david hockney with his dachshunds stanley and boodgie
RMH
2025 on Tumblr: Trends That Defined the Year
Xuebing Du

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Not today Justin

Origami Around
Cosimo Galluzzi

bliss lane
taylor price

shark vs the universe

ellievsbear
$LAYYYTER
Today's Document
No title available

oozey mess
The Stonewall Inn

tannertan36
KIROKAZE
YOU ARE THE REASON
trying on a metaphor
seen from Bangladesh

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seen from Mexico
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seen from Türkiye
@whitedresswaitress
david hockney with his dachshunds stanley and boodgie
first sunset after daylight savings
Bullfinches on the road💖
Ben Shahn (1898-1959)
Friends & neighbours playing baralho in Rocinha photographed by Christopher Pillitz, 2004
cinema + orange
night of the demons (1988) the vvitch (2015) fantastic mr fox (2009) carrie (1976) blade runner 2049 (2017) et the extra terrestrial (1982) babylon (2022) oppenheimer (2023) the crow (1994) from dusk till dawn (1996) kwaidan (1964) dual (1971) carol (2015) hanagatami (2017) the fabulous baron muchausen (1962) raiders of the lost ark (1981) dune 2 (2024) aladdin (1992) peeping tom (1960) hell mary lou: prom night ii (1987) the texas chain saw massacre (1974) poor things (2023) toy story 3 (2010) the passion of anna (1969) bottoms (2023) house of 1000 corpses (2003) tommy (1975) red sorghum (1987) trick r treat (2007) goldie (2019)
We tell ourselves it isn't careerist aspirations that drive us to the stenographer party; rather, we want to change things from the inside. We enter these rooms and pander--and are pandered to--to secure a seat at the table. It is for good reason that we shed our skin to assimilate into the world that invisibilizes us: after acquiring respectability and protection, we will finally wear our real faces. But we quickly learn that the inside is already rotten, and we too run the risk of decay. Once we have institutional protection, we'll want to stay protected. And once we get some money, we'll want more wealth. When we go back to ourselves after a long career and look deep in our closets for the skin we once wore, we find it shriveled and discolored, foreign to us as we are foreign to it. One could say it is strategic--but we know what the master's tools will not do.
- Perfect Victims by Mohammed El-Kurd
give closeted roles to closeted actors
Fangirls Through the Ages by Lid Thom
CHAPPELL ROAN via Instagram — February 6, 2026
Soviet postcard, 1955
:)
gonna be a lover for a minute, reblog and put in the tags the last movie that you LOVED like intensely loved like 5 stars on letterboxd LOVED
"JIJI TIRED" (2007), GRIMILDE GRIMM
Lee Friedlander, From the Series The Little Screens, 1962 - 1969
the first who said brunettes cant wear jeans intifada