Gone

pigeon | side blog | art stuff

[necromarecy]

why did I draw this

[nyararagi]

ロリストリート | うたた寝

[jariten]

さすらいエマノン (Emanon), Shinji Kajio & Kenji Tsuruta

[hataikwan]

Irwiv Live, 1996 Photograph by Mariusz Michalski

[threeoffucks]

*reads scott pilgrim as a 12 yr old* wow, I hope that this doesn’t awaken anything!

[kazland]

Three narrow dogs drinking together at backbar

acrylic, water pastel

10x20″ panel

KAZLAND - 2017

[9uys]

the beach

[kitsarting]

i love…. cyaron……..

[vicont-duke]

Do you know this one girl with hair like this?

Photo by Moonychka

Ramona Flowers by me

[hamotzi]

🌈 katamari babies!! 🌈

ig | twitter

[mugi139]

[mitch-the-plaid]

Slapped some quick colours on the Scott Pilgrim fanart!

[trulyvincent]

Mi-Young Choi Enlightenment 2013     

[ex0skeletal]

“Embracing Mother” (2019) by Emil Melmoth 30" x 16" x 56" Epoxy clay, metal and varnished wood

[endangered-justice-seeker]

[thissitewasamistake-deactivated]

[gunggaygirl]

i was just watching a video about how in into the spider-verse, the camera in the movie moves at 24 frame rates per second and at the beginning when he’s still adjusting and learning to control his powers, miles is animated at 12 fps (the way a lot of classic cartoons are done) so he’s moving at half the rate, but peter parker, who is the older and much more experienced spider-man, is animated at 24 fps, so his movements are a lot more fluid and refined.  

but by the end of the movie, when miles has completely stepped into his role and learned how to master his powers, he’s finally moving at 24 fps, at the same speed and with the camera, and i think that’s so motherfucking breathtaking and intricate and adds a little something to the movie, even if most people wouldn’t notice that specific aspect. 

i’m so in love with small details like that and i don’t think i’ll really ever get over how beautifully made that film is. 

[esteepreda]

Power Plant, 6” x 9″, gouache on paper, 2019. 

https://society6.com/hillabovewilds