table. They are laughing. They are beautiful. They are a family.
You step into the doorway.
The laughter falters. Not dramaticallyâitâs not a record-scratch moment. Itâs subtler than that, a brief hiccup in the flow of conversation, a flicker of confusion that crosses Bruceâs face as he registers your presence.
âOh,â Dick says, recovering first, his smile bright but faintly puzzled. âHey, youâre here.â
You donât know what to do with your hands. You shove them into the pockets of your pants. âAlfred said there was a dinner.â
âYes, of course.â Bruceâs voice is neutral, but thereâs something in his expression that you canât read. Surprise, maybe. Or something closer to guilt. âI didnât realize you wereâtake a seat. We saved you a spot.â
There isnât a spot. There are exactly enough chairs for the people already at the table. You watch Tim and Jason exchange a glance, a silent negotiation, and then Jason sighs and scoots over, dragging a chair from the corner of the room and wedging it between himself and the wall. âHere,â he says, not quite meeting your eyes. âSit.â
You sit. The chair is cold. The space is too small. Your elbow knocks against Jasonâs as you reach for your water glass, and he doesnât say anything, but you feel him shift slightly away from you. A small, unconscious recoil. It shouldnât hurt. It still does.
The conversation picks up again, tentatively, like a car engine sputtering before it catches. Dick tells a story about a mission with the Titans that you donât have the context to understand. Tim and Barbara launch into a debate about encryption protocols. Damian insults Jasonâs fashion sense, and Jason fires back with something about Damianâs height, and Bruce chides them both with the weary fondness of a man who has done this a thousand times.
You sit in the middle of it all, silent, invisible even in your visibility. No one asks you about your day. No one asks why youâve lost so much weight, why your eyes are glassy, why you keep scratching at the inside of your wrist beneath the table. You push food around your plate and count the minutes until you can escape.
Halfway through the meal, Bruceâs phone buzzes. He glances at the screen, and his expression shiftsâthe father receding, the vigilante taking over. âWeâve got a situation,â he says, standing. âRiddlerâs left a trail of clues across the financial district. I need everyone suited up in ten.â
The table explodes into motion. Chairs scrape. Plates are abandoned. The family that was laughing together moments ago transforms into a tactical unit, efficient and synchronized. They sweep out of the dining room in a blur of dark hair and determined expressions, and not one of them looks back at you.
Not one.
You sit at the table for a long time after theyâre gone. The candles gutter. Alfred appears silently at your elbow, his face creased with a sadness that you canât bear to look at directly.
âShall I clear your plate, miss?â
You nod. You donât trust your voice.
He takes the plateâstill mostly fullâand hesitates. For a moment, you think heâs going to say something, something that might change everything or nothing at all. But the moment passes. He retreats to the kitchen, and you retreat to your room, and the gap between you and the rest of the world widens another inch.
...
That night, you hear them come home. The cave entrance rumbles open around 3 a.m., and voices drift up through the ventsâtired but triumphant. The Riddler is in custody. The city is safe. SomeoneâTim, you thinkâlets out a whoop thatâs half exhaustion and half exhilaration. Bruceâs laugh rumbles like distant thunder.
You lie in your bed, curled on your side, staring at the wall. The withdrawal has become a creature living inside your skin, gnawing at your nerves with tiny, relentless teeth. You need a fix. You need it, with a desperation that eclipses hunger, thirst, even the ache of your loneliness.
But you donât go to the cave. You donât steal more pills. Instead, you reach under your mattress and pull out a small velvet pouchâthe last piece of your motherâs jewelry that you havenât sold. A locket, delicate and gold, with a tiny photograph of her inside. Youâve kept it through everything. Itâs the only thing you have left of her. The only proof that you were ever part of a family that wanted you.
You hold it in your palm, the metal warm from your body heat, and you make a decision.
....
Three days later, you pack a bag.
Itâs not a big bagâjust a worn duffel you found in the back of a closet, stuffed with a change of clothes, a toothbrush, and the locket. Youâre not running away, you tell yourself. Youâre just⊠leaving. Leaving implies agency. Leaving implies choice. And after years of being a passive observer in your own life, you need to feel like you have a choice about something.
You write a note. You donât know who youâre writing it for.
Iâm sorry. I tried. It wasnât enough.
You donât sign it. You leave it on your nightstand, tucked beneath an empty pill bottle, and you walk out of your bedroom without looking back.
The manor is quiet at this hourâlate afternoon, the golden light slanting through the tall windows in dusty shafts. Alfred is in the city, running errands. Bruce and the boys are in the cave, prepping for patrol. You can hear the low murmur of their voices as you pass the grandfather clock that conceals the entrance, and for a moment you pause. Your hand hovers over the wood. You could open it. You could go down there, one last time, and say everything youâve never said. You could scream. You could cry. You could make them see you.
But youâve tried that before. Youâve tried it in a hundred small ways, and itâs never worked. So instead, you press your palm flat against the clock face, feel the vibration of their voices through the ancient wood, and you whisper, âGoodbye.â
No one answers. No one ever answers.
You slip out through the kitchen door and into the dying light. The grounds of Wayne Manor stretch before you, impossibly green, impossibly beautiful. A world you have never been allowed to inhabit. You walk down the gravel drive with your duffel slung over your shoulder, and you donât look back.
...
Leoâs apartment is in the Narrows, a part of Gotham that the tourists never see and the newspapers only mention in the context of body counts. The building reeks of damp plaster and stale cigarette smoke and the particular hopelessness of people who have been failed by every system meant to protect them. You fit right in.
Leo opens the door with a cigarette dangling from his lips and raises an eyebrow at the duffel bag. âRunning away, princess?â
âSomething like that.â You push past him into the apartment. Itâs a mess, as alwaysâtakeout containers piled on the coffee table, a mattress on the floor with sheets that havenât been washed in weeks, a needle and spoon on the nightstand that makes your skin itch with anticipation.
âI need a place to crash,â you say. âJust for a while.â
Leo shrugs. âSure. But itâs gonna cost you.â
You pull the locket from your pocket. The gold gleams in the sickly light of the bare bulb overhead. Leoâs eyes flicker with interestâhe knows quality when he sees it. âThis is real,â you say. âTwenty-four karat. Worth a couple thousand at least.â
He takes it from you, turns it over in his fingers. Opens it. Glances at the photo insideâyour motherâs face, younger than you are now, smiling at the camera with a joy youâve never felt. He doesnât ask who she is. He doesnât care.
âYeah, alright,â he says. âI can move this. You can stay.â
He pockets the locket, and something inside you splinters. The last piece of your mother. The last piece of a life where you were loved. Youâve traded it for a filthy mattress and a man who sees you only as a transaction, and you donât even have the strength to mourn.
âI want a hit,â you say. âSomething strong.â
Leo grins. âIâve got some new stuff. Fentanyl-laced. Be careful with itâthis batch is no joke.â
You donât want to be careful. You donât want to be anything.
...
He ties off your arm with a rubber strap. The needle slides in with a familiar sting, and you watch the blood bloom into the syringe before he depresses the plunger. The heroin hits your bloodstream like a wave of light.
This is what youâve been chasing. This is the silence. This is the peace that the manor never gave you, the love that your family never offered, the belonging that was always just out of reach. Your head lolls back against the mattress. The ceiling swims. Your heartbeat slows to a languid, syrupy rhythm.
Somewhere in the back of your mind, a voice whispers that this dose was too strong. That something is wrong. Your breathing is too shallow. Your limbs are too heavy. The warmth that was so comforting moments ago is starting to feel like drowning.
But youâre not scared. Thatâs the strangest part. Youâve been dying for yearsâslowly, invisibly, in a house full of people who were supposed to love you. At least this way, you get to choose the ending.
