Xuebing Du
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#extradirty
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KIROKAZE

blake kathryn
wallacepolsom

Andulka
DEAR READER
i don't do bad sauce passes

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oozey mess

ellievsbear
One Nice Bug Per Day
trying on a metaphor
Today's Document

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RMH
noise dept.
cherry valley forever

seen from Estonia
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seen from Maldives
seen from Philippines
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seen from United States

seen from United States
seen from United Kingdom
seen from Lithuania
seen from Malaysia

seen from United States

seen from United Kingdom

seen from United States
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seen from United States

seen from United States

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seen from Germany
@wildbery
sorry! been away for awhile! stay tuned
ive probably said this before but i LOVE the twilight zone episodes with no quantifiable moral at the end, they just wrap up like “wouldnt it be fucked up if that happened?”
Alicia Ostriker, from The Imaginary Lover: Poems; “25th Year of Marriage, It Goes On,”
a heart that always understands also gets tired
everyone has heard this but not everyone understands so I’m gonna say it again and a little differently, how a person chooses to treat you is not a reflection of your worth or character, it’s a reflection of their issues and their choice to not handle them in a healthy, proper way…which is not your damn problem
My Chemical Romance providing two nights of face shredding
how bout u nerds “Marvel” at a pair of titties for once
The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943) dir. by Maya Deren, Alexander Hammid
“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’ (the theory that the universe and all existence and all energy has been recurring, and will continue to recur, in a self-similar form an infinite number of times across infinite time and space)? You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – Wendy Haslem & Rick Kelley
some portrait practice I did of Jake Gyllenhaal
https://www.instagram.com/p/B0blWl8HssY/?igshid=10n9vpcdob7xn