homecoming, landis grenville x spider-man: brand new day
No title available

No title available

Kiana Khansmith

bliss lane
Game of Thrones Daily

Product Placement
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
No title available
No title available
Mike Driver

Jimmy Eat World
Show & Tell
sheepfilms
hello vonnie
Cosimo Galluzzi
I'd rather be in outer space 🛸
Sweet Seals For You, Always
h
2025 on Tumblr: Trends That Defined the Year

seen from Brazil
seen from United States
seen from Singapore

seen from United States
seen from Oman
seen from Australia
seen from Argentina

seen from Panama
seen from Canada
seen from United States
seen from United States
seen from Chile

seen from United States

seen from Türkiye

seen from Brazil
seen from Vietnam

seen from Algeria
seen from Pakistan
seen from Argentina
seen from Brazil
@we-are-villains
homecoming, landis grenville x spider-man: brand new day
Inaction breeds the worst version of regret
by Linda Kristiansen
If age and disability teach us anything, it is that investing in beauty will never set us free. Beauty has always been hurled as a weapon. It has always taken the form of an exclusive club; and supposed protection against violence, isolation and pain, but this is a myth. It is not true, even for those accepted in to the club.
Mia Mingus, from "Moving Toward the Ugly: A Politic Beyond Desirability"
i am an ally to all embarrassing and uncool women forever and ever
Anne Truitt, from a diary entry featured in Turn: The Journal of an Artist originally published in 1982
Anne Carson, Norma Jean Baker of Troy
Spiders have three life cycles. When between cycles, it can leave the spider vulnerable to threats. And for those spiders who make it through, it amounts to a kind of... rebirth. SPIDER-MAN: BRAND NEW DAY In Theaters Now | dir. Destin Daniel Cretton
DREW STARKEY as Cary Masterson in ‘LUCKY’
DREW STARKEY as Cary Masterson in ‘LUCKY’
between the tide and wind
Buttercream Joy Sullivan
Oh easy mistake. Yearning actually rises from the floor and longing hangs from the ceiling
I've only seen Hadestown once. It was in a high school theater, put on by a relatively new youth theater collective. Nothing terribly special, but there's one thing I'll remember forever.
The Fates, in myth, weave threads of life. This performance gave the fates a red string. In Doubt Comes In, the moment Orpheus turned around, they cut the string and used the two halves to pull Eurydice back to Hades and to hold Orpheus back from going to her. And, more than that, Orpheus didn't sing her name. He screamed it.
That moment, that Orpheus screaming and lunging after Eurydice despite being literally held back by fate, is something I'm never going to forget.