Your eyes slip closed.
The last thing you think of is the grandfather clock, the vibrations of their laughter humming through the wood. The last thing you feel is the phantom weight of a hand on your shoulder, a touch that was never really there.
And then nothing.
....
Alfred is the one who finds the note.
He returns from his errands at 6:47 p.m., precisely on schedule, and begins his usual routine of preparing the evening meal. It is only when he goes to collect the laundry from the upstairs bedrooms that he notices your door is ajarâa small irregularity, but an irregularity nonetheless. You have kept your door firmly closed for years.
He steps inside. The room is too tidy. The bed is made. The clutter that usually accumulates on your nightstandâbooks, empty soda cans, the detritus of a life lived in isolationâhas been cleared away. All that remains is a single piece of paper, the empty pill bottle serving as a paperweight.
Alfred reads the note. His hands, steady for decades of combat and crisis, tremble.
He descends to the cave.
The family is gathered around the Batcomputer, reviewing satellite footage of Black Maskâs latest operation. Bruce is in the chair, cowl down, his expression the focused intensity of a man who has no room for anything but the mission. Dick is perched on the edge of the console. Tim is typing. Jason is cleaning a gun with methodical precision. Damian is sharpening a knife.
âMaster Bruce,â Alfred says, and something in his voiceâsomething quiet, something brokenâmakes every head in the room snap toward him.
âAlfred?â Bruce is already on his feet. âWhat is it?â
Alfred hands him the note.
The silence that follows is the loudest sound you have ever not heard.
Bruce reads the words once. Twice. His face, that impenetrable mask, cracks open like a fault line. âWhat is this? When did sheâwhere is she?â
âI donât know, sir. Sheâs not in the house. Iâve checked every room.â
âTrack her phone,â Tim says, already typing. His fingers fly across the keyboard, and within seconds a map blooms on the screen, a blinking red dot in the heart of the Narrows. âSheâs there. An apartment building on Kane Street.â
Bruce doesnât wait. He pulls the cowl up, his movements sharp and mechanical, the Batman taking over because the father doesnât know what to do. âLetâs go. Now.â
The drive to the Narrows takes eight minutes. Bruce breaks every traffic law in the city. Dick is in the passenger seat, phone pressed to his ear, trying to call a number that goes straight to voicemail. In the back, Jason and Tim are silent. Damianâs hands are clenched into fists, his expression unreadable.
They burst into the apartment building like a tactical breach, scattering startled residents, climbing the stairs three at a time. The door to Leoâs apartment is flimsy. Bruce kicks it open without breaking stride.
The smell hits them first: sweat, mildew, the metallic tang of old blood. And then the sight.
You are on the mattress, your body curled into a fetal position, your face slack and pale. The rubber strap is still tight around your arm. The needle is still on the floor. Your eyes are closed.
âNo.â Bruceâs voice is not his own. It is a raw, guttural thing, torn from somewhere deep in his chest. He crosses the room in two strides and drops to his knees beside you, his gloved hands pressing against your neck, searching for a pulse that isnât there.
âCall an ambulance,â Dick says, and his voice is shaking. âTim, call an ambulance, now, nowââ
âItâs too late.â Bruceâs words are a death knell. He gathers your body into his arms, cradling you against the armored chest of the Batsuit, and the sound he makes is not a cry. Itâs a howl.
The others stand frozen in the doorway. Jasonâs face has gone white. Tim is on the phone with emergency services, his voice a monotone of shock. Damian takes one step forward, then stops, his gaze fixed on the track marks on your arms, the evidence of monthsâyearsâof suffering that none of them saw.
Dick sinks to the floor. He doesnât say anything. He just stares at you, his little sister, the one he promised to spend time with, the one he never got around to calling back.
The ambulance comes. The paramedics do what they can, which is nothing. You are declared dead at the scene.
...
They find your diary three days later, wedged between your mattress and the box spring. Alfred discovers it while stripping the bed, and he does not read itânot at first. He carries it to Bruce with the solemnity of a man delivering a coffin.
Bruce reads it alone, in his study, with the door locked.
He reads about your first attempt to join the family, your twelve-year-old hope crumbling under the weight of his rejection. He reads about Damianâs dismissal, Dickâs broken promises, Timâs distracted smiles, Jasonâs indifference. He reads about the first pill you stole, the first needle you let a stranger press into your vein, the first time you overdosed and woke up alone on the bathroom floor. He reads about the locketâyour motherâs locketâand how you sold it for a final hit, a final night, a final silence.
He reads the last entry, written the morning you left:
I used to think that if I just tried harder, theyâd see me. I used to think that love was something you earned. But Iâm so tired. Iâm so tired of watching them be a family without me. Iâm so tired of being a ghost in my own home. I donât know if Iâm running away or if Iâm just finally admitting that I was never really here at all. Either way, I donât think it matters. They wonât notice Iâm gone. They never have.
Bruce closes the diary. He sets it down on his desk with the careful precision of a man handling a bomb. And then he does something he has not done since his parents died in a pool of blood and pearls on a rain-slicked Gotham street: he weeps.
....
The funeral is small. The family stands in a tight cluster around the grave, dressed in black, their faces carved from stone. The Gotham sky is a bruised purple, threatening rain but never delivering. Itâs the kind of day you always hated, the kind that made the manor feel like a mausoleum.
Alfred reads a eulogy that he wrote in the small hours of the morning, his voice steady but his eyes rimmed red. He speaks about your kindness, your quiet resilience, the way you used to follow him around the kitchen as a child, begging to help with the cookies. He does not mention the drugs. He does not mention the neglect. He does not need to.
Bruce stands at the front, his head bowed. He has not spoken in three days. The cowl hangs heavy in his mind, a shield he no longer knows how to take off. He keeps replaying momentsâthe night you asked to be trained, the dinner where he didnât save you a seat, the thousand tiny betrayals of absence and inattention that accumulated like snow until they buried you alive. He wonders if there was a single moment when he could have saved you. He knows there was. He knows there were a hundred moments, a thousand, and he missed every single one.
Dick stands to his left, his arm around Barbara, who is crying silently. He is thinking about the hallway conversation, the easy promise he made and then forgot. We should do something soon. Just the two of us. He never did. He never will.
Jason stares at the coffin with a hollow expression. Heâs thinking about the way you flinched when he shifted away from you at the dinner table, the way he never bothered to ask why. Heâs thinking about all the times he brushed past you in the hallways, too caught up in his own ghosts to notice the living one right in front of him.
Tim is running through the data in his head, the missed signs, the pattern of thefts from the medical bay that heâd dismissed as inventory errors. Heâs the detective. Heâs supposed to notice things. He didnât notice you.
Damian says nothing. His face is a mask, but his hands are trembling. He remembers calling you a civilian. He remembers every time he looked through you like you were furniture. He was a child, he tells himself. He didnât know. But he did know. He just didnât care.
The coffin descends into the ground. The first clod of dirt hits the lid with a sound like a door closing.
And the family that was never really yours stands in the silence, and they grieve, and they will carry this grief for the rest of their lives. It will not bring you back. It will not fix what was broken. It is too late for apologies, too late for love, too late for anything but the slow, corrosive knowledge that they failed you in every way that mattered.
You were seventeen years old. You were dying in a house full of heroes. And now you are dead, and they are still heroes, and the world will never know your name.
The rain never comes. The sky just stays purple, bruised and waiting, and somewhere in the distance, the Bat-Signal cuts through the gloom like a razor.
Life goes on. It always does.
But in Wayne Manor, a bedroom door stays closed, and a chair at the dining table stays empty, and the silence you left behind is louder than any scream.
