g

[wilburwantstokillhimself]

“When I cried, it was because of extreme grief, and when I fell, it was because gravity made itself master over me.” - Bas Jan Ader

[gizembayiksel]

I guess, it was about time.

www.gizembayiksel.com

[wilburwantstokillhimself]

“If you walk away from things, you start a whole history of walk aways.” *

[sagoor]

This woman made history tonight becoming the first transperson ever nominated and then WINNING “Best Leading Actress” on the Swedish award show for movies - Guldbaggen. She is fantastic and deserves everything. 

[gizembayiksel]

4. Pembe Hayat KuirFest / 4th Pink Life QueerFest Teaser Oyuncular/Cast: Ayta Sözeri, Serra Yılmaz, Gonca Vuslateri Yönetmen & Görüntü Yönetmeni/Director & D.O.P.: Gizem Bayıksel Yardımcı Yönetmen/Director Asisstant: Çiğdem Erdöl Senaryo/Screenplay: Bilge Taş, Esra Özban, Gizem Bayıksel Sanat Yönetimi/Art Direction: Esra Özban Kurgu/Editor: Burkay Doğan Özel Efekt/Special Effects: Burak Doğan Afiş Tasarım/Poster Design: Sadi Güran Altyazı/Subtitle: Seda Nur Eseroğlu Teşekkürler/Thanks: Sineset Film, Göktan Göktaş, Günseli Birol, Begüm Sezer, Zümrüt Burul, Filmmor, Ülkü Songül Özmen, Demhat Aksoy, Hülya Dolaş, Çiçek Kahraman, Nadide Argun, Kurtuluş Yaman

[gizembayiksel]

Çocuk Oyuncağı / Child’s Play, 2014, Turkey Genre: Coming of Age, Queer Yetişkin olmak evden çıkmakla başlar. Derin, evden giderken çocukluğunun anılarının bulunduğu oyuncak kutusuna artık yetişkinler dünyasına ait bir sırrı saklar. Yetişkin olmak bazen kendi isteğimizle bazen de yakalanmışlık haliyle gerçekleşir ve kaçınılmaz yüzleşmelerle adım adım yayılır. - Becoming an adult begins with moving out from your parents’ house. While leaving the house, Derin hides an adult secret in the toy-box filled with her childhood memories. We step into adulthood sometimes voluntarily, or sometimes involuntarily and it gradually expands with inevitable confrontations. Oyuncular / Cast Nazlı Bulum Esme Madra Asiye Dinçsoy Yazan & Yöneten / Written & Directed by Gizem Bayıksel Yardımcı Yönetmen / Assistant Director Eray Yıldız Görüntü Yönetmeni / Director of Photography Gizem Bayıksel Kurgu / Editor Çiçek Kahraman Kurgu Operatörü / Assistant Editor Fatih Yılmaz Prodüksiyon Amiri / Production Manager Emin Akpınar Sanat Yönetimi & Kostüm / Art Director & Costume Seda Yılmaz Ses / Sound Oğuzhan Akalın Bilge Miraç Atıcı Ses Tasarım / Sound Design Bilge Miraç Atıcı Afiş Tasarım / Poster Design Eray Yıldız Teşekkürler / Thanks Yağmur Dolkun Murat Turan Günseli Birol Bahar Yıldız Zümrüt Burul Göktan Göktaş Bilge Taş Gözde Onaran Elif Kalkan Firar Güney Kayran Merve Terzi Şenel Bayıksel Semih Bayıksel Merve Bayıksel Kurtuluş Yaman

[icguveysindeniclice]

Üzerinde ne bir isim ne bir yayınevi logosu bulunan bu kitabı açtığınızda, ilk sayfalar sizi şöyle karşılar: KENDİ YAYINIMIZ                          HÜSEYİN KIYAR 1997                                               YAVUZ SARIALİOĞLI ANKARA                                         BARIŞ BIÇAKÇI Görece Konumlar Sizinle aramızda nesneler: sahaftan Fransızca bir kitap çay fincanı, tel gözlük, kalemler. Sizinle aramızda boş zaman ve caz. Kısa kollu mutsuzluk elbisesiyle annem, durmadan kaybeden bir kahraman, bağışlamayan bir tanrı sizinle aramızda. Bol paçalı pantolonlar, kirli esnaf önlükleri koyu mürekkep, gururlu iskelet, okul günleri, sizinle aramızda sayfalarında portakal lekeleriyle uzun süren romanlar ve evet, dünyalar. Bunca şey varken aramızda, daha ne kadar daha ne kadar!

