William Messner-Loebs was a really, really fun writer, you guys. (Christmas with the Super-Heroes #2, 1989.)

Janaina Medeiros
Not today Justin

#extradirty
TVSTRANGERTHINGS

Origami Around
$LAYYYTER
No title available

oozey mess

PR's Tumblrdome
Three Goblin Art
DEAR READER

No title available

blake kathryn
Cosmic Funnies
"I'm Dorothy Gale from Kansas"

No title available

JVL

@theartofmadeline
Stranger Things
Today's Document
seen from South Korea

seen from Malaysia
seen from United States
seen from Kazakhstan

seen from India

seen from Malaysia
seen from United States

seen from United States
seen from South Korea
seen from Romania
seen from India

seen from United States
seen from United States

seen from Canada
seen from United States
seen from Malaysia
seen from India
seen from Japan
seen from Malaysia
seen from T1
@waitwhatpod
William Messner-Loebs was a really, really fun writer, you guys. (Christmas with the Super-Heroes #2, 1989.)
Remember in the late 1980s, when “superheroes act like regular people, but we don’t mean that in the sense of ‘everyone is depressed’” was a thing at DC Comics? I do. (Christmas with the Super-Heroes #2, 1989) -- Graeme
Also changed between the serialized release of Infinite Crisis #7 (2006) and the collected edition (2008) -- this climactic double page spread showing the One Year Later DC Universe, which not only got busier, but even changed artists entirely from Joe Bennett to George Perez -- Graeme
Top: How pages 2 and 3 of Infinite Crisis #7 appeared when the issue was released in 2006. Bottom: How those same pages appeared in the collected edition in 2008, when the deadline pressure was off and they had time to fully ink and color Phil Jimenez’s pencils -- Graeme
What if there’s a way to make Mega-City One a better place that isn’t just hitting and shooting things? (2000 AD Prog 2201, 2020, by Rob Williams, Arthur Wyatt, and Boo Cook) -- Graeme
Defund the Justice Department. (2000 AD Prog 2200, 2020, by Rob Williams, Arthur Wyatt, and Boo Cook) -- Graeme
Jeff talks about this on Drokk!, but these two pages in “Mechanismo” one after another is a really great one-two punch -- Graeme
New Drokk! and shownotes up on the main site, for those who need a little bit of dystopian future policing to accompany their Mondays -- Graeme
What a difference 25 or so years make -- top image is Greg Staples art from 1992, courtesy of Judge Dredd: The Complete Case Files Vol. 18, and the bottom is Staples from 2015, in Judge Dredd: Dark Justice. Now you get what I mean when I talk about artists evolving over time...! -- Graeme
I said this on Twitter earlier today, but these pages from Represent! #1, DC’s new digital-first series, feel particularly welcome and somewhat important. Why isn’t Marvel doing something like this? (Oh, that’s right; Marvel has a Donald Trump supporter in charge.) -- Graeme
These covers, at least, have a visual differentiation — an evolution, even — but, please, can we do something about the cover text?!? (Cover artwork by Ivan Reis, taglines by unknown) — Graeme
Three issues in a row, and the covers feel uninteresting and interchangeable. Look, it’s Mongul threatening the United Planets! These could be variants for the same issue — or pitches for the same cover — instead of three different comics. It’s a problem. (Cover art by Ivan Reis, taglines by unknown) — Graeme
This is, perhaps, an odd thing to say, but Superman has a cover problem. Look at these two covers, just two issues apart — they’re so similar, and so generic in terms of image and tagline. (Also, the coloring is very overworked, but that’s an entirely different issue.) Isn’t there a better way to do this....? (Cover art by Ivan Reis, taglines by unknown) — Graeme
How do you defeat a bad idea? With a good idea. “What power triumphs over sheer absurdity?” (The Multiversity #2, 2015, by Grant Morrison and Ivan Reis) -- Graeme
Action Comics #9 (2012) remains a key Morrison work, if one that feels as if it’s forgotten for any one of a number of reasons -- but if DC ever puts out a new Multiversity collection, I really hope this gets included in there. (By Grant Morrison and Gene Ha) -- Graeme
I’ve been thinking a lot about the infected meme warfare idea Grant Morrison had in The Multiversity (and other projects; he mentions it in The Invisibles and The Filth, too) a lot lately, for perhaps obvious reasons. (The Multiversity: Ultra Comics #1, 2015, by Morrison and Doug Mahnke) -- Graeme
Thankfully, Dredd under Ennis’ guidance still feels as uncomfortable in these times as you could image. (Judge Dredd: The Complete Case Files Vol. 18, 1993, by Garth Ennis and Jeff Anderson) -- Graeme