My Only Peace Was You
Pairing: Prince Aerion Targaryen X Stark!Reader X Prince Valarr Targaryen
Summary:
Aerion Targaryen loved her first. The realm gave her to Valarr anyway. Now one prince haunts her nights, the other shares her bed, and the dark is beginning to answer back.
Warnings: dark romance, angst, love triangle, forbidden love, unrequited love, requited love at the wrong time, doomed love, emotional infidelity, marriage of duty, obsessive love, possessive behaviour, toxic devotion, haunting, grief, dark Targaryen men.
'CAUSE YOU CAN BE THE BEAUTY & I COULD BE THE MONSTER ËËË 2!
synopsis. aerion targaryen â a possible heir to the throne, the son of the crown prince and grandson of the king â had fallen ill with an unknown fever. maesters who had served for years could not handle it, none of them found a cure, and his uncle decided to turn to you, a young healer from distant lands. pt 1.
pairing. aerion x healer! reader
.⊠contains. kinda enemies to lovers but not really, misogyny, possessive!aerion, reader is from the house mullendore; p in v, man's just obsessed tbh
day 96. 208 AC.
âdo not worry, branna. the child is well.â you gently touched her rounded belly and felt under your palm a faint movement of new life. âhe is born in two moons, just in time for the first storms.â
the memory came back to you of that late night, when the silence broke with a desperate knock. branna stood at the door â pale like a ghost, in worn clothes. she had no gold to pay for your work, but she knew: you do not turn away one who begs for help. you always were a support for the smallfolk.
VIBE CHECK
18+ | MDNI - masterlist
PAIRING: best friend!bucky barnes x female!reader SUMMARY: your best friend has been in love with you since you were kids. he makes sure you don't skip meals, shows up at your dorm during late-night study sessions, scowls at campus idiots trying to get your attention... and apparently now he even offers to fuck you to give your brain a break. WARNINGS: she/her pronouns for reader; set in college; best friends to lovers; best friend!bucky; whipped!bucky; protective!bucky; reader has hair; size difference (I just love beefy men so much â€ïžâđ©č); light angst; unrequited love (according to bucky); mutual pining; jealousy & slight possessiveness; swearing; fluff; he uses A LOT of pet names & basically behaves like a boyfriend?; smut; (soft)dom!bucky & sub!reader; praise kink; sex toys; kind of guided masturbation; slight degradation; brief use of pussy pronouns; crying (bc reader feels too good đ ); pussy slapping; orgasm delay/control; edging; spitting; oral (f receiving); fingering; nipple play; unprotected sex (wrap it before you tap it pls); multiple orgasms; overstimulation; messy & rough sex; squirting; creampie. WORD COUNT: 14k A/N: this one-shot is extremely self-indulgent, sorry đ„Č I'm so happy it's finally up again, it's just so important to me. I think this is porn without plot? well, thereâs a bit of plot I guess, lmao. the smut part might be a little all over the place because l wrote it while studying for an exam and getting ready for a little trip. hope youâll enjoy đ ps: I apologize to all the interstellar fans for eventual mistakes, I've never seen it but I needed something to match bucky's love for physics and space.
holy shit
àŒș RIPPLES ON STILL WATER THREE àŒ»
CW: dark content, unreliable narrator, Stockholm syndrome, grooming, kidnapping, neglectful parents, psychological manipulation, non consensual sedation
The gates are iron.
Not the decorative, curled kind people bolt onto the fronts of estates so magazines can photograph them in autumn. These swing open on hydraulic press with weighty bars as thick as your wrist (- once things enter, they need permission to leave- )
You notice that first.Â
Not the estate beyond them. Not the lake glimpsed through the trees, flat and silver under the cloud cover. The gates.Â
The car rolls through, gravel popping beneath the tires. You watch the gates in the side mirror until the trees close over them like water over a dropped stone and there is nothing left to watch, birch trunks swallowing them whole.
Your throat tightens once. You look forward and you keep your face blank.
Youâre good at keeping your face blank.
Guardian Angels
Frank Castle x Nurse!Female!Reader
Summary: Frank canât do this alone. You hope withdrawal doesnât kill himâor you. You give him the strength he needs to find himself again.
Warnings: set during One Last Kill, mentions of drug abuse, alcoholism, psychosis, withdrawal, suicidal ideation, it ainât pretty, hallucinations, slow burn, angst, hurt/comfort, undisclosed reader childhood trauma, canon-violence. 18+ only, minors do not interact, reader is always a consenting adult.Â
A/N: this is partially a request (see here!) aaaand the start of a series for nurse x Frank turning into Husband!Dad!Frank from the poll I did. This is the origin story. Will be posting a master list for the series soon. If you want more of this pairing/requests for this series, lemme know.Â
W/C: ~6,000
You wondered when the day would come.Â
When Frank would break.Â
When his mind couldnât possibly digest another drop of blood, another act of violence, another day of remembering what made him intoâŠÂ this.Â
This. A living weapon. A soldier without rest. A man rotting under the weight of his grief.Â
He lives in the same state of his mind: appalling filth and total disorder. And youâ you look too fucking clean to be in the middle of it.Â
Itâs a testing facility, occupant of one, and heâs ordering tests without antidotes to see what he can endure.Â
Your feet squeeze together in the one square inch that hasnât been doused in blood or chunks of vomit and only god knows what else. You track the animalistic prowl Frank carries himself with, but itâsâŠÂ wounded. A drag to one of his legs, a degree of incoherence in his gait like realityâs going to pulled from beneath him and heâs used to the fall, just waiting for it to happen.Â
A tiger in captivity.Â
Once graceful, once vicious, but somewhere, between these four walls and handles of liquor and pills, heâs justâŠÂ trapped in his own construct.Â
âFrank,â your voice thin, firm to reason, pulse beating against your vocal cords. âCome on.âÂ
âNo.â Cold and immediate as he stalks the same compulsive path. âAinât fuckinâ real. Ainât fuckinâ real and I ainât fuckinâ goinâ anywhere.âÂ
A flicker of a wince through your shoulders. How do you approach a bomb? Let alone, a bomb fueled by drugs and alcohol? Slowly. Carefully. Gently. And⊠with a prayer the shrapnel doesnât impale you in the explosion. You give the bomb space.