[kino-obscura]

EYES IN FILM: 2014 EDITION

"I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see."  — Dziga Vertov

Left to right, top to bottom: Man With a Movie Camera (Dziga Vertov, 1929) Un Chien Andalou (Luis Buñuel, 1929) Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943) The Lost Weekend (Billy Wilder, 1945) Spellbound (Alfred Hitchcock, 1945) The Spiral Staircase (Robert Siodmak, 1945) Sunset Boulevard (Billy Wilder, 1950) Vertigo (Alfred Hitchcock, 1958) Psycho (Alfred Hitchcock, 1960) Peeping Tom (Michael Powell, 1960) Goldfinger (Guy Hamilton, 1964) Woman on the Dunes (Hiroshi Teshigahara, 1964) Alphaville (Jean-Luc Godard, 1965) Repulsion (Roman Polanski, 1965) The Russians are Coming, The Russians are Coming (Norman Jewison, 1966) 2001: A Space Odyssey (Stanley Kubrick, 1968) McCabe & Mrs. Miller (Robert Altman, 1971) The Texas Chainsaw Massacre (Tobe Hooper, 1974) Deep Red (Dario Argento, 1977) Rubens (Roland Verhavert, 1977) The Spy Who Loved Me (Lewis Gilbert, 1977) All That Jazz (Bob Fosse, 1979) Blade Runner (Ridley Scott, 1982) Goodfellas (Martin Scorsese, 1990) Bram Stoker’s Dracula (Francis Ford Coppola, 1992) Hard Boiled (John Woo, 1992) Cube (Vincenzo Natali, 1997) Titanic (James Cameron, 1997) Fear and Loathing in Las Vegas (Terry Gilliam, 1998) Requiem for a Dream (Darren Aronofsky, 2000) Donnie Darko (Richard Kelly, 2001) Mulholland Drive (David Lynch, 2001) Vanilla Sky (Cameron Crowe, 2001) Gangs of New York (Martin Scorsese, 2002) The Lord of the Rings: The Two Towers (Peter Jackson, 2002) The Magdalene Sisters (Peter Mullan, 2002) Minority Report (Steven Spielberg, 2002) The Fountain (Darren Aronofsky, 2006) The Diving Bell and the Butterfly (Julian Schnabel, 2007) Hunger (Steve McQueen, 2008) Splice (Vincenzo Natali, 2009) Let Me In (Matt Reeves, 2010) Hugo (Martin Scorsese, 2011) Looper (Rian Johnson, 2012) Prometheus (Ridley Scott, 2012)

[wilburwantstokillhimself]

[sylviagetyourheadouttheoven]

[wilburwantstokillhimself]

(sigh)

[fuckyeahwomenfilmdirectors]

No longer content just to be making movies, a new generation of critically heralded female directors is rivaling the male establishment at the box office — and redefining what it means to be a woman in Hollywood. (x)

[wilburwantstokillhimself]

Vivian Maier

[wilburwantstokillhimself]

The Daily Routines of Famous Creative People

[whishawben]

[wilburwantstokillhimself]

fuckyeahwomenfilmdirectors:

Abbie Cornish and Ben Whishaw during rehearsals for Bright Star.

[wilburwantstokillhimself]

Henri Cartier-Bresson: The Decisive Moment by Cornell Capa

[wilburwantstokillhimself]

Ah Xian

[wilburwantstokillhimself]

“I want to take this opportunity to speak to my generation and Jane Campion. As far as I remember, 'The Piano' is the first movie I saw. When I asked my stepmother 'What should I watch?', she told 'The Piano'. This film has defined my life, my career. Few films have determined me so much than 'The Piano' and be in front of you, on a stage... Your Piano made me want to write roles for women - beautiful women with soul and will and strength, not victims or objects.

A note for people my age, my generation. These are notes for the past few years in this crazy world. Despite people who stick to their tastes and dislike what you do, stay true to who you are. Let us hold on to our dreams, because we can change the world through our dreams, we can make people laugh, make them cry. We can change their thoughts, their minds. And changing their minds we can change the world. They are not only politicians and scientists who can change the world, but also artists. They have always been doing it. There is no limit to our ambition other than the ones we give ourselves and those that others give us. In short, I think everything is possible to one who dreams, dares, works and never gives up." *