shark vs the universe
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š©µ avery cochrane š©µ
occasionally subtle
tumblr dot com
hello vonnie
Cookie Run:Kingdom Official!
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Interview Vampire Daily
Doug Jones
Color Me Curious
oozey mess
@theartofmadeline
RMH
"I'm Dorothy Gale from Kansas"
ojovivo
Product Placement
let's talk about Bridgerton tea, my ask is open
if i look back, i am lost
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@whisperaswepasby
She would get dropped off after school and she would just be raring to go. I had a grand piano in the living room and we pulled out our guitars, sometimes I sat at the piano because thatās more my instrument. She would say āI have a piano ideaā and she would start playing it, thatās how Invisible started
Robert Ellis Orral on what it was like writing with Taylor (Source: Swift Legacy Podcast)
When I turned in Iām Only Me When Iām With You to RCA Records when she was still signed, the actual recording that is now on that 11 million selling record, they went āNo, I donāt think so. Itās too pop,ā
Robert Ellis Orrall on RCA Records rejecting Iām Only Me When Iām With You (Source: Swift Legacy Podcast)
Those CDās went out to every A&R guy in town, and itās funny because after she blew up I had A&R guys say āHow come you never brought that Taylor Swift package by here?ā and Iād be like āOh yeah I did!ā
Robert Ellis Orrall on promoting Taylorās show at the Bluebird Cafe in Nashville (Source: Swift Legacy Podcast)
She was really unhappy with the way things went down, and she found the most punk rock response to that in the world, āAlright! Fine! See ya! Gonna rerecord them allā
Robert Ellis Orrall on Taylor rerecording her old albums (Source: Swift Legacy Podcast)
Sometimes we got things like half done and kind of bailed on them, thereās a few of those sitting that are like half written that Iād love to finish some day
Robert Ellis Orrall on writing with Taylor (Source: Swift Legacy Podcast)
Just South Of Knowing Why was a rare song to write at her house, and that was the first time she showed me the swimming pool that was under the living room. In her parents house, apparently whoever put this addition on built it directly over a swimming pool that was there. So there was a trapdoor that she opened upā¦ it was the scariest thing Iāve ever seen.
Robert Ellis Orrall talking about the Swiftās Hendersonville house (Source: Swift Legacy Podcast)
Itās funny that the song that the record label seemed the most excited about was before she was even signed when they were listening to demos was What Do You Say
Robert Ellis Orrall on the song he was surprised didnāt make Taylorās debut albumĀ (Source: Swift Legacy Podcast)
Her dad would call me up and say āRob!ā My name has never been Rob by the way but he never called me anything but Robā¦ āRob, Taylor wrote four more songs yesterday let me read you the lyrics,ā and then he would read me the lyrics
Robert Ellis Orrall on Taylorās early songwriting (Source: Swift Legacy Podcast)
We got kind of stuck on a line somewhere and Angelo hadnāt thrown out any lyrics yetā¦ and he threw out these two lines [ā¦] and she just looked at him and said āI donāt know, thatās kind of trite. [ā¦] Iām not sure my demographic would say something like thatā and he went āhuhā and I just put my fingers like little guns and went āShot down by the 13 year old! Alright!ā
Robert Ellis Orrall on writing Iām Only Me When Iām With You with Taylor Swift (source: Swift Legacy Podcast)
I didnāt say āhey, why didnāt that song go on the recordā I just felt that decisions are being made that are not mine to make, Iām a songwriter and I was asked to produce some songs and I was grateful to do that and loved doing that. So I never asked but I had the feeling that it felt too mature for the first record
Robert Ellis Orrall on Dark Blue TennesseeĀ (Source: Swift Legacy Podcast)
We are so excited to finally share the episode youāve all been waiting forā¦ our interview with Holly Armstrongš„³
It was so much fun getting to chat about all sorts from meeting Taylor in 2003 to the Lover Secret Sessions, and everything in between. Click here to listen now!
Hereās an episode for youā¦ Robert Ellis Orrall
The interview @swiftlegacypodcast did with Robert Ellis Orrall is SO GOOOOOOD. Like, there is another demo of What Do You Say?? And it almost made it on Debut?? Hey Stephen might know Nashville the song?? Better Off was written in 2004?? Everyone thought Crazier sucked???? DARK BLUE TENNESSEE WAS EVERYONE'S FAVOURITE????
SHOOKETH
Yayy weāre so happy you enjoyed it!!
āThatās what made the song too mature for the first album, cause thatās really what it was. That was what we had no problem saying what it was. It was Romeo and Juliet, who doesnāt love Romeo and Juliet? Taylor loves Romeo and Juliet. Maybe if we had never admitted that it wouldāve had a better shotā
- Robert Ellis Orrall on whether the bridge of Dark Blue Tennessee was about suicide (source: Swift Legacy Podcast)
āIāve said this to Scott [her dad] a couple of times, my word is my word. I have everything sheās ever sung into a tape recorder on a spool in my office. Thereās at least 5 or 6 of those CDās where sheās probably like 11 or something, sheās just figuring it out. I told Scott right off the bat āThese will never leave my office, I will never send one to somebody,ā and they never haveā
- Robert Ellis Orrall on why heāll never share Taylorās unreleased songs that he has (source: Swift Legacy Podcast)
Donāt know what else to do
Guys - Itās been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this yearās ceremony. Iāve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that Iām not allowed to perform my old songs on television because they claim that would be re-recording my music before Iām allowed to next year. Additionally - and this isnāt the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that theyāll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something Iām both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or youāll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where Iām asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - Iām hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. Iām especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. Thatās it. Iāve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMAās, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know whatās been going on.
Taylor
You have some pretty talented fans. Would it be possible if the worst thing happened and it wasnāt possible for you to sing them to get us to sing them in the order you wanted. We do it in our bedrooms enough. And weād do anything for you
Hey Taylor, To commemorate the 13th anniversary of your debut album, we wanted to create something to remind you of our love and our gratit
to commemorate the 13th anniversary of the debut album, @comebackbehereswift and I wanted to create something to show you how many lives youāve impacted and how many heart youāve touched. explore the map above to see the stories of 190 fans from all the around the world who joined our project.
Uhm how are Rodes (@paperringswiftt ) and i seeing Taylor in France this monday ??????????? Help @taylorswift
my two favourites uwu