Hoisting your purse over your shoulder, you step a tentative circle. Look at the squalor he lives in; the trash he breathes, the pills he swallows for sustenance. Rusted buckets of old vomit pinch your nose, turn your head away to hide from the boiling putridity of the stench. Humidity exacerbates the smell, snares your hair into frizz and slathers the grime on your skin. The walls creak and groan, your name ricocheting in the studs from the blur of nights Frank spent screaming for you. Your ghost, your hallucination, you. Anything.Â
Itâs hot. It reeks. Itâs disgusting.Â
Youâve seen a lot of shit. Youâre a trauma nurse. Hell, thatâs how you met. But this? Youâre not a psych nurse, nor a rehab nurse. But youâre determined to fix him, and thatâs a dangerous responsibility to bestow upon yourself.Â
Glass handles of liquor overturned on the floor, gleaming in its emptiness, drank dry. Pill bottles littered over the sticky floor. And a glimpse into the bathroom says he hasnât showeredâhasnât had waterâin⊠days? Weeks?Â
This isnât the Frank you know.Â
This is what the world made him.Â
âIâm not asking you to trust yourself right now, Frank. Iâm asking you to trust me. You trust me, donât you?âÂ
That-stops-him-cold.Â
The airâs not as much hot as it is volatile now.Â
Back to you, you see the dense masses of muscle contract beneath his sweat-adhered shirt. You watch him morph from something aggravated to something threatened. A ripple down his spine as though heâs shifting. Into what? You donât want to find out. He jerks his chin sidewaysâvertebrae crunches into place. Then the other sideâthe same crack of bone trying to understand how to stay in line. His silence leaves you with no answer, just a cold spool of doubt in your stomach.Â
Youâve never been scared of Frank. Or The Punisher.Â
But youâre scared of this.Â
A droplet of congealed blood thunks to the floor from his makeshift pull-up bar, amplifying his silence.Â
Enoughâs enough.Â
Stiff with imitated strength and full of resolve, you move. You snag a duffel from the floor, shake out the dust and roaches and whatever else youâre forcing yourself to not acknowledge. The closetâs your next step. A rotting box in the wall with crooked hangers and a few changes of rumbled, musty clothes.Â
âI canât do this,â you grit, punching a shirt into the bag, âI canât just sit here and stand by and watch you snap. I wonât do it. Thatâs not how we work.âÂ
We. You and him. Whatever the hell you can consider yourselves.Â
The wobble of your jaw hooks him. Hallucination or not, the hurt you tremble under subdues him. Renders an ounce of cognizance about his demeanor. Dark eyes fly around the room, unable to find peace in his frenzy. Fists uncoil to vacant tremors at his sides. âHey, easy,â he orders in a hoarse whisper. âEasy, alright?âÂ
Easy. Be calm, he means, and still, while heâs in and out of psychosis, heâs asking you to be calm. Still, heâs looking out for you. Your throat scorches raw and hot, a sob right under your tongue, but you wonât let it go. No fucking way. Not when you have to be strong for Frank.Â
âOkay,â you whisper, your shoulders dropping in increments, âokay. We both need to⊠be easy.âÂ
âYeah. Yeah, we do.âÂ
âOkay. Letâs⊠reset. Take a breath.â
âYeah. Alright.âÂ
Neither of you breathes, but you both understand your movements need to slow, your words need to soften, and you especially need to keep your head on straight since his isnât.Â
The zipper of his bag closes in a heavy drag. Frank watches, head cocked, waiting for the moment you poof out of existence.Â
Straightening, your throat rolls a tight swallow, and you dig your nails into the handle of the duffel. âOkay, Frank. Weâre leaving. You and I, weâre both going, okay?âÂ
His eyes narrow; a pound dog waiting for the next beating. âGoinâ where?âÂ
âYouâre gonna come with me, to my house. Somewhere clean, with working AC, a shower, and acceptable living conditions.âÂ
âNah, no, Iââ
âNo,â gently firm, a shake of your head to end it. âNo. Youâre coming with me because Iâll never forgive myself if I walk out and come back to yourââ you pin your mouth to your shoulder to suffocate the wordâyour corpseâand the kick of a cry that comes with it.Â
Both hands outâbig, dirty pawsâFrank takes one step closer.Â
You donât vanish.Â
Hope waters his eyes.Â
Another step.Â
Youâre still there. And fuckâyouâre fuckinâ sad, lookinâ so small and- and pure and nothinâ heâs ever seen you wearinâ before. âAlright. âM cominâ with you, yeah? âN⊠youâre cominâ with me, yeah? Wonât let you go out alone. Donât gotta go out there alone.âÂ
You donât even know what the fuck heâs talking about, but it sounds like agreement, and heâs two steps away, and heâs soft and heâs trying and heâs scared.Â
Jesus fucking Christ, Frank Castle is scared and heâs limping towards you like salvation.Â
He stops short of you, nostrils flaring as his eyes rove your face, clinging to every feature he memorized long ago. Looking for inaccuracies. Looking for the lie. âHow dâI know youâreâŠ?âÂ
An unprompted breath of laughter joins the tears balanced in your eyes. Itâs not funny, itâs just the truth: âBecause Iâm still here, Frank. And Iâm not leaving without you. Come here,â you wave him in.Â
Hesitant, relearning trust, Frank slides forward. Stops when his bootsâhalf laced and bloodyâstand before your short heelsâpolished and clean.Â
âClose your eyes, Frank,â you whisper, sweet as honey, something from a dream. Your palm passes in front of his eyes, his lashes fluttering shut with your control.Â
Everything goes black. Blank. A void.Â
âClose your eyes,â you repeat, and heâs obedient. âCan you hear me?âÂ
His brows twitch into a hard crease, your voice sparking an innate, deep-rooted urge in his chest:Â protect.Â
âHear you,â he saws from a clenched jaw, bracing for impact; for the moment he doesnât.Â
âEven though you canât see me, you can hear me. Closing your eyes canât change reality.âÂ
He might break.Â
One knee bends out, but doesnât buckle.Â
âKeep talkinâ,â he begs, forehead in shaking lines as his brows pinch up, like this hurts. âDonât stop talkinâ.âÂ
âStill here,â you murmur, watching his invincibility wither. âRight here. Youâre doing so good, Frankie. You hear me, so how aboutâŠÂ this?âÂ
Something small and cool slips into his hand. He jolts in place, feeling youâyour handâin his. It doesnât stop there. Touch, itâs not convincing.Â
âYou can feel me.â you prompt.Â
âYeah, sweetheart, yeah. I feel you. Feel you, your fingers, cold little fingers, donât mean nothââ
But you guide him. Your hand in his, you bring it up, into you. Tiny hand overlaying his, you bring him to irrefutable proof.Â
You give Frank Castle your pulse, right at the source.Â
Your heart.Â
Under your direction, his fingers span under your left breast. A cautious exploration as his lips part, his mouth twitches, and the fear of finding something real binds his eyes shut harder.Â
His fingertips dig around the curve of your ribcage to hold your heartbeat. And he feels you, Christ he feels you, hiccup a gasp.Â
A sharp inhale flutters his eyelids, cords the tendons in his neck; the physicality of a man keeping himself from shattering.Â
âJesus Christ, youâreâ?â a stunned, stuttering breath says what he canât.Â
Youâre here. Youâre real. And I fuckinâ need you.Â
And thatâŠ
That brings The Punisher to his knees.Â
â ïžïž
Silence fogs the room, thick and suffocating.Â
You sit on one end of the couch.Â
Frank sits ln the other. His choice.Â
You both face forward, eyes anywhere but the other, the television blank and the idea of trivial distraction infuriating.Â
The clock on the wall counts seconds, mocking every one neither of you use to speak.Â
You cross your legs at the knee.Â
Hunched over, elbows to his thighs, hands draped in surrender between his knees, Frank feigns a sniff.Â
More silence. A gross chasm of it, burrowing under your skin until youâre nauseous.Â
Just when youâre about to hurl from it, Frank interrupts.Â
ââŠI fuckinâ stink,â he mutters.Â
âYeah,â you match his tone, âyou do.âÂ
A grunt. And the clock continues to taunt.Â
âYou left me a voicemail,â you begin, âdo you remember doing that?âÂ
âDidnât know I had a phone.âÂ
âIt was a pay phone.âÂ
âAh.âÂ
âFrank⊠I need to know something. And itâs critically important youâre honest with me, okay?â
Callused palms rasp together, his jaw tight. âMhm.âÂ
âOkay. Iâm not asking for judgement. Iâm asking becauseâ well⊠Well, depending on how long youâve beenâŠÂ going like you have⊠the detoxâŠâÂ
âYeah,â his hands scrub his face. âBad. I know.âÂ
âNo, I donât think you do.â You wonât tell him alcohol detox can be fatal. You wonât tell him about the critical heart arrhythmias or seizures or more hallucinations.
