Herbert Crowley would work for upwards of a year on a single drawing in his Temple series. Though they are among his greatest visionary masterpieces, the work seemed to torment him. His frustration mounts in these excerpts of his letters to his dear friend Mary Mowbray-Clarke.
“I spotted in the figure – O.K., then the flowers – I got a leaf too dark – but turn back never – facts grinned and bade me go on – as the time flew…. So I went on knowing that every flower I put in was wrong. Each flower meant more nervousness – still I went on hoping that it would look OK in a mass – I reached the top today and all light has left it. It is a dead damp meaningless mass. All a waste of time – FACTS. … Now am I to start another one – under worse conditions? I am nearer the end than I was two weeks ago. My nervousness worse and the bank so much nearer dry. What will it be if I do start another? Can you imagine?
[…] My mind is in such a state that every moment away from that drawing board nigh maddens me & the hours I spend at it madden me even more. There is no let up – when it’s done what will it mean to me – nothing. So there we are. I have purchased a Welsbach mantel & am going to work at night – I must – the whole outlook is so absolutely dun-colored that I only get a chance to forget whilst at it… I feel as though I were promenading on borrowed knees. I am O.K. Physically. Anyway – I am so down and out mentally that all physical deficiencies disappear upon arrival…. I find the more I do on that drawing, the more I have to do.”
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