One Nice Bug Per Day
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NASA

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Kiana Khansmith
Lint Roller? I Barely Know Her
will byers stan first human second
wallacepolsom
KIROKAZE
Mike Driver
cherry valley forever
đ
DEAR READER
we're not kids anymore.

oozey mess
occasionally subtle
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@wanderlandplatform
Realized under the scholarship program of the Ministry of Culture and National Heritage of the Republic of Poland â Culture in the network.
Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego â Kultura w sieci.
The film consists of materials recorded in the 90s. by Marie Delahousse â a Frenchwoman who at that time worked at the Institute of Latin Languages of the Adam Mickiewicz University in PoznaĆ. She observed the activities of the African Center existing in PoznaĆ at the time, as well as the lives of people associated with it. The narrative includes interviews with Polish women who were in relationships with Africans. The structure of the film captures two perspectives â PoznaĆ in the 90s and the present time and their ways of looking at the phenomenon of broadly interpersonal political relationships, but also emotionally confronted with the general social and economic situation of PoznaĆ in the 90s.
Video, 30 mins, 1998-2019 Archive materials: Marie Delahousse
Film is edited by Patrycja Plich and become a starting point for new footages in reference to migrations and transcultural communities recording by her in Marseille and Senegal.
(excerpt from the video)
De nouvelles trajectoires se dessinent avec le travail de Patrycja Plich qui, lors dâune courte rĂ©sidence Ă Emprise, rĂ©alise une nouvelle topographie de lieux imaginĂ©s possibles, inspirĂ©s de ses dessins exposĂ©s durant lâexposition dâouverture Emprise lors de lâActe I. Sur un mur de 3m x 4m, les lignes du paysage sâĂ©tirent, laissant place Ă de nouvelles donnĂ©es. RĂ©el ou imaginaire, rien nâest sĂ»r.
A ses cĂŽtĂ©s, Alice Hamon entre en dialogue avec Patrycja dans une expĂ©rience nouvelle. Dessinant habituellement Ă lâextĂ©rieur et produisant des oeuvres Ă©phĂ©mĂšres contextuellles, lâartiste investit le mur principal de la galerie. Des lignes se croisent, des images apparaissent, lâoeil se perd et se pose, lâesprit vagabonde sur des trajectoires proposĂ©es.
FluiditĂ© et soliditĂ© se rencontrent dans les oeuvres de Lorraine Thomas qui prĂ©sente de nouvelles toiles trapĂ©zoĂŻdales, peinture et objet Ă la fois. Revenant au thĂšme de la mer qui lui est cher; lâartiste cherche lâhorizontal et la stabilitĂ© dans une approche diagramatique de la peinture, prĂ©sentant une mer contenue, â une mer solide qui tangue de lâintĂ©rieur â.
http://emprise-marseille.fr/acte-ii/
WANDERLAND Platform
Patrycja Plich
âWÄdrujÄ ca ziemiaâ (Wanderland) jest dĆugofalowym cyklem dziaĆaĆ mapujÄ cych przejawy istnienia transkulturowych spoĆecznoĆci w odmiennych kontekstach geograficznych. Podejmowane przeze mnie wÄ tki majÄ swĂłj poczÄ tek w Centrum AfrykaĆskim, istniejÄ cym w Poznaniu w latach 90.
Podczas caĆego procesu ĆledzÄ wpĆyw dziaĆalnoĆci Centrum na moĆŒliwoĆÄ budowania spoĆeczeĆstwa integrujÄ cego â powstajÄ cego ponad kulturowo okreĆlonymi granicami.
âWÄdrujÄ ca ziemiaâ (Wanderland) to seria dziaĆaĆ nawiÄ zujÄ cych do idei âswobodnego bĆÄ dzeniaâ, czyli odkrywania i doznawania rzeczywistoĆci ponad systemowo ustanowionymi granicami. Porusza zagadnienie miejsc granicznych, miejsc pomiÄdzy miejscami (terytoria sporne) i miejsc miÄdzy znaczeniami (transkulturowe spoĆecznoĆci).
PrzestrzeĆ spoĆeczna ulega ciÄ gĆej translacji. W mojej praktyce mapujÄ zmienne kulturowe zaleĆŒnoĆci, na ktĂłrych wyrasta obecne wielowÄ tkowe spoĆeczeĆstwo.
WANDERLAND Platform
Patrycja Plich
The Global Art of Mixing â continental drift â human drift â nomadic man of speed in chains of his feet â Liberated Map â New Geography
Wanderland platform is a long-term cycle of activities that widely map out the existence of transcultural communities in different geopolitical contexts. The threads taken up in here have their origin in the history of the African Center in Poznan (Poland) in the 1990s. The project follows the impact of the African Centerâs activities on the possibility of building an inclusive society that creates a cross-border connections.
The whole process is based on the idea of free wandering â discovering and experiencing reality beyond systemically established boundaries. Itâs an issue of border places â places between places (disputed territories) and places between meanings (transcultural communities). The project reflects on question how in this context present multi-layered society can emerge. The social space undergoes constant translation. Here it is referred to an issue of landmark and its double meaning, both in the geopolitical and metaphorical sense â understood as a turning point. This is a metaphor for building new concepts defining a complex drifting society â systemically entangled, but also offering bottom-up alternatives.
The main geographical references for the Wanderland platform are:
PoznaĆ (history and extension of the African Center)
Marseille (a buffer place between Europe and Africa)
Dakar (research and cooperation with local creators)