âShe came first.â Like he needs to reason. Prove something.Â
âLiâ?â
âYes. See her, yâknow? See her. Everywhere. In everythinâ. So fuckinâ- so fuckinâ real, yeah? I just- âf I could jusâ reach her, thenââ his hand curls on empty air, a twisting to his face because heâs so certain⊠Thinks if he can reach out, grab her, it confirms everything. It confirmsâdespite watching bullets jolt her body in Central Parkâthat sheâs alive. That he didnât fail.Â
âFrank⊠sheâs not here,â you whisper, every word cradled in compassion. âYou know that. I know you know that.âÂ
âThen whyââ Agitated by the betrayal of his mind, Frank hammers the heel of his palm against his temple twice with a torn groan. âI know. I fuckinâ know, alright? I donâtâ the- the fuckinâ pills, theyââ he flings his hand to the empty cushion, as if the bottleâs there and itâs to blame. He quiets, hands steepled and pressed against his nose. Maybe a prayer. Maybe just holding on. âJust⊠made things quiet for a little⊠yeah?âÂ
âI know⊠I know.â Head tilting in his direction, your eyes on his boots to avoid pressure, you slowly reach a hand out. Over to him. Your fingers find his wrist to hold, to squeeze once and say itâs okay, youâre not damned for this. His skinâs incinerator hot under your fingers, his body desperate to purge the toxins heâs been surviving on. âWeâre going to start small, one day at a time. Iâve got stuff from work, stuff no oneâs gonna miss at the hospital, okay? In that voicemail you told me you needed help. You said you wanted to get better. Do you still want that?âÂ
âNotta want,â he bends his wrist to test the feel of you. âGot to.âÂ
Okay. Heâs on the same page. Heâs not suicidal enough to give in. You can work with that. You study him. The defeated wilt of his spine. Blackened circles under his eyes. Gaunt cheeks beneath an unkempt beard. Hair greasy and long. And at his temple? A purpled bruise bit into his head.Â
Right where he shoved the barrel of the gun and screamed for mercy at his own hand.Â
â ïžïž
Muffled by the closed door, the shower pelts. You hear him in it, how the water sluices off him in heavy throws. The occasional grunt, hurting or feeling good, you arenât sure.Â
Itâs your turn to pace.Â
Everywhere you walk, every room you track yourself through to burn off anxious energy, itâs filled with him. The old Frank. The Frank you miss and lovâ
No. Not⊠not that far⊠right?Â
The Frank you treated when he was handcuffed to a hospital bed facing prosecution for mass murder. The world said he was dangerous, cold-blooded. They got the first part right. You were the only nurse heâd let touch. You were the person he requested by name, whether you were on or off duty. And when you showed up exhausted, off duty, heâd apologize. Look genuine (he was), but there wasnât anyone else, heâd say like it compensated for the inconvenience. Maybe just compensation in saved blood.Â
And then one day, your heart heavy and your tongue stupid, while you were treating the lacerations over his face, you said it.Â
You didnât realize what itâd do, but you said it.Â
You said, âYou did a good thing, Frank. They deserved it.â And softer then, your past creeping in, âWish I had someone like you when the system didnât do anything for me. Youâd think they care about a kidâs wellbeing. Guess not.âÂ
And he looked at you with so much clarity it was confusing. You didnât know it, but right then and there, Frank was gone.Â
Ever since from that quiet night in the hospital, your hushed whisper only reaching his ears as you validated what heâd done, youâd seen him. A lot.Â
Short bursts, never anything that stayed. Never something that went anywhere. Not sexually, anyways.Â
As you stack your bed with waterproof sheetsâcountless layers where youâll work around him and the profuse sweating as he detoxesâmemory blitzes you.Â
The nights he did stay⊠few and far between, but they all felt right. Good. For the first time in your life, you truly felt safe. If someone asked you your relationship to Frank Castle, youâd say friend. But friends donât sleep in the same bed and let hands wander in the comfort of night. Friendship isnât soft sighs and gravelly requests for permission as Frank pulled your back against his chest, and kept his handâbig and warmâover your stomach. It isnât the way Frank exhaled against your head when your legs weaved with his. And itâs certainly not his breath on your neck, telling you heâs taken care of every person that hurt you when the justice system failed to protect you.Â
You jar from the memory and pitch the last sheet over so you can run away from the thought, the room.
But you see the memory of him in the kitchen, shirtless at the coffee pot with fresh stitches in his side and blood-blisters over his face. And in the living room, crashed on the couch. And in the recliner, kicked back with a book he plucked from your shelf. And at the kitchen table, chuckling into his beer bottle with you about something over dinner. At the window, to the street outside of your house, you imagine his van. You can see the flashback as he dropped you off after your graveyard shift at work, and after the time you called him crying when you couldnât save a little girl from fate, and after he took you for drinks three towns over and barely said a word, just asked for your presence. Â
Yeah. You see Frank everywhere.Â
Hypersensitive to him, the shower squeaks off and you wince. Itâs the beginning of the hell storm of withdrawal.Â
The man that emerges isnât Frank.Â
It is, but itâs not.Â
Thatâs the power of drugs, alcohol⊠It leeches the life from a person until thereâs nothing left to give. Â
At the kitchen sink, you turn to face him, hands clinging to the edge so you donât crumple.Â
Hair in matsâbut cleanâtangles over his ears, his beard wiry and thick, hands restless on the wad of his dirty clothes. The clean clothes you gave himâones he left months ago, black tee and sweatsâhang over his frame. The musculature hasnât deflated, but itâs shredded. Lean. Mean. No mass to waste. Not as full as he was before. Fucking crackhead strength.Â
Dragging your eyes from his feet to his face, your lips part to say something, anything, but he beats you to it.Â
âStill here, huh?â he asks, eyes drifting sideways to inventory his surroundings again. Maybe taking note of the memories, too.Â
âStill here,â you say, rubbing the back of your neck. The space between you feels chasmic, impossible to reach him.Â
âSaid youâre real,â Frank says, willing his eyes to meet yours. A tenacity in him you know as an oath. âNeed you tâprove it.âÂ
A faint knit of your brows, you push off the sink but donât walk forward. âOkay,â you agree. âWhat?âÂ
âNeed you tâdo somethinâ fâme, sweetheart, hm?â he says with terrifying clarity. âOne thing. Sâall. One thingân I wonât ask anymoreâa you.âÂ
âName it,â you say, worrying the small skull pendantâFrankâs personal iconologyâon the silver chain around your neck.Â
In a clinked rattle, Frank withdraws something from his pocket. A pair of handcuffs fall to full length. âNo matter what I say, you donât let me outta these.âÂ
âFrank⊠Iâm not chaining you up like a prisoner. Not in this house. I have fabric restraints if needed, theyâll be soft on your wristsââ
âReally think thatâll hold me?â He raises a brow to challenge. ââCause I donât. âN I donât wanna find out what happens if I make a break in the thick âf it.â The metal chains clink again, agreeing. âDâyou?âÂ
Your expression falls, lips curled in as you shake your head. Emotion rages in your chest, and thatâs exactly where it stays:Â in.Â
âDidnât think so,â Frank says. Walks a shuffled step to you, and offers the handcuffs like a lifeline between you.Â
A tether in the form of restraint.Â
How ironic.Â
âWhen I come outta this?â Frank says, eyes locked, bordering mania, on yours. âLetâs see âf youâre real.âÂ
â ïžïž
Day threeâs proven to be the worst.Â
It doesnât stop.Â
It doesnât fucking stop.Â
Frank doesnât fucking stop.Â
He hasnât slept for twenty-four hours, so you havenât slept for twenty-four hours.Â
Days bleed together. Time has no meaning. The minutes, the hours, they sand your patience to none, and grate against every nerve in your body until the trembleâs permanent. The very resilience that holds your spine is starting to collapse. You canât take it. You canât take hearing Frank in agony. And you arenât sure which is worse: hearing it, or seeing it.Â
Behind the closed doorâhis request, your understanding fulfillment to grant him the solitude of an ugly withdrawalâFrank spews a constant, writhing chatter. Mean curses one second. Sweet pleas to be uncuffed in the next. And in the middle of it? Names. Lisa, Frankie, Maria.Â
Your name, over and over again.Â
âPlease,â he pants for you, scraped dry from his throat. âPlease, câmon, lemme out, baby, please. Wonât do it no more, got my word. Got my goddamn word.âÂ
Baby. Please.Â
Magic words, but all they do is wound.Â
Tonight heâs loud, breaking through the thick of it. Not even the benzodiazepines from work contradict his delirium. They donât make a dent.Â
The handcuffs rattle and snare on the bedframe as he fights himself. You can only imagine the amount of blood itâs drawing, even through the roll of gauze you added for protection. His breath comes in ragged saws, his vocal cords so parched you wonder if his throat could closeâalcohol can do that, you know.Â
His anguish tears through you, leaving you gutted, bleeding out on the couch where youâre curled into the fetal position, smashing a pillow over your ears to smother the sounds.Â
âLisa? Lisa!â He cries, and bile floods your mouth. âLisa, baby, no no no no, baby baby baby, sâalright, Daddyâs alright, Iâ Baby? Hey hey hey, whereâ? LISA. FUCK. No no, baby no, whyâd you go? Whereâd you go? Câmon. Come back, baby girl. Come tâDaddy.âÂ
You shake. Uncontrollably. Arms weak as your elbows pin the pillow around your head, face hot with tears spilling down them.Â
You wonder if this is godly sadism; a sort of divine consequence for his sins.Â
The tv flickers blue-glow over the tracks of tears on your cheeks, falling under your chin. Howâd it get this far? Howâd it get this bad? And howâwhyâdidnât you intervene sooner? Itâs easy to blame yourself, to forget Frankâs the one that picked up the bottles and kept it hidden until it overpowered.Â
Overpowered. One thing you never thought The Punisher could be.Â
Itâs an unending spiral, hours on loop, of Frank seeing Lisa, flipping shit when the hallucination doesnât hold, begging for a gun in his mouth. His screams rattle the walls. His expletives funnel through the vents. And the soul-rotting purgatory of his misery oozes through the house like noxious gas.Â
Youâre hollow. Thereâs a foul void of nothingness in you, yet numbness is still sensation.Â
Numbness is worse, because it leaves you out of body with quaking hands and all you can do is work. Take action. Do what you know how to do: heal, even when healing looks like the deathbed of your own making.Â
Heâs only quiet when he knocks out. The sedatives or pure exhaustion, who knows, but somewhere past two a.m., heâs quiet.Â
The quiet is your cue.Â
Jellied legs scuff to the bedroom door. Your shoulders curled, spine barely able to hold your own weight. You reach for the handle, your tremors jiggling the knob until you clench your jaw, tighten your grasp.Â
Quiet again. Heavy, loaded, and precious. If you break it? Youâre fucked and the cycle with Frank starts again.Â
Hellbent on betraying you, the door squeeeeeeaks open every inch. Deafening in the silence, you cringe, body bracing. Stale heat smacks you square in the face, radiating from the furnace of his flesh.Â
But beyond the door, in a shaft of slotted moonlight⊠you find peace in the form of his depletion.Â
Your bedroomâs become a private hospital. An IV pole on one side of the bed. A vital monitor on the other, lines flat since Frank fights the electrodes.Â
Slackened hands hang over the metal cuffs binding his arms above his head. Fingers halfway bent, as if he reaches for something. Lisa? You? Everything he couldnât stop?Â
Massive thighs spread, ankles chained to the footboard.Â
In the lowlight, you canât see his sweat, but you feel it. In the air, on your skin, sticky and sickly.Â
Sheets strewn on the mattress beneath him, all of his brawn still under collapse. His head turned in, slumped against his shoulder, lips peeling and parted with labored breath.Â
You hurry in. Time isnât on your side, and thereâs much to do.Â
You start an IV, pricking the spill of bruises in the crease of his arm, repercussions of the ones you started before, but he ripped out with his teeth. He doesnât even move.Â
Okay. Fluids started, needle taped in his vein.Â
You clean out his emesis basin, puke sloshed up the sides of the plastic bin. Tug with a grunt what soaked sheets you can from under his hulking weight. You bunch more gauze between his bloodied wrists and the cuffs, but itâs pointless. At least you can say you tried.Â
You clip a pulse ox to his pliant pointer finger. After a few blips, his vitals. Shit, you mouth to yourself. Tachycardia. Fever of 101. His systemâs in overdrive trying to flush the poison and the most you can offer is IV fluids and stolen benzos so he doesnât fucking seize.Â
After an hour of toiling, administering another concoction of meds, you justâŠÂ stand there. Beside his bed with empty hands, nothing left to give or take or fix.Â
Iâm sorry, you mouth to him.Â
Heâll never know.Â
Iâm so sorry it got to this point, your lips move without sound.Â
You didnât fail them. You didnât fail anyone. Your throat slinks.Â
You were trying. You were putting in effort to show up differently for them, to be a present dad and husband. Please donât blame yourself because you tried.Â
Your hand twitches at your side, an instinctual jerk to reach for him, but you donât dare.Â
I know you hate yourself because war took pieces of you, but donât hate yourself for trying to give your family a life outside of that. You were going to do it, I know you were. Thatâs just who you are, Frank. Youâre a good man. You were going to do right by them, all of them. You were willing to give it up because they needed you more than the service did.Â
But he never got the chance to prove it. Not to himself, his wife, or his children.Â
You think about it more than you should. Especially for someone Frankâs not even pursued. You think about how youâll never get that side of him. Youâll never be the wife, the mother. Just⊠a woman with a skillset beneficial to him, every once and awhile when he needs it.Â
Maybe in another life.Â
Maybe not.Â
â ïžïž
Thereâs only bitsân pieces. Fragments outta reach. Dreams, realityâfuck if he knows.Â
Thereâs one, skull splittinâ white-hot pain. Eyes crack open, mouth rough as hell. Blurred movement from the cornerâa his eye, but allâs he can focus onâs his inverted gut.Â
ââŠBabe?â he calls, searchinâ the grey haze for Maria.Â
âItâs me,â you answer in flat simplicity.Â
And he blows chunks.Â
â ïžïž
Another one.Â
The kinda disorientinâ dark like the deserts overseas. No gunfire. No smoke.Â
Just a hushed murmur in the dark. Recited from somethinâ, somewhere. More bitsân pieces, bitân pieces.Â
ââPain and suffering are always inevitable for a large intelligence and a deep heart,ââ he hears your voice, the turninâ of a page. ââThe really great men must, I think, have great sadness on earth.ââÂ
Fades. Sound drowns. Slips back to that dark place with one last ringinâ in his ears.Â
ââPower is given only to him who dares to stoop and take it⊠one must have the courage to dare.ââ
â ïž
The sun ainât blunt force trauma anymore. Lays warm stripes over his body, dryinâ out his clothes âtil they get crunchy. Fuckinâ nasty.Â
Shameâs the first thing he feels, rootinâ there in his gut. Secondâs hunger.Â
Looks left, overhead, his hands boundân draped. Blood in congealed tracks down his arms from the cuffs.Â
Silence so full he ainât sure he wants to break it.Â
In the room, swelterinâ heat. Smells like the goddamn trenches. But sâquiet.Â
In. And out.Â
Knows thisâs your bed. Your sheets. Been in it too many times to forget. Knows heâs fuckinâ ruined your shit. And you let âim. Why? How the fuckâd he end up here?Â
Considers breaking his thumbs to slip out. Could get out through the window. Could hide like a fuckinâ coward.Â
Sound comes muted through the door. Frank lifts his head, turned to listen.Â
Itâsâ itâs you.Â
You. Out there. Humminâ some sad shit like this ainât broke you. Swears itâs Johnny Cash, saddest shit the guy made when he knew heâd die without his girl.Â
Frank remembers how he got here. Why. Makes his heart struggle.Â
Called on you. Again. Called you to clean up his shit and you answered.Â
He asked for one last favor.Â
Heâd keep his word.Â
Youâre fuckinâ real.Â
â ïž
Over the next few days, you and Frank eased into a tentative, loaded rhythm.Â
He didnât talk much.Â
You didnât press.Â
But he thanked you each time you put food in front of him. And again when you handed him a towel out of the dryer without meeting his eyes. And again when you sat on the couch with him until the sun came up. Thatâs the first time he touched you. Just his hand on your knee, giving it a shaky squeeze. You laid your hand over his. Held until your joints ached. And still didnât let go.Â
And he gruffed out a genuine please when you offered water. And again when you asked if he wanted to take a walk for some fresh air. And again when you pointed at a cafe storefront and asked if he wanted a coffee.Â
But the biggest please and the greatest thanks comes on a Monday night just after eleven.Â
You didnât meant to intrude, but the bathroom doorâs cracked, and⊠well, you hear his aggravated grunts over the low hum of the clippers. And in the sliver of sight, you see his hand fumbling for control as he points the blades at his beard.Â
You slip halfway into the crack, only a foot in, in case he asks you to get out. âHey,â you murmur, searching his face in the mirror. âWant some help?âÂ
Eyes drilling into the sink basin, his nostrils flare once. Jaw stays wired shut. Infuriated with his inabilities, he thunks his fist with the trimmer on the counter. âPlease,â a whisper laden with humiliation.
âYeah,â you say, reaching in from behind to take the clippers from his hold. âItâs no problem.âÂ
His frame hides yours in the mirror. He wonders if thisâs what itâs like. Him. Minimizinâ you. Takinâ, takinâ, takinâ âtil youâre nothinâ but him.Â
âHere, go sit,â you usher him to the closed toilet lid without touching. âWonât take me long.âÂ
Knees spread wide, spine hunched, Frank sits. Waits for you. Canât bring himself to look higher than your knees.Â
Your feetâsmall, bunched in thick socksâsituate between his. Standing between his knees. Smells your goddamn lotion, smells you. The natural pheromones tighten the veins in his forearms. Doesnât fuckinâ deserve to smell you. Be this close to you.Â
Two little fingers lift his chin. Force him up.Â
âLook up for me,â you murmur.Â
Frank listens.Â
Thereâs a clinical restraint in your touch. Careful. Clippers flick on. Blade finds his cheek, cold and unforgiving. Rakes in slow passes, mowing the coarse hair down.Â
âI guess I shouldâve asked if you wanted it all off,â you say, trying to tease, but thatâs not in your tone.Â
âGet rid of it,â Frank huffs.Â
âNo mustache?â Again, youâre tryinâ.Â
âNo.â Canât be humored.Â
âGoatee?âÂ
He sighs.Â
You relent.Â
His eyes trace the hem of your shirt as you work on him. Salvage the shit heâs become like heâs still worth it.Â
âYou okay?â you ask, attention on the sharp sculpt of his jaw.Â
âNah,â he answers with blunt honesty.Â
Canât put it into words. Nahâs all heâs got. Wonât tell you feels like heâs kneesâve been bashed in. Or like his spineâs been snapped. How the guilt, shame burns up his blood. How heâs gonna spend a lifetime repentinâ fâthis.Â
âHair too,â sâall he says.Â
âYouâ Shave it? All of it?âÂ
âWant it gone.âÂ
âOkay. You got it. Weâll get it gone, Frankie.â
Dark hair falls to the floor in clumps. You help him shed skin. Make him new, make him again, in your image. Only God heâs ever believed in.Â
Automatic, no thought behind it, one of his hands latches onto your hip. Desperation in the squeeze of his fingertips into your skin. Itâs not so much affection as it is necessity. Thanks, please, donât let me drown in one.Â
The touch pulls a gasp in your throat, a sound you keep there. Brings heat to your eyes when you look down to angle his head, and find him staring up at you like a fallen saint asking for deliverance at your mercy.Â
He doesnât stop. Stares at you, unblinking, as chunks of long hair fall.Â
Stares at you until your hands shake, your stomach quivers, your bottom lip trembles.Â
Dark eyes wet, but donât go anywhere. Lets you see this, too. All of it, until thereâs nowhere to hide and the clippers flick off. Squeezes your hip, a small pull to make you sway with his gratitude.Â
Holding eye contact, you set the clippers on the counter. Both of your hands smooth over his shoulders, broad stretch of muscle flexing at your palms. ThisâŠÂ this is Frank.Â
âGlad to have you back, big guy,â you murmur, smile wobbling. âLook like you again.âÂ
âCouldnâtâa done it without you, yeah?â he nods emphasis. âNo reason to without you.âÂ
The weightâs too much. Weighs on Frank âtil he canât sit with it. Leans forward. Presses his forehead against your sternum. Breathes you in, first taste of oxygen in months.Â
Stomach fluttering under him, your hands hesitateâthen wrap around him, binding him to you. An arm latches around his shoulders, other hand wide over his shaved head to smash his face against your heartbeat.Â
He snaps.Â
Restraint? Shit. What restraint?Â
His arms bolt around you, massive hands digging into your back to cover every inch of you.Â
Through the struggle for composure, you sniffle, bury your face against his top of his head. âYou know what I think?â
Nose bent against your body, eyes slammed shut, Frank manages a, âWhat, sweetheart?âÂ
âI think youâve got a guardian angel with you, Frank, and her nameâs Lisa.âÂ
âYeah. Think I do. Got one right here, too.âÂ
Theyâll make a martyr out of him someday.Â
But not today.Â
â ïž
Frank thinks of your smile every time he chambers a round.Â
Hears your laugh in gunfire.Â
Smells you when he moves and his tactical gear wafts your fuckinâ detergent.Â
So as heâs thumbing the one bullet he can find into an empty mag, heâs got that smile in his head. âYeah,â he says to no one but himself and the rusted metal conveyors of the abandon warehouse. âYeah, sweetheart, yeah âm cominâ.âÂ
Bullets pierce the air from a militia of hostiles surrounding him. So does your laugh. His call home.Â
Smells the laundry soap. Thinks of your hands on his clothes. How you handed back his vest, his gunsâthe skull restored to a jarring whiteâand told him to make the world a better place.Â
Enemy fire zeroes in, shouts of fuckinâ kill him! Kill the fuckinâ bastard! Get the fucker!constricting his escape.Â
âAinât no problem, baby,â he says to you, back at home, safeân sound, waitinâ on him to clean up the streets. âFrankieâs got this, yeah?âÂ
Wracking the slide of his gun, barrel ready and low and only one in the chamber, Frank pulls a tattered picture of you from his vest. Grins at it. Blood on the edges. Your smile big, persistent. Fuck. Yeah. Sâwhat he fights for.Â
He kisses the picture. Stuffs it back in his gear. Right over his heart. Carries you everywhere. Even to war.Â
Yeah.Â
You know exactly who Frank Castle is.Â
He is punishment.Â
Frank Castle is what the worldâwhat youâneeds.Â
Lethal justice.Â
*****************************************************************
content is mine, always without the use of AI. do not share or repost on any other site without consent of the author (hi, me). characters are not mine.
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just let me help
| summary: frank can't sleep so he shows up at your door, but he realises you need him much more than he needs you and basically you cry in his lap and then he comforts you andâŠ. yeahh
I authors note: first piece I'm sharing guys, I hope yall like it because Iâll be honest this whole thing is just Frank talking you through it while he fucks you because he knows you need it.
I content: fem reader, smut, p in v, sad!reader, comfort, praise kink, crying!reader, selfless!frank, pet names, sitting on lap, body worship, talking you through it, thigh riding, angst, frank only has a soft spot for you, frank comforts reader, gentle!frank, lowkey yearning!frank
I word count: 6.7k
It's past midnight, and you're wandering around the kitchen, cleaning up after a long day, your long, soft hair flowing down your shoulders as you stand on your tiptoes to open a cabinet. It seems like the world just has it in for you lately, everything's going wrong, and on top of that, you don't have anyone to talk to.
Well, there's Frank. There's always Frank. It's like he can sense when somethings wrong. At times, he knows you better than you know yourself. But Frank's- well... Frank? Yes, he's there for you but he's never there. Not physically. No, he's always caught up in a fight, always saving someone or hurting himself.
You shake your head, drying your hands on a towel lying on the counter. It's not fair for you to expect anything from him. It's not like he's yours?
How do I explain Plato's allegory of the cave to my cat?
gatoâs allegory of the fishtank
moonshine crimes â
rick grimes x f!reader
word count: 14.6k
summary: based on this request...
content: 18+ [SMUT WARNING!!!], technically cheating (lori's chill w it tho), pet names like doll and darlin', car sexxxx, lotsss of yearning/very slow burn, alcohol consumption (don't drink and drive yall), implied age gap, protective daryl !!
a/n: hopefully this makes up for no joel fic this week lolol,,,this got a little outta hand. thank you for @kitty-grimes for beta reading this and getting me obsessed w/ rick even more than i alr was lmaoooo
leave all requests hereâŠ
I WANT AN INNOCENT LOVE
.âïž ĘË
ââââââââââââââââââââââ
alexandria! rick grimes x fawn! fem! reader
masterlist | kofi
summary: youâre a new addition to alexandria. Rickâs just looking out for his group. Thatâs the only reason he finds himself drawn to you. Nothing else.
cw: LEGAL age gap (it is big, i imagine reader in her early 20s) canon typical depictions of violence, Rick is kinda mean to reader at first, Rick kind of struggles with the age gap a little, dom! Rick, slight possessive rick
tags/tropes: shy and skittish reader, sheâs not used to dealing with people but sheâs not helpless, honestly sheâs just a sweet and soft person who became what everyone becomes in the apocalypse, hurt/comfort, insecurity, touch-starved reader a bit, YEARNING, no saviors or whisperers just Rick and everyone living happily in alexandria. Daryl is also here and heâs kind of like ur uncle bc i love daryl and i say so
a/n: i have nothing to say other than this is so insanely self indulgent itâs not even funny. nobody asked for this but writing it has kept me sane while iâm couch ridden. everything is terrible rn but rick grimes <3333
songs i listened to while writing: We'll Never Have Sex by Leith Ross, Work Song by Hozier (Rick's theme song) you were mine by Esha Tewari, Do I Wanna Know- Hozier's Cover, Somethin' Stupid by Nancy & Frank Cinatra, Lover, You Should've Come Over by Jeff Buckley (i'm so not normal about that entire album) Under Your Spell by Snow Strippers, Little Bit by Lykke Li (the original not the remix)
title taken from Under Your Spell by Snow Strippers
ââââââââââââââââââââââ
â âčâ
one of the best twd fics
Mrs. Danforth - Titus Danforth x Reader
Chapter One: A Well-Trained Companion
 As Titus Danforth's sugar baby, you don't know much of his secretive, wealthy lifestyle. But when he accidentally gets you pregnant with a potential Danforth heir, it's decided that you'll be joining the family. There's no manual as you're plunged into their world of extravagance and violence.
Chapter Summary: After finding out you're pregnant with his child, Titus must secure his family's approval in order to make you a unique proposal: Become the new Mrs. Danforth.
Tags/Notes: marriage before romance, established sugar relationship, also ft. ursula and daddy danforth, meeting the family, possessiveness & protectiveness, obscene wealth, predator/prey dynamic, brat!reader, piv, mating press, creampie, oral (f receiving), messy sex, edging, denial, spitting, mouth covering, titus lowkey whipped already
Content: pregnant reader, canon-typical content, a brief instance of body shaming
A/N: since I already posted most of what was initially chapter one as a teaser during my 3k celebration, i decided to be silly and give you a mega chapter one instead!
Word Count: 14.1k
drunk karaoke best karaoke
MELFRIENDSHIP MELHAPPINESS MELWHIMSY MELJOY
AISHAâS GETO-CENTRIC FIC RECS
a collection of my favorite geto suguru fics iâve read over the years that i want to spotlight, consisting of pieces that include fluff, angst, smut, and more. fics are divided by series/oneshots/drabbles. please heed all warnings & give all included authors their very much deserved flowers! shamelessly plugging my own geto fics as well :p iâve marked superscript next to authors to indicate if theyâve been included multiple times in this post!
series:
best friend!geto (ongoing?) by @fricks ; iâve reread all of the entries in this series so many times that i could beam this shit onto the back of my eyelids and reread them all over again just like that. i adoreeee getoâs characterization here (fricks is a geto expert truly) heâs such a charming little shit and the witty convos between him and reader are just tew good. i canât decide on a favorite part cos theyâre all amazing IM SERIOUS. THIS IS MY LIBRARY OF ALEXANDRIA PLEASE DONT BURN IT DOWN!!!!
dishonorable (complete) on ao3 ; regency/bridgerton aus are always divine and this fic is no exception. duke geto and readerâs chemistry is too good đŹ love how they want to strangle each other yet they flirt with each other in the same breath. duke geto take it out its hurtingggguuuhhhh
six degrees of separation (complete) by @starmapz ÂČ ; i read this yeaaaars ago so imagine my surprise when i dug this fic up again and realized trish wrote it đ the angst in this has stuck with me for YEARS . geto loves so hard and that facet really shines in this fic. the entire thing is incredibly true to his character as a whole and serves as an amazing analysis of his character. how am i even allowed to read this masterpiece without a price? like wdym this is FREE?
đ đ„ERY đĄOYAL đĄEVERSE đAREM đąTORY
CHAPTER SEVEN
đą pairings. jjk!men (alpha!gojo, alpha!geto, alpha!nanami, alpha!sukuna, alpha!toji, alpha!choso) x omegafem!reader
đą summary. a pack of alphas stumble upon the princess running from her betrothed. instead of sending her right back to the crown, they begin to take a liking to her.
đą chapter warnings. NSFW/MDNI, explicit smut, dom/sub dynamics, angst, cunnilingus, dacryphilia, more of sukuna's violent threats, giant stomach tongue used as a dick/dildo, if you squint, this is hate-fucking, ?cheating?, female masturbation, voyeurism, hunting aspects, sukuna is a total asshole, mentions of sukuna's two cocks, corruption, heavy degradation, restraining during sex/slight BDSM, omegaverse, a/b/o dynamics, medieval au (reader is a princess).
đą a/n. longest chapter yet, enjoy! <3 dividers by honeyluvsw and dollywons.
chapter six < series masterlist > chapter eight
"Youâve gotta be fuckinâ kidding me.â
The tension in the air was thick, almost palpable enough to suffocate on. Sharp enough to slice through a metal bar. Sukunaâs excitement after an impromptu hunt was slated from his expression, now busy ridding himself of the flesh and carnage that stuck to him with an irked grimace, all while the other alphaâs stirred in their discomfort.
Sweat dotted on your brow line, and you felt your symptoms picking up. It was like all of your senses were painfully heightenedâthe chirping cicadaâs and grumbles of the alphas piercing your ears, the flickering of the fire-pit and illumination of the moonlight brightening tenfold, and worst of all, you were practically dripping through your dress.